GrétryLivre Rare Book
182 résultats
réf. RO50064003Durand et schonewerk. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 3 pages de partition en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
réf. 30693A Paris, de l'imprimerie de la République, an V 1797, 3 volumes reliés demi-cuir, dos à nerfs ornés, VIII-442pp, XXII-420pp, IV-516pp; ouvrage imprimé sur ordonnance du Comité d'Instruction publique du 28 vendémiaire de l'an IV; quelques exemples musicaux in-texte; très bon papier - reliure XIXème en bon état
1812réf. 8577Chez Verdière 13 x 21,5 Paris 1812 Trois volumes, reliure de cartonnage vert de l'époque, dos lisse ornés de filets dorés, titre et tomaison dorés, frise dorée en queue, VIII-440-2 (ff. bl.), XXII-419 et IV-516 pp. Réimpression sous l'Empire du premier volume paru en 1789 et des deux suivants publiés en 1797. Le compositeur d'opéras-comiques André Grétry (1741-1813) est au fait de sa gloire en 1812. Très à la mode à la fin du XVIIIe siècle et sous l'Empire. Grétry, originaire de Liège, avait fait sa carrière à Paris. Il avait acheté sur le tard l'Ermitage à Montmorency, ancienne propriété de Jean-Jacques Rousseau. Le premier volume est consacré au récit de sa vie, à son expérience musicale et aux enjeux musicaux de la période. Les deux derniers volumes tiennent davantage du moraliste ou du philosophe aux propos teintés de rousseauisme. Grétry s'exprime sur son expérience de la composition et sur la musique de son époque. Il y développe une esthétique musicale, où la mélodie joue un rôle premier. A noter à la fin du troisième volume, la liste des ouvrages dramatiques mis en musique par Grétry et une importante Table alphabétique des matières. Cartonnages frottés, mouillure sur les VIII pages de l'avant-propos du tome I, manque en coin inférieur des pages VII-X à cause d'une auréole d'humidité, que l'on retrouve très légèrement sur quelques pages intérieures, idem à la page III du tome III, sinon beau papier vergé. (BeauC27) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
1812réf. 8577Chez Verdière 13 x 21,5 Paris 1812 Trois volumes, reliure de cartonnage vert de l'époque, dos lisse ornés de filets dorés, titre et tomaison dorés, frise dorée en queue, VIII-440-2 (ff. bl.), XXII-419 et IV-516 pp. Réimpression sous l'Empire du premier volume paru en 1789 et des deux suivants publiés en 1797. Le compositeur d'opéras-comiques André Grétry (1741-1813) est au fait de sa gloire en 1812. Très à la mode à la fin du XVIIIe siècle et sous l'Empire. Grétry, originaire de Liège, avait fait sa carrière à Paris. Il avait acheté sur le tard l'Ermitage à Montmorency, ancienne propriété de Jean-Jacques Rousseau. Le premier volume est consacré au récit de sa vie, à son expérience musicale et aux enjeux musicaux de la période. Les deux derniers volumes tiennent davantage du moraliste ou du philosophe aux propos teintés de rousseauisme. Grétry s'exprime sur son expérience de la composition et sur la musique de son époque. Il y développe une esthétique musicale, où la mélodie joue un rôle premier. A noter à la fin du troisième volume, la liste des ouvrages dramatiques mis en musique par Grétry et une importante Table alphabétique des matières. Cartonnages frottés, mouillure sur les VIII pages de l'avant-propos du tome I, manque en coin inférieur des pages VII-X à cause d'une auréole d'humidité, que l'on retrouve très légèrement sur quelques pages intérieures, idem à la page III du tome III, sinon beau papier vergé. (BeauC27) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
1789réf. 59721789 Paris 1789 chez l auteur rue poissonniere vis à vis rue beauregard, Prault imprimeur du Roi quai des Augustins, mes marchands de nouveautés et à Liège chez FJ despoer imprimeur libraire IN8 demi veau dos lisse 565 pages
réf. LRB939Éditions d'Aujourd'hui Plan'de'la'Tour (Var), France Collection : Les introuvables — ISBN : 2-7073-0351-2 — Langue : français — Reliure : Broché, couverture rose imprimée — État du livre : Très bon état ? légers frottements à la couverture, intérieur propre
réf. RO50032277Non Renseigné. sd. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages. Couvertures illustrée.. . . . Classification Dewey : 780.26-Partitions
2011réf. 2-6131571864Éditions Universitaires Européennes 2011. Paperback. New. 104 pages. French language. 8.66x5.91x0.24 inches. Éditions Universitaires Européennes paperback
réf. 6131571864.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971réf. 28748New York: Broude Brothers 1971. Large octavo. Original publisher's light ivory wrappers printed in red and blue. 1f. recto half title verso blank 1f. recto title verso printer's note 1f. blank 1f. recto facsimile of title illustrated by B. Delaroche verso blank 1f. recto facsimile of dedication versio blank 1f. recto composer's note verso blank 5-11 introduction i blank i named cast list ii contents i blank 1f. full-page illustration 342 pp. Named cast for the 1773 performance includes Larrivée Sophie Arnould Rosalie Beauménil Duplant La Suze and Dubois and for the 1775 performance Larrivée Levasseur Mallet Beauménil Duplant Chateauneuf and Dubois; dancers include Guimard Peslin Dorival Heinel Hidoux Vestris Gardel aîne Gardel cadet and Lefèvre. Wrappers slightly soiled. Very minor internal wear. Céphale et Procris a ballet-héroïque in three acts to a libretto by Marmontel after Ovid's Metamorphoses was first performed in Paris at Versailles on 30 December 1773 in celebration of the marriage of the Count of Artois and Marie Thérèse of Savoy. Number 13 in the Broude Brothers series Chefs-d'Œuvre Classiques de l'Opéra Français. Broude Brothers unknown books
