Paris, Gallimard, Collection Du Monde Entier, 1963. In-8, broché, non coupé, 217 pp. Edition originale de la traduction. Un des 26 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
Paris, Gallimard, Collection Du Monde Entier, 1959. In-12, broché, 280 pp. Edition originale de la traduction. Un des 41 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. En parfait état.
Paris, Gallimard, Collection Du Monde Entier, 1958. In-8, broché, non coupé, 338 pp. Edition originale de la traduction. Un des 41 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. N° 5. En parfait état.
2012rif. 54130Reference Recordings, 2012. RR-125 CD CD
1983rif. 24319Documents, 1983. 1 CD CD
2007rif. 36740Naxos, 2007. 1 CD CD
2011rif. 200833New York and Madrid Spain: Tf. Editores and D.A.P. / Distributed Art Publishers Inc 2011. First edition and first printing. Hardcover. 281 pages. Features essays by Francisco Calvo Serraller and Miguel Delibes. Includes numerous color illustrations. A clean and tight near fine copy in a near fine dust jacket with some minor wear. A very nice copy of one of the better books on this Spanish artist. Tf. Editores and D.A.P. / Distributed Art Publishers Inc unknown books
rif. 416833 pp. Folio. Notated on 20-stave music paper on five 3-stave systems per page on rectos only. In G minor. With a number of erasures and corrections; original titles to head of first page of music crossed out. With text by noted French poet Armand Silvestre 1837-1901: Que l'heure est donc brève Qu'on passe en aimant! C'est moins qu'un moment Un peu plus qu'un rêve. Le temps nous enlève Notre enchantement. Que l'heure est donc brève Qu'on passe en aimant! Sous le flot dormant Soupirait la grève; M'aimais-tu vraiment Fût-ce seulement Un peu plus qu'un rève Que l'heure est donc brève Qu'on passe en aimant! Somewhat worn and browned; slightly creased; a few small edges tears to blank margins; the three leaves tied together with string threaded through small hole to blank upper inner margin. Number 2 of the Quinze mélodies et deux choeurs pour voix de femmes published by G. Hartmann in 1885. "Delibes' masterpiece is Lakmé which offers more than just a fine vehicle for a star soprano; the two principal male characters Nilakantha and Gérald are firmly drawn and the music is melodic picturesque and theatrically strong. . The vocal writing is of the highest quality . Outside the theatre for which Delibes wrote nearly all his music his most notable work was as a composer of choruses now undeservedly neglected. His output of songs was relatively small and that of instrumental and church music almost negligible. . His workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour . " Hugh Macdonald in Grove Music Online A number of Silvestre's poems were set to music by noted French composers including Gabriel Fauré André Messager and Jeanne Rivet. A desirable working manuscript affording insight into the creative process of one of the 19th century's most important composers for the stage. unknown books
1950rif. 27855Paris: Heugel PN 7879 1950. Octavo. Printed wrappers. 2ff. 132 pp. Slightly browned. A modern reprint. "The decisive advance in Delibes' career came with the ballet Coppélia ou La fille aux yeux d'émail played at the Opéra on 2 May 1870. Based on E.T.A. Hoffmann it has remained one of the best loved of all classical ballets and shows Delibes' musical gifts at their most appealing." Hugh Macdonald in Grove Music Onlilne. Heugel [PN 7879] unknown books
rif. 271293 pp. of a bifolium. Ca. 161 x 102 mm. Dated "Sunday." On ivory paper. In French with translation. Delibes discusses a business venture with "our millionaire." He had hoped to see his correspondent the day before at a session of the Exposition jury or a soirée wasn't able to join him at the Opéra-Comique and asks him to give his regards to "Madame Gonzien." ". On Friday I went to meet our millionaire. You have been very kind to him and what I told him about you could only confirm this good impression. But personally he doesn't want to do anything; this is an absolutely firm stance. Only his brewery could benefit from the success of the thing. But he is the principal sponsor and shareholder and promised to 'push the wheel' in your desired direction. " Slightly worn and soiled; creased at folds; small ink stain to second page affecting one word. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online. unknown books
rif. 233364 pp. of a bifolium. Small octavo. Dated Monday evening December 5 between 1883 and 1891. On ivory paper with black borders. In French with translation. Having returned to Paris Delibes is anxious for news of the second run of his opera Lakmé. Because his correspondent's letter was delivered to the wrong address he has had to seek information elsewhere. Unfortunately another audience member has told him that the tenor and "basse chantante" have weak voices. Delibes suggests they replace the latter with a certain "Monsieur Schmidt" in order to increase ticket sales. In January he and his correspondent will discuss his opera Le Roi l'a dit which premiered at the Opéra-Comique on May 24 1873. "Unfortunately a more recent letter.tells me that our tenor is always weak as well as the 'basse chantante' i.e. high lyric bass and that the whole weight of the performance rests on Madame Alice Verheyden who alone has some success in the work. I add that these reports do not come from her husband!" Slightly soiled and foxed; creased at folds. "Delibes's workmanship was of the highest order; he had a natural gift for harmonic dexterity and a sure sense of orchestral colour and nothing in