2877 resultados
1921pp. x, 189. Seventy-One illustrations. Paste downs and fly leaves foxed. Small 4to. Original full blue cloth binding. Gynecological and obstetrical Monographs. MED 1
Hardcover in-8°, 124 pp., illustrations h.t. N&B, cartonnage editeur. Bon etat. [CA26/4]
in-12, 252 pp., broche, couv. ill. Tres bel exemplaire, non coupe. [TX-11]
1960108 pages. Features: Nice color-photo leopard-skin pattern dress ad for Lord & Taylor; Harmon Killebrew featured in Vycron/Vycott fabric ad; Polly Bergen fashion ad; Full-page ad for Velcro; Vicky Vaughan Junior fashion ad; Students of Japan - an intimate glimpse, by John D. Rockefeller 4th; Japan and Turkey - centers of conflict - with great photos; Blueprint for Communist Conquest - foreign aid; The Key Issue - U.S. Foreign and Defense Policy, by Paul H. Nitze; Alcoholics Anonymous - Their 25 Year Struggle; Advice to Breathless Thespians, by Moss Hart; Where Fame Waxes - and Wanes - Madame Tussaud's; 'Sheets of Fire, Wind and Rain' - photo of Peruvian volcanoe and Japanese tsunami damage at Ofunato; The U.S. Supreme Court Debated - Another View; Their Heart Belongs to Dada - photos of unusual art; Nice color-photo ad for Knickerbocker beer; Applause for Composer Robert Schumann; Photos from the movie "The Apartment"; Lovely color-photo ad for Piper-Heidsieck Champagne; Classy color-photo ad for Mumm's Champagne; Three photos of some of the 550 Brits who will perform in the British Tournament and Tattoo; Nice color-photo Cointreau ad; Mr. Khrushchev's Favorite Reporter - John Reed; and more. Clean and unmarked with moderate wear. Gently yellowed with age. A sound vintage copy. Book
1960In 8? (cm 25), Brossura, pagg.90-(8) con numerose ill. b.n.e a colori n.t., cop. ill. a colori, segni del tempo alla cop., buon es. Dal Sommario: "Erode il Grande: l'uomo dalla vita sfarzosa e dall'anima percossa" di Gian Paolo Punia; "Pizarro l'atroce ?conquistador? del Per?" di Aldo Montoli; "Varsavia: calvario e morte (agosto 1944)" di Bor-Komorowski; "Somalia italiana, addio!" di Piero ombardo; "Waterloo: La ?vecchia guardia? non attacca!" di Robert Merget; "Diecimila uomini, diecimila eroi" di Angelo Romani;m "Mi hanno sganciato da una superfortezza" di W. Bridgeman e J. Hazard; "Garibaldi: Mito e letteratura" di Luigi Russo; "L'agitata vita di Roberto Schumann" di Bernard Gavoty; "la misteriosa tragedia di itonto" di Guido Petriccione; "Ivan il terribile" di Romain d'Ange. Tra le rubriche: "Giochi e giocatori: Storia della bambola"; "Storia minore: Ettore Petrolini"; "Donne alla ribalta della storia: Clara Maffei"
2010Appears unread and in mint condition book and jacket. 496pp. A series of interviews and conversations with dozens of individuals from different fields giving their perspective on the life and work of Robert Schumann as well as his place in the history of musc. Includes a CD in an unopened wallet with eight pieces by Schumann by pianist Ronald Brautigam performing the complete Novelette, Opus 21 plus two interviews.
1984ref. 35889Mainz: Schott 1984. Paperback. Very Good. Small quarto. original publisher's gray wrappers printed in dark blue. 139 pp. With a portrait of the composer and several musical examples in text. Schott paperback books
1880ref. 35076London: William Reeves 1880. Hardcover. Very Good. 2 volumes. Octavo. Full dark brown cloth titling gilt to spines. 418 pp. 30 pp. publisher's catalogue; 540 pp. 45 pp. publisher's catalogue.With a reproduction bust-length portrait of Schumann from a drawing by Hendemann as frontispiece to Vol. 1. William Reeves hardcover books
1954ref. 34326Wilhelmshaven: Heinrichshofen's Verlag 1954. Thick octavo. Full dark red cloth. 820 pp. 2ff. publisher's advertisements. In dustjacket. Ex-library with labels and poicket to rear free endpaper. Dustjacket slightly worn laid down to pastedowns. Heinrichshofen's Verlag unknown books
1914ref. 33845Leipzig: Breitkopf & Härtel 1914. 2 volumes. 564; 511 pp. Binding slightly worn rubbed and stained. Minor browning. Breitkopf & Härtel unknown books
1925ref. 34409Stuttgart: Engelhorns 1925. Octavo. Original publisher's dark yellow cloth with titling stamped in green to upper and spine. 335 pp. Illustrated with portraits etc. With small Simrock label to front pastedown previous owner's signature to free front endpaper. Binding spotted and slightly worn and soiled. Engelhorns unknown books
1948ref. 32685London: Max Parrish & Co Limited 1948. 4 plates in colour & 41 black-and-white illustrations. Max Parrish & Co Limited unknown books
2008ref. 50387London: Routledge 2008. First Edition. Octavo. Original laminated boards hardcover; 300pp. Bit of dusting to upper edge of text block else a tight unmarked new-appearing copy - Fine. Routledge unknown books
1824ref. 42421Halle: Gebauerschen Buchhandlung 1824. First Edition. Octavo 21cm. Contemporary cloth-backed boards; xxii794pp. Shallow loss to cloth at crown; rubbing to boards and corners; still a straight sound copy Good or better. Text entirely in German. Meier 1796-1855 was a classical philologist and editor of the Allgemeine Litteraturzeitung as well as several other German philological journals. This prize-winning treatise on legal jurisprudence in classical Athens is his most enduring work remaining the standard study of the subject well into the 20th century see biographical entry in New International Encyclopedia 1922; also Allgemeine Deutsche Bibliographie on-line. Gebauerschen Buchhandlung unknown books
