Kalmus, Edwin F.MareMagnum
4 803 résultats
1955No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright yellow unmarked slightly dusty boards and no bumping to corners. 83-168pp. Twenty-two pieces of music with the associated lyrics. All lyrics in German. Undated ca 1955.
in-8°, 337 pages, rel. cartonnage ed., jaq. ill. plast. Tres bel exemplaire. [HI-7]
fort volume in-8 broché. Très bel exemplaire. [P-37]
1990Pages 1741-1928. Features: Interviews with Thomas Zehetmair, Matt Haimovitz and Alexander Baillie; Roger Norrington conducts Beethoven, Schubert and early romantic overtures; Quad 66 Preamplifier reviewed; Sawallisch records Dvorak - session report from Philadelphia; and more. Average wear. Unmarked. Binding intact. A sound copy. Magazine
1943M. TIBALDI CHIESA Schubert (la vita e l'opera) con 26 illustrazioni. Milano, Garzanti 1943 italian, 313 BTT41 Brossura editoriale, volume in discrete condizioni, 4° edizione accresciuta, firma di appartenenza sulla copertina e all'interno, pagine sfalzate, margini ancora saldati 313 pagine circaCopertina come da foto
196762p. Paperback Very good condition
1949427 p. Hardcover Very good condition
2004cm. 17 x 24, 324 pp. con 8 tavv. f.t. di cui 4 a col. Historiae Musicae Cultores - Biblioteca Questa lettura della ?Sch?ne M?llerin? di Wilhelm M?ller e Franz Schubert (1823) colloca il ciclo liederistico in una prospettiva interdisciplinare multipla. La psicologia della musica illustra come l?ascoltatore esperisca la strutturazione temporale dell?opera. Di pari passo, gli strumenti della psicopatologia fenomenologica aprono squarci rivelatori sullo struggente percorso esistenziale del protagonista, il Mugnaio. L?interpretazione viene infine contestualizzata nel rapporto intellettuale e sentimentale che leg? il musicista all?amico poeta Johann Mayrhofer. This reading of Wilhelm M?ller?s and Franz Schubert?s ?Die sch?ne M?llerin? (1823) approaches the song cycle from multiple interdisciplinary perspectives. Music psychology will be used to demonstrate how the listener experiences the temporal dimensions of the work. At the same time, the tools of phenomenological psychopathology can reveal much about the principal character?s ? the miller lad?s ? existential journey through life. This interpretation culminates by contextualizing the cycle in the intellectual and emotional relationship binding Schubert to his friend, the poet Johann Mayrhofer. 629 gr. 324 p.
1965In 8 (21,5x16) Legatura in tela con sovracopertina illustrata; pp. 225; sovracopertina con qualche strappo ai bordi per il resto ottimo
2010LIGUORI 2010 666 PP. FONDO DI MAGAZZINO: PERFETTO E INTONSO Tra la fine del XVIII e i primi decenni del XIX secolo, nell'età delle rivoluzioni (politiche, economiche, culturali), l'Europa fu attraversata da trasformazioni storiche ed antropologiche essenziali. Nell'ambito della cultura e delle arti, il movimento che più di altri seppe riflettere lo "spirito del tempo" fu il Romanticismo, tendenza che auspicava sia il recupero della tradizione che una propria identità controcorrente. La ricostruzione messa a punto in questo volume fa ben emergere come, nell'età romantica, l'arte (attraverso le poetiche di artisti quali Goya, Friedrich, Géricault, Delacroix, Turner, Fontanesi...) si sia manifestata secondo modalità plurali e perciò, di volta in volta, come naturalistica, storica, simbolica. Un'arte radicata nella civiltà filosofica, letteraria e musicale del tempo, le cui espressioni costituiscono uno degli archetipi fondamentali della creatività estetica dell'Occidente. Alfredo De Paz Insegna Metodologia della critica d´arte e Fenomenologia degli stili nell´Università di Bologna. Ha scritto numerosi saggi e libri teorici e storici sull´arte dell´Ottocento e del Novecento. Pur non trascurando i suoi molteplici interessi disciplinari, in una direzione che si dimostra assai sensibile alla storia delle idee, da molti anni è, fra l´altro, impegnato