183 résultats
réf. 66783Braunschweig & New York Henry Litolff's Verlag s.d. 1890 2 volumes In-8 en un 25 cm 116-112pp. reliure demi-basane de l'epoque dos orne quelques rousseurs Nb-0395 unknown
réf. 64071Eds Mardaga 2004 In-4-carre 29 cm 189pp. illustr. dessins plans et peintures Nb-0256 unknown
réf. 1022582666.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1900réf. 450687Paris : A. Leduc 1900. First Edition. Hardcover. Good copy in the original leather-backed marbled boards with gilt-blocked title to spine. Spine bands and panel edges somewhat dust-toned and rubbed as expected with age. Minor foxing to prelims and edges otherwise internally clean with occasional light creasing. Binding tight. Remains well-preserved overall. Series; Edition Bijou: chefs d'oeuvre des grands maîtres opéras célèbres 18. Physical description; 1 vocal score 159 pages ; 21 cm. Subjects; Operas Vocal scores with piano. Paris : A. Leduc hardcover
réf. 75-1200Bruxelles BE: Editions Brepols 1962. 8v0. 440pp. Very Good. Red cloth over boards faux-gilding on cover. Black and white plates throughout. En Francais. Bruxelles, BE: Editions Brepols, 1962 hardcover
2026réf. LRB528755Paris: Editions Recreasoft 2026 Langue : Français. Environ 580 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André Ernest Modeste Grétry compositeur et théoricien ces mémoires abordent la musique sous un angle personnel esthétique et pratique. L'ouvrage intéresse autant l'histoire de la musique du XVIIIe siècle que la réflexion sur l'art lyrique la composition et le goût musical à la veille de la Révolution. Major work by André Ernest Modeste Grétry composer and theorist this memoir-essay approaches music from a personal aesthetic and practical perspective. It is of interest to readers of eighteenth-century music history opera composition and musical taste on the eve of the French Revolution. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. This modern reproduction of Mémoires ou Essai sur la musique by Grétry André Ernest Modeste 1741-1813 makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB139492Paris: Editions Recreasoft 2026 Langue : Français. Environ 717 pages. Français : Réimpression à la demande. Édition originale : 1789. Source majeure pour l'étude de la pensée musicale française à la fin du XVIIIe siècle cet ouvrage rassemble les réflexions d'André-Ernest-Modeste Grétry sur la composition musicale l'expression dramatique et l'esthétique du théâtre lyrique. Il présente un intérêt particulier pour l'histoire de l'opéra la pratique de la composition et les observations personnelles de l'auteur l'un des compositeurs de premier plan de son époque. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. Major source for the study of French musical thought at the end of the eighteenth century this work brings together André-Ernest-Modeste Grétry's reflections on musical composition dramatic expression and the aesthetics of lyric theatre. It is of particular interest for the history of opera the practice of composition and the author's personal observations as a leading composer of his time. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB20000794Paris: Editions Recreasoft 2026 Langue : Français. Environ 584 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André-Ernest-Modeste Grétry compositeur et théoricien qui propose à la fois des souvenirs personnels et une réflexion sur l'art musical à la fin du XVIIIe siècle. Ce texte intéresse autant l'histoire de l'opéra et de la sensibilité musicale que l'étude des idées esthétiques de son temps dans une langue vive précise et souvent très éclairante sur la vie musicale européenne. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. Major work by André-Ernest-Modeste Grétry composer and theorist combining personal recollections with a reflection on the art of music at the end of the eighteenth century. This text is of interest for the history of opera and musical sensibility as well as for the study of the aesthetic ideas of its time written in a lively and precise style that is often highly revealing about European musical life. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB25025872Paris: Editions Recreasoft 2026 Langue : Français. Environ 538 pages. Français : Réimpression à la demande. Édition originale : 1812. Ouvrage majeur d'André Grétry ces mémoires tiennent à la fois de l'autobiographie du traité et de la réflexion esthétique sur l'art lyrique. Le volume réunit des considérations sur la composition le théâtre le goût musical et la pratique de l'opéra à la fin du XVIIIe siècle et au début du XIXe siècle avec une place particulière accordée à l'expérience de l'auteur comme compositeur dramatique. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1812. Major work by André Grétry these memoirs combine autobiography treatise and aesthetic reflection on the art of opera. The volume brings together observations on composition the theater musical taste and operatic practice at the end of the 18th and the beginning of the 19th century with particular emphasis on the author's experience as a dramatic composer. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. 139031393X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259514438.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 45151914like new. unknown
réf. 18816974like new. unknown
réf. 1162021071.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1955réf. 009647Paris (Gretry Wols) 1955 En feuilles, sous chemise cartonnée bleue éditeur.