1843réf. 36799Paris: Mme Ve Launer PN Vve. L. 3379 1843. Large octavo. Quarter dark green calf with marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. title within decorative border incorporating the names of 8 composers verso cast list and "Table Thèmatique 1f. "Notice" extracted from Grétry's Memoires 120 pp. Engraved. Binding very slightly worn rubbed and bumped. Browned throughout; several leaves partially detached and slightly frayed at inner edges. "This version of the Beauty and the Beast story was created from two literary sources: the substance of the story is from La belle et la bête by Jeanne Marie Le Prince de Beaumont and the names and the setting from Amour pour amour a verse play by P. C. Nivelle de La Chaussée 1742 . Recognized immediately as Grétry's best as well as largest work to date Zémire et Azor had immense international success it was given at the King's Theatre London in 1779. The text was also used in settings by Linley the elder 1776 Gotthilf von Baumgarten 1776 and Spohr 1819. Grétry's music ranges widely in character and function and uses special instrumental effects in Acts 3 and 4. Mozart owned a copy of the score." David Charlton in Grove Music Online. Mme Ve Launer [PN Vve. L. 3379] unknown books
1820réf. 29816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border. Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown books
réf. 29819266 x 159 mm. Printed on china paper and laid down to mounting sheet. The present engraving depicts the composer seated at a harpsichord with folio volumes most probably of music on the floor beneath the instrument. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. unknown books
1880réf. 36688Bruxelles: Ed. Lauweryns 1880. Octavo. Quarter black morocco with marbled boards. 1f. recto title verso blank 1f. recto cast list verso blank 126 pp. Lithographed. Binding slightly worn rubbed and bumped; spine lacking; endpapers slightly foxed. Light uniform browning; occasional foxing. Ed. Lauweryns unknown books
1932réf. 29259Paris: Choudens PN A. C. 10712 1932. Large octavo. Original publisher's ivory illustrated ivory wrappers printed in black and dark brown. 1f. recto title verso blank 1f. recto cast list and contents verso blank 163 i blank pp. Unopened. Wrappers slightly worn soiled and dampstained; handstamp to lower margin of upper. Some signatures split or partially split. Les deux avares was first performed in Paris at Fontainebleau on 27 October 1770 during court celebrations of the wedding of the Dauphin and Marie Antoinette. "Grétry's gift for comedy extended widely. The epitome of his simpler comedy was Les deux avares where the physical stage situations are very well captured in music." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Choudens [PN A. C. 10712] unknown books
1797réf. 39791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples. Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. With occasional musical examples. Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown books
1905réf. 28510Paris: Choudens PN A.C. 10754 1905. Large octavo. Full red cloth with titling to spine gilt original publisher's illustrated wrappers printed in red and black bound in. 1f. recto title verso blank 1 cast list and contents 2-109 i blank pp. Occasional performance annotations in blue ink. Upper wrapper slightly soiled; handstamps to upper margin of front endpaper. Browned; rectangular handstamp with annotations in blue pen to upper margin of title; tape repairs to lower margin of p. 39; handstamp to verso of final leaf. Richard Coeur de Lion in three acts to a libretto by Michel-Jean Sedaine after an anonymous account in the Bibliothèque universelle des romans ii July 1776 pp.163-94 was first performed in Paris at the Comédie-Italienne Salle Favart on 21 October 1784 with a later revision in four acts first performed in Paris at Fontainebleau on 25 October 1785. Choudens [PN A.C. 10754] unknown books
1820réf. 29816Zwikau: Schumann 1820. 185 x 120 mm. plus good margins. Printed on wove paper within an octagonal border. Grétry is depicted in later life; the present portrait was quite possibly done from life. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Schumann unknown
1971réf. 28748New York: Broude Brothers 1971. Large octavo. Original publisher's light ivory wrappers printed in red and blue. 1f. recto half title verso blank 1f. recto title verso printer's note 1f. blank 1f. recto facsimile of title illustrated by B. Delaroche verso blank 1f. recto facsimile of dedication versio blank 1f. recto composer's note verso blank 5-11 introduction i blank i named cast list ii contents i blank 1f. full-page illustration 342 pp. Named cast for the 1773 performance includes Larrivée Sophie Arnould Rosalie Beauménil Duplant La Suze and Dubois and for the 1775 performance Larrivée Levasseur Mallet Beauménil Duplant Chateauneuf and Dubois; dancers include Guimard Peslin Dorival Heinel Hidoux Vestris Gardel aîne Gardel cadet and Lefèvre. Wrappers slightly soiled. Very minor internal wear. Céphale et Procris a ballet-héroïque in three acts to a libretto by Marmontel after Ovid's Metamorphoses was first performed in Paris at Versailles on 30 December 1773 in celebration of the marriage of the Count of Artois and Marie Thérèse of Savoy. Number 13 in the Broude Brothers series Chefs-d'Œuvre Classiques de l'Opéra Français. Broude Brothers unknown
réf. 18816974like new. unknown
réf. 18816973like new. unknown
réf. 1275988806.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 29819266 x 159 mm. Printed on china paper and laid down to mounting sheet. The present engraving depicts the composer seated at a harpsichord with folio volumes most probably of music on the floor beneath the instrument. "Grétry made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. It is hard to imagine the evolution of opéra comique and Romantic opera in general without the part played by his works." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. unknown
réf. 1018816798.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1018821805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
