584 resultados
1879ref. 26260Paris: Durand Schoenewerk PN D.S. & Cie. 2551 1879. Large octavo. Half mid-blue cloth with marbled boards speckled edges marbled endpapers. 1f. dedication 1f. decorative title printed in red and blue 1f. engraved frontispiece portrait of Etienne Marcel by G. Fraipont after A. de Neuville 1f. named cast list 1f. table of contents 365 i blank pp. Named cast includes Delrat Stéphanne Plançon De Grave Echetto Baron Nerval Reine Mézeray Amélie Luigini Legénisel Bonnefond Morfer and Frédéric. Publisher's and vendor's handstamps to lower blank margin of title. Binding very slightly worn and rubbed; minor soiling and wear to outer edge. Occasional very light soiling not affecting music. A very attractive copy overall. First Edition. Ratner II p. 99. First performed at the Grand Theatre in Lyons on 8 February 1879. Saint-Saens and Gallet took as subject matter for their historical drama the life of Etienne Marcel hero of the 1358 popular rebellion during the regency of the Dauphin Charles. The subject held contemporary resonance in the rebuilding of Paris following the destruction of the Commune. Durand Schoenewerk [PN D.S. & Cie. 2551] unknown books
1877ref. 26236Paris: Choudens Père et Fils PN A.C. 3558. 1877. Large octavo. Quarter contemporary green calf with textured green paper boards rules and titling gilt to spine. 1f. title within decorative borders engraved by J. Bourgeois 1f. dedication to Albert Libon by the composer 1 named cast list for the first performance and table of contents 2-304 pp. Text in French. With vendor's handstamp to lower margin of title and printer's note to the lower margin of table of contents "Paris Imp. Fouquet. Baudon Gr.". Binding slightly worn rubbed and bumped. Slightly browned; occasional light stainiing; many leaves with light to moderate foxing or mold especially to margins. First Edition of the first version. Ratner II p. 73. Le Timbre d'argent to a libretto by Jules Barbier and Michel Carré was first performed at the Théâtre Lyrique in Paris on February 23 1877. "Composed in 1864-5 for the Théâtre Lyrique Paris the opera was kept from the stage first by the theatre's bankruptcy then by the Franco-Prussian War and was not played until 1877. In the meantime Saint-Saëns had recomposed the dialogue to form a grand opera version which was not played until 1913. The music is enormously fluent and versatile . There are some bold scenic ideas including a theatre seen from the back of the stage and some fanciful transformations. It seems no coincidence that the opera's 18 performances in 1877 exactly coincided with Offenbach's first concentrated labours on Les contes d'Hoffmann." Hugh Macdonald in Grove Music Online. Choudens Père et Fils [PN A.C. 3558.] unknown books
1920ref. 18229Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 12 aout 1920.Lettre d'une page recto verso. Petites déchirures. Lettre coupée en 2. Etat satisfaisant. Format in-4°(27x21).
1991ref. 9971600Edwin Mellen Press Ltd 1991. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:0773495274 Edwin Mellen Press Ltd hardcover
ref. 20147explaining that he appreciates very much his request but is "bowled over with work. Please excuse me" 3 sides 8vo. St. Germain-en-Laye 26th May n.y. circa unknown
ref. 33004taken from an autograph album "England is a delightful country. respectfully." 1 side 4to. with another entry underneath no place 2nd June A fine example for framing unknown
2004ref. x-0754632806Ashgate Pub Ltd 2004. Hardcover. New. illustrated edition. 153 pages. 9.75x6.50x1.00 inches. Ashgate Pub Ltd hardcover
ref. 71925Paris L. Baschet 1886. 8vo. 6 23 pp. Title printed in red and black red frames. Somewhat worn contemporary half brown morocco gilt spine and with printed wrappers preserved. Hinges worn with a small crack. Thick paper copy. Not in Garcia or in Furchheim. The composer Saint-Saëns’ 1835-1921 treaty on the ancient theatres dedicated to Charles Nuttier deals mainly with the theatres in Pompeii and with the wall paintings in Pompeii depicting theatres. unknown
1913ref. 18230Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 7 mars 1913.Lettre d'une page recto verso. Petites déchirures. Bon état. Format in-12° (19x15).
2018ref. BN110312Brepols 2018. 2018. Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript Brepols unknown
ref. 234193Paris-Londres, Buckingham [Édouard Blot imprimeur], Dublin, J. M. O'Toole, s.d. (1873) in-4, [4] ff. n. ch. (titre avec vignette en couleurs, table, introduction, préface de Bertall), et 40 planches en couleurs, chacune légendée d'un feuillet de texte, petite déchirure à la légende de la planche 36, percaline bordeaux, dos lisse, décors à froid sur les plats, titre poussé en lettres dorées sur le plat supérieur, tranches dorées (reliure de l'éditeur). Exemplaire un peu déboîté, plats défraîchis.
ref. 056252Paris A. Durand & Fils, Editeurs (sans date, fin XIXeme) 0 in 4 (35,5x28) 1 volume broché, couverture originale (petit renfort ancien à l'intérieur de la couverture), 59 pages. Camille Saint-Saëns, Paris 1835 - Alger 1921, pianiste, organiste et compositeur français. Bel envoi autographe signé par Camille Saint-Saëns, daté 1896. Bel exemplaire
ref. 056251Paris J. Hamelle éditeur (sans date, fin XIXeme) 0 in 4 (34,5x28) 1 volume broché, couverture originale contrecollée (montage ancien), 63, 6, 9, 11, 12, 11 pages. Lith. de C. G. Rodier, Leipzig. Camille Saint-Saëns, Paris 1835 - Alger 1921, pianiste, organiste et compositeur français. Bel envoi autographe signé par Camille Saint-Saëns, daté 1896. Bel exemplaire
1913ref. 18228Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 14 juillet 1913.Lettre d'une page recto verso. Très bon état. Format in-12°(18x14).