his music is out of place. He was a disciplined composer and it is tempting to see in the exquisite pastiche dances that he composed in 1882 for Hugo's Le roi s'amuse not just a sharp ear for style but a genuine feeling for the world of 17th-century French classicism later to be espoused with such ardour by Saint-Saëns d'Indy and Debussy." Hugh Macdonald in Grove Music Online. Lakmé is considered the composer's masterpiece. It offers more than just a fine vehicle for a star soprano; the two principal male characters Nilakantha and Gérald are firmly drawn and the music is melodic picturesque and theatrically strong. The opera was first performed at the Opéra-Comique Salle Favart in Paris on April 14 1883. Delibes's correspondent Miral was perhaps the director of the Théâtre Municipal de Nancy. If this is the case it is quite likely that the production mentioned in this letter took place there. unknown books
1973rif. 59518Barcelona: Ediciones Destino 1973. Small 8vo pp. 166 2; black cloth; text illustrations; owner's signature on flyleaf else near fine in a very good sun toned pictorial dust jacket. Ediciones Destino unknown books
rif. 605465"Leo Delibes" in black fountain pen ink on stiff pale blue card. Monday morning n.d. 4 5/8" x 3 1/2" 1 leaf recto and verso. Text in French. Fine. Referring to an opera arrangement. books
1990rif. 181317New York: Pantheon 1990. Hardcover. Very Good/Very Good. First am. Very good or better in a Very good plus dust jacket. Minor shelf-rubbing clean pages. Pantheon hardcover books
2011rif. 202866Madrid: Tf Editores 2011. Hardcover. VG/VG: Exlibrary book in excellent condition. Stamp on the top text block the half-title page and on the back free end page. Sticker on the back pasted end page. All other library stickers/etc. are on top of the mylar jacket. A blue casebound book with the title debossed in glossy text down the spine. There is a color-illustrated dust jacket with the title printed in white lettering down a multi-colored spine. The free and pasted end pages are illustrated. Pages: 7 8-281 4. Profusely illustrated with color images. Contents are as follows: Miguel Delibes double portrait / Antonio López García -- Antonio López García / Miguel Delibes -- Approaching reality / Francisco Calvo Serraller -- Antonio López García : paintings and sculpture 1953-2011 -- Appendix. Tf Editores hardcover books
1990rif. 618684New York: Pantheon Books 1990. Hardcover. Near Fine/Near Fine. First American edition. Translated from the Spanish by Frances M. Lopez-Morillas. Spotting on the board edges else near fine in a near fine dust jacket with toning. Advance Review Copy with publisher's slip laid in. Pantheon Books hardcover books
2006rif. 708762Woodstock NY: Overlook Press. 2006. Advance Reading Copy. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Overlook Press paperback books
2018rif. 1-8423353524Austral 2018. Paperback. New. 100 pages. Spanish language. 7.48x4.92x0.55 inches. Austral paperback
2006rif. DADAX8423342301Planeta 2006-03-16. pocket_book. New. 4.92x0.59x7.48. Buy with confidence. Excellent Customer Service & Return policy. Planeta unknown
1992rif. 40235Destino 1992. tapa dura. 2ª Mano/2ª Mano. Destino. 1992. Pequeño Delfin 1. Primera edición edición. Tapa dura con lomo de tela 90 páginas Tapa dura 17x25cm. 90pp. Destino hardcover
2011rif. 200833New York and Madrid Spain: Tf. Editores and D.A.P. / Distributed Art Publishers Inc 2011. First edition and first printing. Hardcover. 281 pages. Features essays by Francisco Calvo Serraller and Miguel Delibes. Includes numerous color illustrations. A clean and tight near fine copy in a near fine dust jacket with some minor wear. A very nice copy of one of the better books on this Spanish artist. Tf. Editores and D.A.P. / Distributed Art Publishers Inc unknown
1880rif. 959AG1880. Paris "Figur du Jour" o.J. um 1880. Holzschnitt von Alfred le Petit. Blattgrösse: 30 x 24 cm. Delibes studierte am Pariser Conservatoire und wurde zunächst Akompagnist am Théatre Lyrique. Später wirkte er an der Grossen Oper als 2. Chordirektor. Mit seinen Kompositionen Opern Operetten Ballette u.a. wurde er immer erfolgreicher sodass er diese Stellung 1872 aufgab. unknown
rif. 2103SB091Ou la Nymphe de Diane. Ballet en 3 actes de Léo Delibes. Académie Nationale de Musique. Au Ménestrel. Heugel & Cᴵᴱ. Paris. S.d. De 345x26 cm. Com cerca de 100 páginas com diversas numerações. Encadernação com lombada em tela. Ilustrado com partituras de 15 obras musicais. Impresso sobre papel encorpado. Exemplar com defeitos ligeiros nas pastas estando a encadernação cansada e quase solta. Com um índice manuscrito na folha de guarda anterior com várias anotações a lápis e em letra coeva e diversos carimbos oleográficos ao longo do miolo. Com picos de humidade e ocasionais rasgos. Este livro reúne partituras de 15 peças publicadas por diversos editores e em parte inseridas em publicações periódicas. Inclui textos em português francês e inglês: Sylvia por Léo Delibes; Horas do Rio por Alberto Sarti; As Amendoeiras por Alberto Sarti; Historia do Fado por Alves Coelho; Serrana por Alfredo Keil; Alma da Guitarra por Raul Ferrão; Moreninha por Alberto Sarti; Madrugada por Fabião Figueira; Because por Guy d'Hardelot; The Missouri Waltz por Frederic Knight Logan; Destiny por Sydney Baynes; Mother Machree por Chauncey Olcott; The Moonlight Waltz por Frederic Knight Logan; Beautiful Ohio por Mary Earl; Hong Kong por Von Holstein & Alma M. Sanders. I-182-G-7 unknown
rif. 1585678899.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 8423334783.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback