2 895 résultats
1950réf. 34621Olten: Otto Walter 1950. Hardcover. Very Good. Octavo. Boards. 209 pp. Occasional illustrations. Minor staining. Otto Walter hardcover books
1892réf. 34622Düsseldorf: Laaber 1892. Hardcover. Fine. Octavo. Boards. 271 pp. In dustjacket. Laaber hardcover books
1967réf. 34653New Haven: Yale University Press 1967. Hardcover. Very Good. Large octavo. Boards. 354 pp. In dustjacket. Minor spotting to outer edges. Yale University Press hardcover books
1925réf. 34647Paris: Henri Laurens 1925. Softcover. Fair. Large octavo. Wrappers. 237 pp. Wrappers worn; joints split. Browned throughout; two plates detached. Henri Laurens unknown books
1945réf. 34644New York: Henry Holt 1945. Hardcover. Good. Octavo. Boards. 574 pp. With occasional illustrations. Binding slightly worn; spine faded. Outer edges slightly browned. Henry Holt hardcover books
1956réf. 32707London: Methuen 1956. Hardcover. Very Good. Small octavo. Boards. 136 pp. With illustrations. Methuen hardcover books
1948réf. 32685London: Max Parrish 1948. Hardcover. Very Good. Octavo. Boards. 71 pp. With 4 plates in color & 41 black-and-white illustrations. In dustjacket. Max Parrish hardcover books
1890réf. 41110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. Bound with: Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil. Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers. Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown books
1864réf. 41093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. Provenance William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music. Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title". "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown books
1843réf. 39396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout. Publisher's small circular stamp to lower margin of title. Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown books
réf. 37546Folio. Original publisher's wrappers. 1 p. introduction 4 pp. autograph manuscript document 2 pp. textual commentary. unknown books
2008réf. 50387London: Routledge 2008. First Edition. Octavo. Original laminated boards hardcover; 300pp. Bit of dusting to upper edge of text block else a tight unmarked new-appearing copy - Fine. Routledge unknown books
1824réf. 42421Halle: Gebauerschen Buchhandlung 1824. First Edition. Octavo 21cm. Contemporary cloth-backed boards; xxii794pp. Shallow loss to cloth at crown; rubbing to boards and corners; still a straight sound copy Good or better. Text entirely in German. Meier 1796-1855 was a classical philologist and editor of the Allgemeine Litteraturzeitung as well as several other German philological journals. This prize-winning treatise on legal jurisprudence in classical Athens is his most enduring work remaining the standard study of the subject well into the 20th century see biographical entry in New International Encyclopedia 1922; also Allgemeine Deutsche Bibliographie on-line. Gebauerschen Buchhandlung unknown books
1844réf. 24913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved. Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932." Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria. The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown books
1880réf. 24798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates. The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn. Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown books
1872réf. 24907Leipzig: Breitkopf & Härtel PNs 7834 7835 7836 1872. Octavo. Original publisher's dark pink printed boards. No. 1: 1f. title 39 i blank pp. No. 2: 1f. title 36 pp. Title lithographed music engraved. Publisher's catalogue with prices in both Reichsthaler and Neugroschen to verso of lower board. Binding worn spine reinforced with old tape; lower wrapper lacking. Title browned and quite brittle edges chipped; browned throughout; some leaves frayed at edges with slight loss to corners; one leaf detached; tear to final page; small publisher's handstamp to lower right corner of both titles. Later edition a Titelauflage printed from plates of the first edition; title page differs only by the added price in Marks. Not in Hofmann McCorkle or Hoboken. The publisher's catalogue lists works published up to 1865 Niels W. Gade's Seventh Symphony op. 45 and Wilhelm Taubert's overture Der Sturm op. 134. The prices in Reichsthaler only also point to a date before 1871. Apparently the catalogue was added without alterations although it was no longer current. Mark currency was introduced in 1872. Breitkopf & Härtel [PNs 7834, 7835, 7836] unknown books
