4 803 résultats
1935réf. 36929New York: Tudor 1935. Hardcover. Very Good. Octavo. Boards. 369 pp. Tudor hardcover books
1934réf. 36114Potsdam: Athenaion 1934. Hardcover. Very Good. Quarto. Full dark green cloth with gilt titling to upper. 160 pp. Profusely illustrated with illustrative plates illustrations in text and musical examples. Binding slightly worn. Athenaion hardcover books
1978réf. 36115Wien: Universal 1978. Softcover. Very Good. Quarto. Original publisher's blue wrappers with silhouette of Schubert in darker blue. Over 300 pp. index. Profusely illustrated. Text in German and English. Universal unknown books
1914réf. 36068München Leipzig: Georg Müller 1914. Hardcover. Very Good. Thick octavo. Black-cloth backed patterned boards title label to spine. 514 pp. Title printed in red and black. Georg Müller hardcover books
1985réf. 36082New York: Knopf 1985. Hardcover. Very Good. Octavo. Original publisher's dark blue cloth-backed gray boards with titling silver to spine. 209 i publisher's note pp. With illustrative plates. In dustjacket. Signatures slightly split. Knopf hardcover books
1951réf. 33824London: Cassell 1951. Hardcover. Very Good. Octavo. Boards. 91 pp. Some browning and foxing. Cassell hardcover books
1978réf. 35094Hamburg: Rowohlt 1978. Softcover. Very Good. Octavo. Pictorial wrappers. 181 pp. With occasional illustrations. Browned. Rowohlt unknown books
1979réf. 35095London: J.M. Dent & Sons 1979. Softcover. Very Good. Octavo. Pictorial wrappers. 233 pp. With musical examples and illustrative plates. Wrappers slightly worn; outer edges spotted. In the series "The Master Musicians. J.M. Dent & Sons unknown books
1836réf. 23493Wien: Ant. Diabelli und Comp. D. & C. No. 5850 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. Handstamps to title: "Musikhaus W. E. Fuchs Leihexemplar Seiten gezählt vollständig blank" to upper left corner and "Musikalienhandlung W. E. Fuchs 16 Frankfurt a.M. Bleichstrasse 66a" and "C.A. André Musikalien-Handlung Zeil D70" "Frankfurt a.M" to foot; manuscript annotation in pencil to first blank page of Violino part: "Schubert 137 #3 Sonatine Violinstimme." Fingering bowing and articulation in pencil to first two movements of Violino part; indication in same hand to play second movement in 4/8 meter instead of 2/4. Slightly soiled and foxed; occasional dampstaining; spine of Pianoforte part reinforced with lower plain paper wrapper added; André handstamp slightly cropped. First Edition. Deutsch p. 244. Hoboken 14 501. Hirsch IV 615. The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5850] unknown books
1832réf. 23489Wien: Ant. Diabelli & Comp. PN D. et C. No. 4105 1832. Oblong folio. Disbound with remnants of sewing. 1f. title 3-7 i blank pp. Engraved. Slightly soiled and foxed; spine reinforced with paper tape. A later edition. Formerly D. 868. Not in Deutsch. Hoboken 14 486. The first edition was published by Thaddäus Weigl in Vienna in 1830. The poem is by Ignaz Franz Castelli 1781-1862. Ant. Diabelli & Comp. [PN D. et C. No. 4105] unknown books
1836réf. 23491Wien: Ant. Diabelli und Comp. D. & C. No. 5848. 1836. Folio. Disbound. Pianoforte: i title 2-15 i blank pp.; Violino: i blank 2-7 i blank pp. Engraved. Former early owner's signature "Marie Bödeker" to lower right corner of title. Caption title of Violino part corrected in pencil from "No. 1" to "No. 2." Spine of Pianoforte part reinforced with paper tape but frayed; some creases to lower outer corners. Outer bifolium of Violino part partially detached. Both parts moderately foxed and soiled with edges browned and frayed; impression occasionally light. First Edition. Deutsch p. 232. Hoboken 14 499. Hirsch IV 615. The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5848.] unknown books
1832réf. 23454Vienne: Ant. Diabelli et Comp. PN D. et C. No. 3537 1832. Oblong folio. Disbound. i title 2-31 i blank pp. Engraved. Edges colored in green. Foliation in manuscript in red crayon to upper right corners of rectos from "52" title to "66." Staining to inner portions of each leaf; some minor foxing and soiling. A later edition. Not in Deutsch. Hoboken 13 162. The first edition was published as "Grande Sonate" by Sauer & Leidesdorf in Vienna in 1823. "Schubert's most original contribution to the keyboard repertory is arguably his music for piano duet. Although familiar from the 18th century keyboard music for four hands was largely restricted to ephemeral pieces or utilitarian arrangements of orchestral works. Mozart invested the genre with more ambition but as with the lied it was Schubert who took a marginal genre and made it central. His earliest works for piano duet were three fantasies D1 9 48 while a modest rondo D608 from January 1818 and four polonaises D599 and a sonata D617 of Mozartian proportions composed in Zseliz during the summer of that year mark the beginning of Schubert's sustained interest in the genre." Maurice J.E. Brown Eric Sams and Robert Winter in Grove Music Online. Ant. Diabelli et Comp. [PN D. et C. No. 3537] unknown books