1980ref. 40464Newark VT: The Janus Press 1980. 4to 29.5 cm 11.625". 40 pp.; illus. From Peter Schumann 1934 creator of political theater group Bread and Puppet Theater this limited abstract work is boldly illustrated with repetitive full-page drawings accompanied by large sections of text. Schumann both wrote and illustrated the play. "3500 copies have been printed offset at Magnani and McCormick in Enfield Connecticut on Linweave Velvetsheen Bright White Satin text basis 100 with Linweave Linen Midnight Black cover basis 80 & bound at The Stinehour Press in Lunenburg Vermont. 150 copies have been casebound at the Janus Press. The text is set in Trump Mediaeval Roman Italic and Bold" colophon. This is one of the 150 casebound copies. Fine Janus Press 197580 p. 48. Publisher's blue cloth with a black paper label printed in gray to spine and a black and gray illustration mounted to the front board. Crisp and clean. The Janus Press hardcover books
1980ref. 40462Newark VT: The Janus Press 1980. 4to 27.9 cm 11". 40 pp.; illus. From Peter Schumann 1934 creator of political theater group Bread and Puppet Theater this limited abstract work is boldly illustrated with repetitive full-page drawings accompanied by large sections of text. Schumann both wrote and illustrated the play. "3500 copies have been printed offset at Magnani and McCormick in Enfield Connecticut on Linweave Velvetsheen Bright White Satin text basis 100 with Linweave Linen Midnight Black cover basis 80 & bound at The Stinehour Press in Lunenburg Vermont. 150 copies have been casebound at the Janus Press. The text is set in Trump Mediaeval Roman Italic and Bold" colophon. Fine Janus Press 197580 p. 48. Publisher's black wrappers with gray text and illustration to front wrapper. A very clean copy. The Janus Press unknown books
1845ref. 24100Leipzig: F. Whistling PN 357 1845. Folio. Disbound. 1 title within decorative border by Krätzschmer 2-19 i blank pp. Title lithographed music engraved. Contemporary owner's signature "Louise Braune." in ink to lower right corner of title. Slightly browned and soiled throughout; spine slightly frayed. Professional paper repair to lower outer corner of one leaf; small tear to lower edge of one leaf; a few leaves creased at upper outer corner; cross in ink to upper inner corner of title price erased two overlapping publisher's blindstamps to foot. First Edition no additional volumes published. Hofmann p. 127. McCorkle pp. 251-52. Hoboken 15 103 with printed price of 1 Thlr. The collection includes six pieces. The designation "Erstes Heft" volume 1 implies that a continuation was planned but there were no further volumes. Hofmann pp. 127 and 131 suggests that the Skizzen für den Pedal-Flügel op. 58 were originally planned as the second volume of op. 56; they were however published by Breitkopf & Härtel. F. Whistling [PN] 357 unknown books
ref. 24523On a slip of paper 68 x 109 mm. Dated London March 27 1909. In black ink. Slightly creased; right edge slightly frayed not affecting signature. Together with a three-quarter length vintage photograph of Schumann-Heink by the White Studio in New York ca. 177 x 126 mm. "Between 1897 and 1901 Schumann-Heink took part in four consecutive Covent Garden seasons and became a regular member of the Metropolitan company for a similar period 1898-1903 returning subsequently for single seasons only. By then she had begun the series of popular and profitable cross-country American concert tours that occupied much of the rest of her long career. In 1909 she returned to Dresden to sing the part of Clytemnestra in the première of Elektra. Although she could sing and very well virtually anything her English and American stage career centred on Wagner; and it was as Erda that she bade farewell to the Metropolitan in 1932 still captivating the audience as the American critic Olin Downes wrote with 'knowledge and imagination embodied in the tone and in every syllable of the text she delivered so memorably'. These words well describe the effect vividly conveyed by her Erda and Waltraute recordings made less than three years before. Although largely unrepresentative of her serious repertory her many other recordings made over a period of 25 years give a splendid impression of her powers: of her opulent and flexible tones from low D to high B the amazing fullness and evenness of her shake her artistic conviction dramatic temperament and vivid enunciation. Among them should be mentioned the brindisi from Lucrezia Borgia several versions all good the prison scene from Le prophète 'Parto parto' from La clemenza di Tito and the duet with Caruso 'Ai nostri monti' from Il trovatore." Desmond Shawe-Taylor in Grove Music Online. unknown books
1880ref. 24798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates. The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn. Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown books