1914ref. 18231Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 27 septembre 1914."Cher Madame Bien heureux de vous savoir en bonne santé et bien reconnaissant de votre affectueux...Votre tout dévoué C. Saint-Saens".Lettre d'une page recto verso. Très bon état. Format in-12°(17x11) plié.
1910ref. 18232Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 25 octobre (vers 1910-1915) (pas d'année). Papier à en-tête "Rue de Courcelles, 83 bis."Chère Madame, On ne pourra pas...(?) cette saison à Monté Carlo. D'ailleurs la Duchesse d'Estampes est plutôt une Marguerite qu'une Valentine..."Lettre d'une page recto verso. Format in-12°(18x13). Très bon état.
ref. 333362 pages in8 - enveloppe - trés bon état -
1890ref. GF357951890 Paris - Calmann - Lévy - 1890 - 1 volume in8 de 131 pages - Reliure demi toile verte - Bel exemplaire -
ref. 211283Paris, E. Plon, 1878 in-4, [2] ff. n. ch., 659 pp., avec un frontispice, de très nombreuses vignettes gravées dans le texte, dont 94 à pleine page anopisthographe, numérotées 1-94, demi-maroquin lie-de-vin, dos à nerfs fleuronné, coins en vélin vert, tête dorée (reliure de l'époque).
ref. 271153 pp. of a bifolium. Octavo ca. 159 x 101 mm. Dated "Sunday." On black-bordered ivory mourning stationery. In French with translation. Saint-Saëns writes that his correspondent "has done well to be insistent" about the ending of an unidentified work and has implemented the necessary corrections. "This ending was necessary. 'L'ombre abrite' is impossible. I put 'dans l'ombre près del la fenêtre' and I substituted 'doux enfant' for 'jeune enfant'. That is obvious I know but it is a platitude. Never neither in prose nor in verse should one put a useless adjective. By finishing short and simple my piece gains a lot from this addition." Small annotation to blank final page. Slightly worn and soiled; creased at folds. "Like Mozart to whom he was often compared Saint-Saëns was a brilliant craftsman versatile and prolific who contributed to every genre of French music. He was one of the leaders of the French musical renaissance of the 1870s." Sabina Teller Ratner et al. in Grove Music Online. unknown
ref. 271153 pp. of a bifolium. Octavo ca. 159 x 101 mm. Dated "Sunday." On black-bordered ivory mourning stationery. In French with translation. Saint-Saëns writes that his correspondent "has done well to be insistent" about the ending of an unidentified work and has implemented the necessary corrections. "This ending was necessary. 'L'ombre abrite' is impossible. I put 'dans l'ombre près del la fenêtre' and I substituted 'doux enfant' for 'jeune enfant'. That is obvious I know but it is a platitude. Never neither in prose nor in verse should one put a useless adjective. By finishing short and simple my piece gains a lot from this addition." Small annotation to blank final page. Slightly worn and soiled; creased at folds. "Like Mozart to whom he was often compared Saint-Saëns was a brilliant craftsman versatile and prolific who contributed to every genre of French music. He was one of the leaders of the French musical renaissance of the 1870s." Sabina Teller Ratner et al. in Grove Music Online. unknown books
1882ref. 550551 vol. in-12 reliure de l'époque demi-basane marron, Calmann-Lévy, Ancienne Maison Michel Lévy Frères, Paris, 1890, 2 ff., 131 pp. ; Librairie Sandoz et Fischbacher, G. Fischbacher, Paris, 1882, 220 pp.
ref. 333333 pages in8 - enveloppe - trés bon état -
ref. 333313 pages in4 - enveloppe - trés bon état -
1845ref. 39089Paris: Chlendowski 1845. Bertall. A UNIQUE SET OF BON-A-TIRER PROOFS B.A.T.s many signed by Bertall of the wood-engravings used in Balzac's "Petites misères de la vie conjugale" one of the truly great 19th-century French illustrated books. This set includes 60 proofs on Chinese paper of which 36 are SIGNED by Bertall to confirm his approval of the final image and one of which features a small ink sketch. There is no record of any other impressions of any of these prints on Chinese paper or of any signed impressions on any paper at all. Generally in excellent condition although a few are creased or spotted. 12.5 x 12 cm and smaller. UNIQUE AND IMPORTANT. IT IS EXTREMELY UNUSUAL TO FIND HAND-SIGNED PRINTS EARLIER THAN 1875. Chlendowski unknown
