2 898 résultats
2005réf. 59208BB2 Bände. Laaber, Laaber Verlag. 2005. Gross-8°. XXVI, 446 S.; XVI, 482 S. Originalpappband.
réf. 47221Paris, J. & R. Wittmann 1946, 170x120mm, XII - 64pages, broché. Exemplaire sur papier vélin numéroté 458/750. Bel exemplaire.
1981réf. 1220554Düsseldorf : Droste Verlag, 1981. 249 S. : Noten ; 24 cm; kart.
1990réf. 37305Selected Sound Carrier, 1990. 506.2230-2 1 CD CD
1967réf. LCI-15511967 1967 Paris, Buchet/Chastel 1967 1 In 8 Broché 291[pp] Le témoignage bouleversant de l'un des couples les plus célèbres de l'histoire de la musique. Ce journal à quatre mains dévoile l'intimité créatrice des Schumann, leurs échanges sur la composition, l'interprétation et les épreuves de la vie d'artiste au XIXe siècle. Une plongée fascinante au cœur du génie romantique.État : Bel exemplaire broché.Dos : Dos non fendu, ce qui est appréciable pour un volume de près de 300 pages souvent consulté.Intérieur : Propre, sans annotations, papier de qualité supérieure.
1880réf. 675711 vol. grand in-8 reliure de l'époque demi-percaline bordeaux, Durand et Schoenewerk, Paris, s.d., 190 pp.
1910réf. 37488London: William Reeves 1910. Hardcover. Very Good. 2 volumes. Octavo. Boards. 418; 540 pp. William Reeves hardcover books
1872réf. 24095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower. With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper. Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title. A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown books
1872réf. 24907Leipzig: Breitkopf & Härtel PNs 7834 7835 7836 1872. Octavo. Original publisher's dark pink printed boards. No. 1: 1f. title 39 i blank pp. No. 2: 1f. title 36 pp. Title lithographed music engraved. Publisher's catalogue with prices in both Reichsthaler and Neugroschen to verso of lower board. Binding worn spine reinforced with old tape; lower wrapper lacking. Title browned and quite brittle edges chipped; browned throughout; some leaves frayed at edges with slight loss to corners; one leaf detached; tear to final page; small publisher's handstamp to lower right corner of both titles. Later edition a Titelauflage printed from plates of the first edition; title page differs only by the added price in Marks. Not in Hofmann McCorkle or Hoboken. The publisher's catalogue lists works published up to 1865 Niels W. Gade's Seventh Symphony op. 45 and Wilhelm Taubert's overture Der Sturm op. 134. The prices in Reichsthaler only also point to a date before 1871. Apparently the catalogue was added without alterations although it was no longer current. Mark currency was introduced in 1872. Breitkopf & Härtel [PNs 7834, 7835, 7836] unknown books
1872réf. 24846Leipzig: Breitkopf & Härtel PN 7834 7835 7836 1872. Octavo. Half black cloth with original publisher's green printed upper wrapper laid down to upper board. No. 1: 1f. title 39 i blank pp.; No. 2: 1f. title 36 pp.; No. 3: 1f. title 39 i blank pp. Title lithographed music engraved. Binding worn; lower wrapper lacking. Slightly worn foxed creased and stained; several leaves frayed or with small tears; some leaves detached; small publisher's handstamp to lower right corner of all titles. First Edition later issue printed from plates of the first edition with new title adding price in marks. Not in Hofmann McCorkle or Hoboken. The first edition of all three quartets first appeared in 1848. Breitkopf & Härtel [PN 7834, 7835, 7836] unknown books
1844réf. 24913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved. Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932." Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria. The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown books
1843réf. 39396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout. Publisher's small circular stamp to lower margin of title. Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown books
1890réf. 41110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. Bound with: Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil. Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers. Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown books
réf. 37546Folio. Original publisher's wrappers. 1 p. introduction 4 pp. autograph manuscript document 2 pp. textual commentary. unknown books
1880réf. 24798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates. The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn. Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown books
1864réf. 41093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. Provenance William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music. Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title". "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown books
1983réf. 15059CBMünchen, G. Henle Verlag (= 298), 1983. 4°, 15 S. mit Noten, original Heft, Erstausgabe gutes, sauberes Exemplar,
1890réf. 131404Germany: Breitkopf 1890. Hardcover. Good/Fine. Good hardcover. 3/4 leather. Numerous selections of sheet music for piano forte which includes works by: Siebmann fine. Schimak Gustave Satter Louis Meyer Spindler J. Schulhoff Sydney Smith H. Steglich Schumann. Please feel free to inquire about which selections of music are in this book. Hinge beginning to crack. Corners rubbed. Leather spine dry and brittle. Crack down middle of spine. About an inch on bottom edge of spine peeling off. Pages light brown from age. Breitkopf hardcover books
1886réf. 21930Leipzig, Breitkopf und Härtel, 1886. IV, 315 SS. 8°, rote Orig.-Leinwand. Rücken und Deckeltitel schwarz-goldgeprägt. Einband etwas angegraut.
réf. 049962Leipzig., Edition Peters. Vorhanden sind: 1). Symphonie Nr.1. B-Dur - B major - si majeur. Opus 38. Edition Peters Nr. 551. (1977). 153 Seiten.; 2) Symfonie Nr.2. C-Dur - C major - ut majeur. Opus 61. Edition Peters Nr. 552. (1980). 196 Seiten.; 3). Symphonie Nr.4. d moll - D minor - ré mineur. Opus 120. Edition Peters Nr. 554. (1977). 151 Seiten. Einbandrücken leicht gebräunt; Dabei: Quartett No. 2 F-Dur für 2 Violinen, Viola und Violoncell. Op. 41, No. 2. Ernst Eulenburg, Leipzig - Payne's kleine Partitur-Ausgabe. O. J. (unklar, eventuell 30 oder 50er Jahre). 30 Seiten. Zustand Einbandbroschur minimal bestaubt. 8°. H OBroschur.
1980réf. 21997Leipzig, Peters, o.J. (ca. 1980). Mit Begleitung eines zweiten Klaviers herausgeg. v. Emil von Sauer. 67 SS. (ca. 23 x 30 cm), Orig.-Broschur.
1978In 16°, p. XV, 240. A cura di Luigi Ronga. Brossura editoriale. Buon esemplare.
1894réf. 140628Fischbacher 1894 In-12 18 x 11 cm. Reliure demi-basane noire, dos lisse orné de filets dorés, X-213 pp., notes, table. Exemplaire en bon état.
réf. 1106697Editions du Sonneur; Paris, 2016. 71 S.; 21 cm; kart.
1960réf. 1126875Wilhelm Hansen; (Kopenhagen), o.J. (ca. 1960). 156 S.; Noten; 27 cm. Fadengeh. Orig.-Pappband.