1836réf. 23492Wien: Ant. Diabelli und Comp. D. & C. No. 5849 1836. Folio. Disbound. Pianoforte: i title 2-23 i blank pp.; Violino: i blank 2 7 i blank pp. Engraved. Fingering in pencil to first two measures of Violino part. Slightly worn and soiled; minor dampstaining to title of Pianoforte part; Violino part lacking pp. 3-6. First Edition. Deutsch p. 233. Hoboken 14 500. Hirsch IV 615. The Pianoforte part includes the Violino part on a third cue-sized staff. Ant. Diabelli und Comp. [D. & C. No. 5849] unknown books
1844réf. 23502Wien: Ant: Diabelli und Comp: PN D. & C. No. 4014 1844. Oblong folio. Unbound. 1f. decorative series title printed in sepia: "Franz Schubert's nachgelassene musikalische Dichtungen für Gesang und Pianoforte. 14te Lieferung" i title i catalogue of series listing vols. 1-40 with note "Werden fortgesetzt" 3-11 i blank pp. Engraved. Slightly worn and soiled. First Edition later issue. Deutsch pp. 422 and 266. Not in Deutsch: Schuberts Goethe-Lieder. Hoboken 14 572. Hirsch IV 650. Heck 201. The first issue of the present edition was published in 1832. The present edition is the fourteenth of fifty installments in the series publication of which was not completed until 1850. Schubert notated the vocal part of D716 in the bass F clef but despite its low range Diabelli changed it to the violin G clef and added some variants at the upper octave to make it performable for higher voices. D. 450 exists in two versions; the present edition includes the second. The first version was not published until 1895 as part of the complete edition. The German translation from Aeschylus The Eumenides is by Johann Mayrhofer 1787-1836 a friend of the composer. Ant: Diabelli und Comp: [PN D. & C. No. 4014] unknown books
1968réf. 72932Switzerland: Artibus Asiae 1968. Second printing 8vo pp. 104 4; text in German with Tibetan facsimile text transcriptions translation and notes; publisher's full burgundy cloth; light foxing to top edge else fine in fine blank dust jacket. Artibus Asiae unknown books
1898réf. 62394Chicago: The Open Court Publishing Company and London: Kegan Paul Trench Trübner & Co 1898. 8vo pp. 8 149 3; full red cloth gilt title on cover and spine; ex-library with spine label and stamps on title page; spine splitting at foot boards toned text clean and sound very good. A translation from the German by Thomas J. McCormack. The Open Court Publishing Company, and London: Kegan Paul, Trench, Trübner & Co unknown books
1973réf. 60090Munchen: J. F. Lehmanns 1973. 8vo pp. xi 3 313 13; charts and graphs one page of color illustrations; original wrappers printed in red and black; ex-library with small spine sticker and pocket in back; laminate dust protection stripped along spine text clean and sound. On hemolytic diseases. J. F. Lehmanns unknown books
1918réf. 422949France 1918. Softcover. Near Fine. Oblong small octavo. Measuring 11" x 7". String-tied flexible leather US Army Service Album with an illustration of soldier and eagle on the front cover. Contains 121 sepia-toned or black and white gelatin silver photographs measuring between 1" x 1" and 5½" x 8" with captions on the versos. Very good album with some edgewear and very good or better photographs. A photo album compiled by Private Joseph R. Shubert while serving with the 502nd U.S. Army Ambulance Service during World War I. The album begins with men posed alongside their ambulances "cars" with most signed by the driver followed by images of bombed out towns various weaponry men wading a river and working on their vehicles as well as German prisoners captured German artillery and a downed German airplane. Schubert captures all sides of the war including the temporary grave of Charlie Waterhouse presumably a member of the section evacuating gas attack casualties and a photo of men loading a covered body into the back of an ambulance likely a member of the section and possibly the aforementioned Waterhouse since ambulances were not used to transport the dead. Additionally three pieces of ephemera are included: a leave slip and two troop ship berthing assignments likely from the trip over and the return. The 502nd was the second of three ambulance sections raised from members of Philadelphia's Stoneman's Fellowship a philanthropic fraternal organization that provided first aid and ambulance services. Its commander was 1st Lt. Donald Hathaway the signer of Schubert's leave slip. The 502nd arrived in France and served in the defense of the Aisne River at Chateau-Thierry the Aisne-Marne offensive the Meuse-Argonne offensive and the Woevre Sector offensive supporting the 2nd 26th 28th 42nd and 79th Divisions at various times. Three members of the section were killed during the war and 16 were wounded. Following the Armistice the 502nd served in occupied Germany and Strasbourg until it returned home in May 1919. An excellent visual record of an important but sparsely documented U.S. Army support service during the First World War. unknown books