réf. 0260909386.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1160185573.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0666770743.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 9411Librairie de L. Hachette et Cie, Paris, 1868. Fort in-8, demi-chagrin bleu à coins, reliure postérieure, doré sur tranches, signet, viii-680 pp.
réf. 5967Ville de Liège, 1946. In-12, plaquette agrafée sous couverture illustrée, 36 pp. La Maison de Grétry : Une heure au musée - Avant-propos - Aperçu historique - Suivez le guide!.
réf. LRB939Éditions d'Aujourd'hui Plan'de'la'Tour (Var), France Collection : Les introuvables — ISBN : 2-7073-0351-2 — Langue : français — Reliure : Broché, couverture rose imprimée — État du livre : Très bon état ? légers frottements à la couverture, intérieur propre
réf. 1019604069.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1843réf. 36799Paris: Mme Ve Launer PN Vve. L. 3379 1843. Large octavo. Quarter dark green calf with marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. title within decorative border incorporating the names of 8 composers verso cast list and "Table Thèmatique 1f. "Notice" extracted from Grétry's Memoires 120 pp. Engraved. Binding very slightly worn rubbed and bumped. Browned throughout; several leaves partially detached and slightly frayed at inner edges. "This version of the Beauty and the Beast story was created from two literary sources: the substance of the story is from La belle et la bête by Jeanne Marie Le Prince de Beaumont and the names and the setting from Amour pour amour a verse play by P. C. Nivelle de La Chaussée 1742 . Recognized immediately as Grétry's best as well as largest work to date Zémire et Azor had immense international success it was given at the King's Theatre London in 1779. The text was also used in settings by Linley the elder 1776 Gotthilf von Baumgarten 1776 and Spohr 1819. Grétry's music ranges widely in character and function and uses special instrumental effects in Acts 3 and 4. Mozart owned a copy of the score." David Charlton in Grove Music Online. Mme Ve Launer [PN Vve. L. 3379] unknown
1932réf. 29259Paris: Choudens PN A. C. 10712 1932. Large octavo. Original publisher's ivory illustrated ivory wrappers printed in black and dark brown. 1f. recto title verso blank 1f. recto cast list and contents verso blank 163 i blank pp. Unopened. Wrappers slightly worn soiled and dampstained; handstamp to lower margin of upper. Some signatures split or partially split. Les deux avares was first performed in Paris at Fontainebleau on 27 October 1770 during court celebrations of the wedding of the Dauphin and Marie Antoinette. "Grétry's gift for comedy extended widely. The epitome of his simpler comedy was Les deux avares where the physical stage situations are very well captured in music." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Choudens [PN A. C. 10712] unknown
1905réf. 28510Paris: Choudens PN A.C. 10754 1905. Large octavo. Full red cloth with titling to spine gilt original publisher's illustrated wrappers printed in red and black bound in. 1f. recto title verso blank 1 cast list and contents 2-109 i blank pp. Occasional performance annotations in blue ink. Upper wrapper slightly soiled; handstamps to upper margin of front endpaper. Browned; rectangular handstamp with annotations in blue pen to upper margin of title; tape repairs to lower margin of p. 39; handstamp to verso of final leaf. Richard Coeur de Lion in three acts to a libretto by Michel-Jean Sedaine after an anonymous account in the Bibliothèque universelle des romans ii July 1776 pp.163-94 was first performed in Paris at the Comédie-Italienne Salle Favart on 21 October 1784 with a later revision in four acts first performed in Paris at Fontainebleau on 25 October 1785. Choudens [PN A.C. 10754] unknown