con passione analitica a interpretare l´arte e la cultura del romanticismo europeo in una prospettiva di proiezione contemporanea e postmoderna. INDICE Prologo Significati storici ed estetici dell´arte europea nell´età del Romanticismo Parte prima L´area spagnola. Goya, un annunciatore “solitario” della Modernità Parte seconda L´area tedesca. Naturalismo mistico e sentimento cosmico Parte terza L´area francese. Critica della classicità, mitologie e coscienza storica Parte quarta L´area inglese. Immaginazione visionaria e fenomenologia della natura Parte quinta L´area italiana. Permanenze neoclassiche, rievocazioni storiche e “verismo” naturalistico Epilogo Frammenti critici per una teoria generale dell´arte romantica Illustrazioni Bibliografia Indice dei nomi
1965pp. 225, in 8°, rileg. edit., collana "Le vite dei Musicisti"
1849réf. 41444Leipzig: Breitkopf & Härtel PN 7954 1849. Octavo. Newly bound in full off-white linen with original publisher's dark yellow printed wrapper trimmed and laid down to upper board black title label gilt to spine. 1f. recto title verso blank 322 pp. Title lithographed music engraved. Small 19th century oval handstamp of Amsterdam musicseller to lower margin of title. Minor paper repair to upper inner corner of title; minor soiling and staining to edges of several leaves. A very good copy overall with strong impression. First Edition. Deutsch 944 p. 605. Hirsch IV 653. Hoboken 14 627. Nottebohm p. 203. Mueller-Reuter I p. 15. Sonneck Orchestral Music p. 417. " . Schubert's travels in Upper Austria in the summer of 1825 seem to have unleashed an astonishing creative energy and optimism that found expression in the 'Great' C major Symphony d944. Few works have such unquenchable rhythmic vitality or seem more expressive of their direct surroundings from the opening horn call which returns as a triumphant apotheosis in the coda to the brisk step of the stoical marchlike Andante con moto from the joyous alfresco dance of the vast sonata-form Scherzo saturated by its opening motif to the surging triplets of the gargantuan finale. Having found his symphonic voice - a voice at once lyrical colouristic and expansive - Schubert was understandably eager to undertake more symphonic projects." Robert Winter in Grove Music Online "From any viewpoint the work bears the stamp of greatness. . The manuscript suggests that some of the symphony was composed in full score as fast as the pen could travel." The New Grove Vol. 16 p. 777. Breitkopf & Härtel [PN 7954] unknown books
1969réf. 858641969. Schubert Glendon A. Editor. Danelski David Joseph Editor. Comparative Judicial Behavior: Cross-Cultural Studies of Political Decision-Making in the East and West. New York: Oxford University Press 1969. xxii 412 pp. Illustrations. Publisher's red cloth with gilt stamped spine. Moderate shelfwear. Ex-library with ink shelf location label to foot of spine. Property stamp to verso title page. Bookplate of San Francisco College for Women to front pastedown. Card pocket to rear pastedown. Date to slip to rear free endpaper otherwise internally clean. A good copy. $45. The book is a collection of original empirical studies conducted by political scientists and lawyers. It utilizes quantitative techniques such as scalogram analysis and content analysis to examine how judicial decisions are made across different cultures and legal systems. Schubert and Danelski's work challenged the "legal subculture" view-the idea that judges are "judicial computers" who only follow legal rules-and instead highlighted the "democratic subculture" where human characteristics play a vital role in outcomes. It remains a widely cited reference for scholars researching the development of judicial ideology and the evolution of the field. unknown books
1991réf. 41589Tutzing: Hans Schneider 1991. Oblong octavo. Full mid-blue cloth with titling gilt to upper and spine. 110 pp. 2ff. textual commentary and index. Binding slightly worn; small bookseller's label to foot of front pastedown. Hans Schneider unknown books