1857ref. 24816Winterthur: J. Rieter-Biedermann PN 35 1857. Folio. Modern quarter tan calf with marbled boards and gilt titling to spine. 1f. iv 3-114 pp. Music engraved. Elaborate pictorial title lithograph by Friedrich Krätzschmer. Text printed separately within decorative border. Publisher's handstamp to foot of title. Minor foxing; title slightly trimmed at outer edge; final blank leaf lacking; other minor defects. First Edition first issue. McCorkle p. 581 583. Hofmann p. 307. Hirsch IV 919. Schumann's last choral-orchestral ballad Vom Pagen und der Königstocher sets text by Emanuel Geibel 1815-1884. It was composed during the summer of 1852 a period when Schumann's physical and mental condition was deteriorating rapidly yet the score is positively radiant. J. Rieter-Biedermann [PN 35] unknown books
1844ref. 24913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved. Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932." Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria. The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown books
1853ref. 24808Leipzig: Breitkopf & Härtel PN 8600 1853. Folio. Half black calf with textured cloth boards raised bands on spine in compartments gilt. 1f. title 1f. contents 12 cast list and poem in German translation 3-53 i blank pp. Title lithographed text of poem typeset music engraved. Contemporary owner's signature: "Auguste Langhans" in ink to foot of front free endpaper and lower right corner of title. Blindstamp to upper right corner of rear endpaper: "Buchbinderei von JGA Peper Neue Groningerstr. 7 Hamburg." Boards slightly worn and rubbed endpaper slightly stained and foxed. Minor internal foxing; small oval publisher's handstamp to foot of title. A very good copy on high-quality paper. First Edition. Hofmann p. 251 dated "November 1853". McCorkle p. 491 as IVe. Hoboken 15 202 incorrectly dated "1852"; with wrappers. Schumann set the poem in a German translation by Karl Adolf Suckow 1802-1847. The overture to Manfred was first performed in Weimar on March 14th 1852; the incidental music to the poem was introduced three months later in Leipzig. While the overture is a staple concert piece the remainder of the music is seldom performed. Breitkopf & Härtel [PN 8600] unknown books
1858ref. 25018Leipzig: Edm. Stoll PN 311 1858. Folio. Disbound. 1f. lithographic title by C.G. Röder p. 3 text 4-13 pp. engraved music. Hofmann p. 129. McCorkle p. 254. Edm. Stoll [PN 311] unknown books
1862ref. 24799Leipzig und Winterthur: J. Rieter-Biedermann PN 192 1862. Folio. Original publisher's wrappers with titling within decorative border. 1f. title within light blue decorative border 1f. text 3-95 pp. Engraved. In a custom-made dark green cloth folder. Handstamp of Novello to lower right corner of upper wrapper; leaf with pricing of parts laid down to verso. Publisher's catalogue with works by Schumann to verso of lower wrapper. Printer's note to lower left corner of p. 3: "Stich und Druck der Röder'schen Officin in Leipzig." Wrappers heavily browned worn and bumped; upper detached and frayed at lower edge with slight loss; spine reinforced with tape. Slightly worn; some foxing browning and dampstaining throughout. A good wide-margined copy. First Edition second issue. The first issue predates the opening of the publisher's office in Leipzig 1862 and has Winterthur as the only place of publication. Hofmann p. 315. Hoboken 245 first issue. The text is by Friedrich Rückert 1788-1866. Schumann set the poem in full and added the first stanza of the chorale "Nun danket alle Gott" melody by Johann Crüger text by Martin Rinckart. "This New Year's Song has some pleasing and original moments. In the earlier part of the piece there is a tuneful Mendelssohnian duet for soprano and alto and some dramatic writing for solo bass including most unusually for Schumann a short passage of recitative. Further variety is achieved by the imaginative use of a large orchestra. This is a work which would justify an occasional revival." Alan Walker: Robert Schumann: The Man & His Music p. 378. J. Rieter-Biedermann [PN 192] unknown books
1858ref. 24812Winterthur: J. Rieter-Biedermann PN 35 1858. Folio. Modern quarter light tan calf with marbled boards and titling gilt to spine original publisher's decorative wrappers bound in. 1f. iv 3-61 pp. Music engraved. Elaborate pictorial title lithograph by Friedrich Krätzschmer. Text printed separately within decorative border. Publisher's catalogue to verso of lower wrapper. Publisher's handstamp to foot of title. Binding very slightly worn and rubbed; lower wrapper detached dampstained and slightly defective with loss to text at upper left corner. Slightly worn foxed and dampstained especially at outer margins; tears to two leaves with minor loss. First Edition later issue. The first issue was published in October of 1857. McCorkle p. 581 and 583. Hofmann p. 307. Hoboken 15 240 first issue. The catalogue to the lower wrapper also lists Schumann's op. 142 published in January 1858 but not op. 143 published in February 1860 which allows the dating of the present copy. J. Rieter-Biedermann [PN 35] unknown books