Gretry

Gretry — marelibri

GRETRY Andre Ernest Modeste 1741 1813ABAA

Silvain Comédie en un Acte et en Vers Dédié A son Altesse Royale Monseigneur Le Prince Charles de Pologne Due de Saxe de Courlande et de Semigalle. Gravé par le Sr. Dezauche Prix 15th . Oeuvre IVE. Full score

1770réf. 32214Paris: Aux Adresses ordinaires . Lion M. Castaud . M. Serrieres 1770. Folio. Full contemporary green vellum with octagonal cut paper label to upper with titling in manuscript. 1f. rec to title verso dedication 134 pp. Engraved. With overpaste of Parisian music publisher "Bailleux" to imprint. From the collection of the American composer and conductor Gene Forrell 1915-2005 with his signature and embossed London address to endpapers. Binding slightly worn rubbed and bumped; vellum to hinge and upper board split. Light uniform browning. First Edition second issue. Lesure p. 263. Sonneck: Dramatic Music p. 69. Hirsch II 361. RISM G4438. Silvain to a libretto by Marmontel after S. Gessner's Erast was first performed in Paris at the Comedie Italienne Bourgogne on February 19 1770. "Grétry's operas which enjoyed such a vogue in France. cannot be judged without the contribution of his librettists. Nevertheless full credit must be given to his own contributions to the planning partly revealed in his Réflexions d'un solitaire as well as his unrelenting desire to extend the scope of both opéra comique and opéra. Grétry's very attractive melodic gift was an essential ingredient and helps justify the occasional revival of his music. With his librettists he brought to life a range of splendidly imagined characters ranging from bumpkins to monarchs or from a rebellious female warrior to the murderous Bluebeard. His best scores had wide currency especially in Germany: it is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." David Charlton in Grove Music Online. Aux Adresses ordinaires ... Lion M. Castaud ... M. Serrieres unknown books

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GRETRY Andre Ernest Modeste 1741 1813ABAA

Le Tableau Parlant . Dedié à Monseigneur le Duc de Choiseul . Représente pour la premiere fois le 20. Septembre 1769. par les Comédies Italiens du Roy Prix 15th Gravé par Le Sr. Hue . l'Imprimerie de Montulay. Full score

réf. 32128Paris Lyon: Aux Adresses ordinaires de Musique A Lion M. Castaud. Folio. Full contemporary green vellum with octagonal cut paper label titled in manuscript to upper red edges. 1f. recto title verso blank 1f. recto dedication verso blank 135 pp. Engraved. With small rectangular contemporary Parisian music seller's label to upper outer corner of verso of title: "Le Menu Auteur Editeur et Md. de Musique De Madame la Dauphine Tient Magasin de Musique Françoise Italienne; et de Papier Reglé Rue du Roule à la Clef d'or la 5ème Boutique à droite en entrant par la Rue St. Honoré. A Paris." From the collection of the American composer and conductor Gene Forrell 1915-2005 with his signature and embossed London address to endpapers. Binding quite worn rubbed and bumped; tears; some loss to spine; other minor defects. Slightly worn; some soiling and small stains; lower outer corners creased; single stab hole to upper inner margins; minor worming to central inner margins; title quite soiled. First Edition. Loewenberg 307. Sonneck p. 69. Lesure p. 263. BUC p. 405. Hirsch II 362. RISM G4466. A comédie-parade in one act to a libretto by Louis Anseaume Le Tableau Parlant was first performed in Paris at the Comédie-Italienne Hôtel de Bourgogne on September 20 1769. "The originality of Grétry's opera emphasized by Grimm in the Correspondance littéraire is founded on its witty approach to the characters: the music dovetails sudden changes in their feelings and in particular captures ironic and self-ironic expressions. The farcical side of the opera is counterbalanced by lyrical amorous duets between the two couples." Michael Fend in Grove Music Online. "Grétry's operas which enjoyed such a vogue in France. cannot be judged without the contribution of his librettists. Nevertheless full credit must be given to his own contributions to the planning partly revealed in his Réflexions d'un solitaire as well as his unrelenting desire to extend the scope of both opéra comique and opéra. Grétry's very attractive melodic gift was an essential ingredient and helps justify the occasional revival of his music. With his librettists he brought to life a range of splendidly imagined characters ranging from bumpkins to monarchs or from a rebellious female warrior to the murderous Bluebeard. His best scores had wide currency especially in Germany: it is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." David Charlton in Grove Music Online. Aux Adresses ordinaires de Musique, A Lion M. Castaud unknown books

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GRETRY Andre Ernest Modeste 1741 1813ABAA

Lucile Comedie en un Acte Et en Vers Dediée A son Excellence Monseigneur le Comte D'Oultremont Frere et Premiere Ministre de son Altesse Monseigneur le Prince-Evêque de Liege . Réprésentée pour la premiere fois par les Comédiens Ital. ordines du Roi le 5. janv. 1769. Gravée par Dézauche. Prix 15tt . Imprimerie de Montulai. Full score

1769réf. 32211Paris Lion: M. Castaud 1769. Folio. Contemporary full green vellum with octagonal cut paper label titled in manuscript to upper board. 1f. recto title verso blank 1f. recto dedication verso blank 131 pp. Engraved. From the collection of the American composer and conductor Gene Forrell 1915-2005 with his signature and embossed London address to endpapers. With rectangular printed label of French publisher "Le Menu" to foot of title. Binding moderately worn; vellum separated at spine; hinge partially split. Some worming mostly to inner margins; occasional minor tears repaired; title soiled; marginal tears to final two leaves. First Edition first issue. Lesure p. 259. Sonneck Dramatic Music p. 66 later issue. Hirsch II 339. RISM G4225. Lucile to a libretto by Marmontel after his L'école des pères was first performed in Paris at the Comédie-Italiennes Hôtel de Bourgogne on January 5 1769. The plot centers around the daughter of working man who enters a bourgeois family. "Lucile was Grétry's most popular opéra comique for more than ten years. Its sentimental solutions to problems of social inequity tapped enormous resources of public sympathy; audiences could identify with either party still be satisfied and emerge both 'weeping and enchanted' as described by Louis Petit de Bachaumont in his Mémoirs secrets iv 1787 pp.208-9. The music spans a considerable range of feeling and drama with Blaise's F minor character portrait 'Ah! ma femme!' as the linchpin of the whole." David Charlton in Grove Music Online. M. Castaud unknown books

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