160 risultati
rif. 90003Sont reliées ensemble : Le tableau parlant comédie-parade en un acte et en vers melée d'ariettes (Didot, Paris, 1788, 36 p.), L'école des moeurs ou les suites du libertinage drame en cinqs et en vers (Didot, 1778, 60 p.), La partie de chasse de Henri IV comédie en trois actes et en prose (Delalain, 1783, 48 p.), L'honnête criminel drame en cinq actes et en vers (Kiesweter, Stokolm, 1785), La nuit aux avantures comédie en trois actes et en prose (Cailleau, 1787, 70 p.), Zuma tragédie (Duchesne, 1777, 44 p.), Samson mis en vers (Vente, 1781, 48 p.), Le Cid (Delalain, 1786, 52 p.), Le philosophe sans le savoir (Delalain, 1777, 47 p.), La belle Arsene comédie-féerie en quatre actes (Vente, 1783, 40 p.), Les docteurs modernes comédie parade suivie du baquet de santé (Didot, 1785, 40 p.), L'épreuve villageoise opéra-bouffon (Brunet, 1786, 32 p.).
rif. 11865Paris, Imprimerie de la République, an X (1802), 1 cartonnage, recouvert de papier marbré d'époque. in-8 de (4)-95 pp., portées musicales, exemplaire à pleines marges ;
rif. 30693A Paris, de l'imprimerie de la République, an V 1797, 3 volumes reliés demi-cuir, dos à nerfs ornés, VIII-442pp, XXII-420pp, IV-516pp; ouvrage imprimé sur ordonnance du Comité d'Instruction publique du 28 vendémiaire de l'an IV; quelques exemples musicaux in-texte; très bon papier - reliure XIXème en bon état
1820rif. 29816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border. Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown
1820rif. 29816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border. Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown books
1778Partitur. [1] Bl., 162 S. Folio. Pgt. d. Zt. Bibliothekstempel auf Vorsatz und Vorderdeckel. Das Wort "Comtesse" auf Titel ist durchgestrichen. Frühe Titelauflage der Erstausgabe. Verso Titel Verlagsanzeige bis "L`amant jaloux". RISM G/GG 4403.
1797rif. 39791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples. Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. With occasional musical examples. Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown
1797rif. 39791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples. Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. With occasional musical examples. Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown books
rif. 185646Paris, Imprimerie de la République, an X (1802) in-8, [4]-95 pp., musique notée gravée in-t., cartonnage de papier vert marbré, dos lisse muet (reliure de l'époque). Légère usure d'usage.
1955rif. 009647Paris (Gretry Wols) 1955 En feuilles, sous chemise cartonnée bleue éditeur.