1962réf. 47469Cleveland Ohio: The Rowfant Club 1962. Edition limited to 175 copies this no. 62; 8vo pp. 78; printed at The Anthoensen Press additional paper spine label affixed to rear pastedown small and minor smudge on upper cover else fine in original cloth-backed blue boards paper label on spine. The Rowfant Club unknown books
1992réf. 9029545Minneapolis: Fortress Press 1992. 1st. Hardcover. Very good. Bound in publisher's original black glossy boards with spine and front and back cover stamped in white. Front cover also stamped in yellow. 67 illustrations. 6 x 9 1/4 inches. 307 pages. Fortress Press hardcover books
1945réf. USCHAVE00acmfBelwin Inc. 1945. Fair. Schubert Franz. Ave Maria Piano Solo. Schaum John W. NY: Belwin Inc. 1945. 4pp. 4to. Paperback. Book condition: Fair with rubbed bumped and yellowed edges. Middle page chipped. Stamp on front panel. Belwin Inc. paperback books
1936réf. UHAYSYM00acmfBonanza Books 1936. Good. Haydn Joseph. The Symphonies of Haydn Schubert and Mozart in Score. Schubert Franz; Mozart Wolfgang Amadeus. NY: Bonanza Books 1936. 336pp. Folio. Paperback with cloth spine. Book condition: Good with rubbed and bumped edges. Front panel chipped. Printed in folio format 4 to a page. Bonanza Books paperback books
1974réf. RSCHFRA00crVienna House 1974. Very Good. Schubert Franz. Franz Schubert's Letters and Other Writings. Deutsch editor Otto Erich; Savile translator Venetia. New York: Vienna House 1974. 143pp. 8vo. Paperback. Book condition: Very good with lightened edges. Faintly creased across bottom left corner of rear cover. Vienna House paperback books
1996réf. acs1429Wilmington Delaware: Scholarly Resources Inc. 1996. Quarto red cloth hardcover gilt lettering and decoration to upper cover xvii 519 pp. Near Fine. From Introduction: The military contributions of black soldiers in the war for the Union and subsequent conflicts are generally well covered in the literature that has emerged since the 1960s. The small regular Army that remained after the Civil War set important precedents for black soldiers. Most important the post-Civil War Army included six regiments set aside for black enlisted men. For the first time blacks had a permanent place in the peacetime military establishment of the United States. Their officers were all white and with only a handful of exceptions remained so for almost a century. Moreover the establishment of regiments exclusively for blacks introduced de jure segregation to the military service long before President Woodrow Wilson imposed it on the civilian branches of government. Nevertheless the creation of the 9th and 10th Cavalry regiments and the 38th 39th 40th and 41st Infantry units was generally considered a positive step taken in recognition of the major contributions that black soldiers had made to preserving the Union during the civil War. Congress created the six black regiments as part of the reorganization act of July 28 1866. In the spring of 1869 the six became four as the Army was reduced once more. The two cavalry units remained intact but the four infantry regiments were reduced to two. The 38th and 41st were combined to make up the 24th Infantry regiment; the 39th and 40th became the 25th. In the fifty-year period that is covered in this book until the American entry in the great European war the troops in these regiments served in all of the nation’s battles. They chased and fought plains and desert tribes during the decades immediately following the Civil War and stayed in the West to garrison scattered posts and provide assurance for nervous settlers. They also participated in the Cuban battles against Spain and in the ensuing guerrilla war in the Philippines and fought in skirmishes along the Mexican border. Scholarly Resources Inc., 1996. hardcover books
1984réf. S12496Munchen:: Deutsches Museum 1984. 1984. 8vo. 176 pp. Illus. index. Printed wrappers; cover crease else Near fine. br ISBN: 3924183031 Deutsches Museum, (1984). unknown books