1872réf. 24846Leipzig: Breitkopf & Härtel PN 7834 7835 7836 1872. Octavo. Half black cloth with original publisher's green printed upper wrapper laid down to upper board. No. 1: 1f. title 39 i blank pp.; No. 2: 1f. title 36 pp.; No. 3: 1f. title 39 i blank pp. Title lithographed music engraved. Binding worn; lower wrapper lacking. Slightly worn foxed creased and stained; several leaves frayed or with small tears; some leaves detached; small publisher's handstamp to lower right corner of all titles. First Edition later issue printed from plates of the first edition with new title adding price in marks. Not in Hofmann McCorkle or Hoboken. The first edition of all three quartets first appeared in 1848. Breitkopf & Härtel [PN 7834, 7835, 7836] unknown books
1872réf. 24095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower. With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper. Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title. A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown books
2008réf. USCHHOW00jtmCedars Press 2008. Fine. Schumann Stephen. How the Skunk Learned to Jump. Schumann Penniann. Salt Lake City: Cedars Press 2008. Illustrated. 4to. Hardcover. Book condition: Near fine with inscription to previous owner from both authors. Dust Jacket Condition: Near fine. Cedars Press hardcover books
1994réf. 608580New York: Sylvia and Danny Kaye Playhouse Hunter College 1994. Softcover. Fine. Event program. Slim octavo. 16pp. Fine in stapled wrappers. Sperry and Musto performed works by Beethoven Louise Talma and Robert Schumann. The program prints biographies as well as the text of the pieces. Sylvia and Danny Kaye Playhouse, (Hunter College) unknown books
1881réf. 32877Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Very Good. Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Original engraved hand-colored map ca. 40.5x60cm folded into original blue-green pictorial card wrappers 16x10cm; map verso provides a complete catalog of the varnishes manufactured by Brooklyn company Moller & Schumann. Minor wear and scattered spotting to wrapper margins brief split to a couple map folds else a Very Good or better bright and sound example. Useful map to the New York City-holiday seeker with railway lines to all the surrounding resorts and hotels of the area. Issued as a sort of premium by the lacquer manufacturers in charmingly illustrated wrappers depicting a man surprised by a bulldog while pasting signs to a wooden fence--his bucket and brush are clattering to the ground as he hurdles over the fence in fright. The signs he has mounted all feature promotional text for Moller & Schumann products: baking varnishes and Japans turpentine lacquers for canned goods and tinware etc. The center sign reproduces a letter from the Department of State awarding the company a certificate from the Sydney International Exposition of 1879. Gaylord Watson / Moller & Schumann unknown books
1967réf. 1411273New York: The Robert Owen Lehman Foundation 1967. First Thus. Hardcover. Quarto 8 xxvi 196 pages. In Very Good condition. In full gray cloth binding with gilt titling to spine. Minimal wear to boards. Slight slant to spine. Text block is lightly age toned. Interior clean. Shelved in Room A Oversize. 1411273. Special Collections - Upstairs. The Robert Owen Lehman Foundation hardcover books
réf. 626503New York: G. Schirmer no date. Softcover. Good. Sheet music. Quarto. Single bifolium making four pages. Writing on the front cover some foxing and light soiling to the exterior owner initials above the music and minor edgewear good or better. An instrumental piece for piano with pedal marks. Plate imprint "88247rx. G. Schirmer unknown books
1869réf. 623304Leipzig: J. Schuberth & Co 1869. Softcover. Fair. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album bifolium separated along the fold but both leaves are present edgewear and some abrasions on the front cover a complete but fair to good only copy. An instrumental piece for piano with pedal marks. Plate number 2648. J. Schuberth & Co unknown books
1887réf. 623329New York: G. Schirmer 1887. Softcover. Fair. Sheet music. Folio. Originally a single bifolium with a single-sheet-insert making six pages. Lacking the front cover though the music remains complete notched and worn along the fold from once being bound within an album as a result the insert remains bound to the back cover fair to good only. An instrumental piece for piano with pedal marks. Plate imprint "S. 8312." Printed notes under the music in both German and English. G. Schirmer unknown books