160 risultati
rif. 0366445367.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1334573956.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1805rif. 522936Paris imprimerie de la république 1805. Reliure usée tâchée en bordure .Intérieur plutot bon pas de rousseurs mais quelques mouillures éparses en marge uniquement. in-8. 1805. Relié. 419 pages. Paris imprimerie de la république unknown
2026rif. LRB528755Paris: Editions Recreasoft 2026 Langue : Français. Environ 580 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André Ernest Modeste Grétry compositeur et théoricien ces mémoires abordent la musique sous un angle personnel esthétique et pratique. L'ouvrage intéresse autant l'histoire de la musique du XVIIIe siècle que la réflexion sur l'art lyrique la composition et le goût musical à la veille de la Révolution. Major work by André Ernest Modeste Grétry composer and theorist this memoir-essay approaches music from a personal aesthetic and practical perspective. It is of interest to readers of eighteenth-century music history opera composition and musical taste on the eve of the French Revolution. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. This modern reproduction of Mémoires ou Essai sur la musique by Grétry André Ernest Modeste 1741-1813 makes an old or rare text available for consultation bibliographic research and specialized collections. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026rif. LRB139492Paris: Editions Recreasoft 2026 Langue : Français. Environ 717 pages. Français : Réimpression à la demande. Édition originale : 1789. Source majeure pour l'étude de la pensée musicale française à la fin du XVIIIe siècle cet ouvrage rassemble les réflexions d'André-Ernest-Modeste Grétry sur la composition musicale l'expression dramatique et l'esthétique du théâtre lyrique. Il présente un intérêt particulier pour l'histoire de l'opéra la pratique de la composition et les observations personnelles de l'auteur l'un des compositeurs de premier plan de son époque. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. Major source for the study of French musical thought at the end of the eighteenth century this work brings together André-Ernest-Modeste Grétry's reflections on musical composition dramatic expression and the aesthetics of lyric theatre. It is of particular interest for the history of opera the practice of composition and the author's personal observations as a leading composer of his time. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026rif. LRB20000794Paris: Editions Recreasoft 2026 Langue : Français. Environ 584 pages. Français : Réimpression à la demande. Édition originale : 1789. Ouvrage majeur d'André-Ernest-Modeste Grétry compositeur et théoricien qui propose à la fois des souvenirs personnels et une réflexion sur l'art musical à la fin du XVIIIe siècle. Ce texte intéresse autant l'histoire de l'opéra et de la sensibilité musicale que l'étude des idées esthétiques de son temps dans une langue vive précise et souvent très éclairante sur la vie musicale européenne. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1789. Major work by André-Ernest-Modeste Grétry composer and theorist combining personal recollections with a reflection on the art of music at the end of the eighteenth century. This text is of interest for the history of opera and musical sensibility as well as for the study of the aesthetic ideas of its time written in a lively and precise style that is often highly revealing about European musical life. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
rif. 93797Paris, Chez M. Flamand, Belin, Debray et Lahue, 1811. "8 x 13, 119 pp., 3 gravures, reliure carton, état moyen (dos abîmé; pas trop de rousseurs)."
1797rif. 39791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples. Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. With occasional musical examples. Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown books
rif. 0666792747.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1797rif. 39791Paris: L'Imprimerie de la République Pluviôse An V. 1797. Three volumes. Octavo. Half dark tan morocco with marbled boards. Vol. 1: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank iii-vi preface vii-viii contents 441 i blank pp. With occasional musical examples. Vol. 2: 1f. recto half-title verso publisher's note 1f. recto title verso blank 1f. recto publisher's note verso blank i "Pétition" i "Rapport" v-xviii "Introduction" xix-xxii contents 419 i blank pp. Vol. 3: 1f. recto half-title verso publisher's note 1f. recto title verso blank i-iv contents 516 pp. With a list of 50 of Grétry's "Ouvrages Dramatiques Mis en Musique" to pp. 465-473 followed by a "Table Alphabétique des Matières contenues dans les trois volumes" to pp. 474-516 with Errata to foot of final page. With occasional musical examples. Bindings considerably worn rubbed and bumped with minor loss to heads and tails of spine; endpapers slightly stained. Uniform light browning a bit heavier to some leaves; occasional staining. Quite a nice crisp copy internally overall. First complete edition. Gregory-Bartlett p. 113. Hirsch I 230. RISM Écrits p. 379. The first volume was published in 1789 and reissued when the two additional volumes were first published in 1797. Grétry "made decisive contributions to the scope and style of the 18th-century opéra comique and to technical aspects such as musical 'local colour' and the design of overtures. His opéras comiques and recitative comedies for the Paris Opéra enjoyed unparalleled success in the 20 years up to the French Revolution. Many of his works were staged abroad and a number were revived in the early 19th century in Paris: several survived through the middle decades albeit with updated orchestration. . His Mémoires are essential reading for the detailed account of his operas his musical and dramatic theories and his unabashed self-projection." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. L'Imprimerie de la République, Pluviôse, An V. unknown
rif. 0666800324.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
191394pp.avec qqs.illustrations, 19cm., br.orig., bon état, rare, [Contient la description de 525 objets relatifs à Gretry], M82681
1913rif. M82681Liège, chez Bénard 1913 94pp.avec qqs.illustrations, 19cm., br.orig., bon état, rare, [Contient la description de 525 objets relatifs à Gretry], M82681
rif. 21793Paris Chez la Veuve Duchesne, Libraire 1781 in 8 (21,5x13) 1 fascicule broché, sous couverture muette de papier marbré ancien, 60 pages. La Musique est de Grétry. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
rif. 9411Librairie de L. Hachette et Cie, Paris, 1868. Fort in-8, demi-chagrin bleu à coins, reliure postérieure, doré sur tranches, signet, viii-680 pp.
