Gretry, Andre Ernest ModesteBiblio.com
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2026réf. LRB528755Paris: Editions Recreasoft 2026 Langue : Français. Environ 580 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André Ernest Modeste Grétry compositeur et théoricien ces mémoires abordent la musique sous un angle personnel esthétique et pratique. L'ouvrage intéresse autant l'histoire de la musique du XVIIIe siècle que la réflexion sur l'art lyrique la composition et le goût musical à la veille de la Révolution. Major work by André Ernest Modeste Grétry composer and theorist this memoir-essay approaches music from a personal aesthetic and practical perspective. It is of interest to readers of eighteenth-century music history opera composition and musical taste on the eve of the French Revolution. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. This modern reproduction of Mémoires ou Essai sur la musique by Grétry André Ernest Modeste 1741-1813 makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB20000794Paris: Editions Recreasoft 2026 Langue : Français. Environ 584 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André-Ernest-Modeste Grétry compositeur et théoricien qui propose à la fois des souvenirs personnels et une réflexion sur l'art musical à la fin du XVIIIe siècle. Ce texte intéresse autant l'histoire de l'opéra et de la sensibilité musicale que l'étude des idées esthétiques de son temps dans une langue vive précise et souvent très éclairante sur la vie musicale européenne. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. Major work by André-Ernest-Modeste Grétry composer and theorist combining personal recollections with a reflection on the art of music at the end of the eighteenth century. This text is of interest for the history of opera and musical sensibility as well as for the study of the aesthetic ideas of its time written in a lively and precise style that is often highly revealing about European musical life. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB25025872Paris: Editions Recreasoft 2026 Langue : Français. Environ 538 pages. Français : Réimpression à la demande. Édition originale : 1812. Ouvrage majeur d'André Grétry ces mémoires tiennent à la fois de l'autobiographie du traité et de la réflexion esthétique sur l'art lyrique. Le volume réunit des considérations sur la composition le théâtre le goût musical et la pratique de l'opéra à la fin du XVIIIe siècle et au début du XIXe siècle avec une place particulière accordée à l'expérience de l'auteur comme compositeur dramatique. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1812. Major work by André Grétry these memoirs combine autobiography treatise and aesthetic reflection on the art of opera. The volume brings together observations on composition the theater musical taste and operatic practice at the end of the 18th and the beginning of the 19th century with particular emphasis on the author's experience as a dramatic composer. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 75-1200Bruxelles BE: Editions Brepols 1962. 8v0. 440pp. Very Good. Red cloth over boards faux-gilding on cover. Black and white plates throughout. En Francais. Bruxelles, BE: Editions Brepols, 1962 hardcover
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1905réf. 28510Paris: Choudens PN A.C. 10754 1905. Large octavo. Full red cloth with titling to spine gilt original publisher's illustrated wrappers printed in red and black bound in. 1f. recto title verso blank 1 cast list and contents 2-109 i blank pp. Occasional performance annotations in blue ink. Upper wrapper slightly soiled; handstamps to upper margin of front endpaper. Browned; rectangular handstamp with annotations in blue pen to upper margin of title; tape repairs to lower margin of p. 39; handstamp to verso of final leaf. Richard Coeur de Lion in three acts to a libretto by Michel-Jean Sedaine after an anonymous account in the Bibliothèque universelle des romans ii July 1776 pp.163-94 was first performed in Paris at the Comédie-Italienne Salle Favart on 21 October 1784 with a later revision in four acts first performed in Paris at Fontainebleau on 25 October 1785. Choudens [PN A.C. 10754] unknown
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