1830réf. 41090Wien: A. Diabelli & Comp: Graben No. 1133 PN 2451 1830. Oblong folio. Disbound. 1f. recto title verso blank i blank 4-7 pp. i blank pp. Engraved throughout. On wove paper without watermark. Slightly worn and foxed; minor ink stain to blank lower margin of title; small tear to blank lower outer corner of title repaired with archival tape to verso. First separate edition second issue. Deutsch 742 p. 447. Hirsch IV 545. Raab I p. 274 A-2. Der Wachteschlag The Quail's Song set to text by Samuel Friedrich Sauter was first published in 1822 in the periodical Wiener Zeitschrift fur Kunst Literatur Theater und Mode. "The only canonic Viennese composer native to Vienna Schubert made seminal contributions in the areas of orchestral music chamber music piano music and most especially the German lied. The richness and subtlety of his melodic and harmonic language the originality of his accompaniments his elevation of marginal genres and the enigmatic nature of his uneventful life have invited a wide range of readings of both man and music that remain among the most hotly debated in musical circles." Robert Winter Maurice J.E. Brown and Eric Sams in Grove Music Online. A. Diabelli & Comp: Graben No. 1133 [PN 2451] unknown books
2013réf. 179317np: Lavalette 2013. First edition. Softcover. Artist book printed in an edition of 250 but this is number 3 of only 25 from a deluxe edition. A collection of color images that attempts to play off the title of the famous Dale Carnegie book. A fine copy in French style wrappers in a near fine black paper envelope with string tie closure and with a floppy disc that includes an additional .jpg file. Signed by Schubert on the title page. Also includes an archival 6" x 7.5" color photograph on 10" x 8" paper that is signed and numbered by Schubert on the verso. Lavalette unknown books
2014réf. 180308np: Lavalette 2014. First edition. Softcover. Artist book printed in an edition of 250 copies. A collection of color images that attempts to play off the title of the famous Dale Carnegie book. A clean very near fine copy in French style wrappers. Signed by Schubert on the title page. Lavalette unknown books
1935réf. 36929New York: Tudor 1935. Hardcover. Very Good. Octavo. Boards. 369 pp. Tudor hardcover books
1934réf. 36114Potsdam: Athenaion 1934. Hardcover. Very Good. Quarto. Full dark green cloth with gilt titling to upper. 160 pp. Profusely illustrated with illustrative plates illustrations in text and musical examples. Binding slightly worn. Athenaion hardcover books
1978réf. 36115Wien: Universal 1978. Softcover. Very Good. Quarto. Original publisher's blue wrappers with silhouette of Schubert in darker blue. Over 300 pp. index. Profusely illustrated. Text in German and English. Universal unknown books
1914réf. 36068München Leipzig: Georg Müller 1914. Hardcover. Very Good. Thick octavo. Black-cloth backed patterned boards title label to spine. 514 pp. Title printed in red and black. Georg Müller hardcover books
1985réf. 36082New York: Knopf 1985. Hardcover. Very Good. Octavo. Original publisher's dark blue cloth-backed gray boards with titling silver to spine. 209 i publisher's note pp. With illustrative plates. In dustjacket. Signatures slightly split. Knopf hardcover books
1951réf. 33824London: Cassell 1951. Hardcover. Very Good. Octavo. Boards. 91 pp. Some browning and foxing. Cassell hardcover books
1978réf. 35094Hamburg: Rowohlt 1978. Softcover. Very Good. Octavo. Pictorial wrappers. 181 pp. With occasional illustrations. Browned. Rowohlt unknown books
1979réf. 35095London: J.M. Dent & Sons 1979. Softcover. Very Good. Octavo. Pictorial wrappers. 233 pp. With musical examples and illustrative plates. Wrappers slightly worn; outer edges spotted. In the series "The Master Musicians. J.M. Dent & Sons unknown books