rif. 75697Henri Laurens éditeur 1930 livre biographie 21*14 126 pages les musiciens célèbres
rif. 0282211292.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1932rif. 29259Paris: Choudens PN A. C. 10712 1932. Large octavo. Original publisher's ivory illustrated ivory wrappers printed in black and dark brown. 1f. recto title verso blank 1f. recto cast list and contents verso blank 163 i blank pp. Unopened. Wrappers slightly worn soiled and dampstained; handstamp to lower margin of upper. Some signatures split or partially split. Les deux avares was first performed in Paris at Fontainebleau on 27 October 1770 during court celebrations of the wedding of the Dauphin and Marie Antoinette. "Grétry's gift for comedy extended widely. The epitome of his simpler comedy was Les deux avares where the physical stage situations are very well captured in music." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Choudens [PN A. C. 10712] unknown books
1893rif. RO50022883"Imprimerie des Annales. 2 juillet 1893. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant ""La Saint-Jean"" de Zier, ""La courte échelle"" de Berne-Bellecour, ""Course en bicyclette des artistes dramatiques"" par Paul Destez.. . . . Classification Dewey : 780.26-Partitions"
rif. 0365642282.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0365642274.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1932rif. 29259Paris: Choudens PN A. C. 10712 1932. Large octavo. Original publisher's ivory illustrated ivory wrappers printed in black and dark brown. 1f. recto title verso blank 1f. recto cast list and contents verso blank 163 i blank pp. Unopened. Wrappers slightly worn soiled and dampstained; handstamp to lower margin of upper. Some signatures split or partially split. Les deux avares was first performed in Paris at Fontainebleau on 27 October 1770 during court celebrations of the wedding of the Dauphin and Marie Antoinette. "Grétry's gift for comedy extended widely. The epitome of his simpler comedy was Les deux avares where the physical stage situations are very well captured in music." M. Elizabeth C. Bartlet and David Charlton in Grove Music Online. Choudens [PN A. C. 10712] unknown
1959rif. ABE-420869079366 PAGES-FORMAT GRAND IN 8 CARRE-EN COUVERTURE SCENE DE ORFEU NEGRO-OCTAVE MIRBEAU HEROS DE SON THEATRE PAR GERARD BAUER/12P/5 PHOTOS-ROBERT KEMP/LE DISCOURS D'EMILE HENRIOT/2P/1 PHOTO-L'AMOUR ET LE BONHEUR PAR RENE LALOU-LES ECRIVAINS ET CEUX QUI LES LISENT PAR ROBERT BOURGET PAILLERON/17P/PHOTOS/GIONO/MAC ORLAN-LES FILMS DU MOIS/ORFEU NEGRO/L'IDIOT/HIROSHIMA MON AMOUR/4P-LA MUSIQUE EN DENTELLE GRETRY, PHILIDOR, MONSIGNY,./11P-LE MOIS A PARIS PAR GERALD/CHAGALL ET SOUTINE/LE SALON DES ARTISTES DECORATEURS
1880rif. 36688Bruxelles: Ed. Lauweryns 1880. Octavo. Quarter black morocco with marbled boards. 1f. recto title verso blank 1f. recto cast list verso blank 126 pp. Lithographed. Binding slightly worn rubbed and bumped; spine lacking; endpapers slightly foxed. Light uniform browning; occasional foxing. Ed. Lauweryns unknown books
rif. 036564532X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover