Berlioz, HectorBiblio.com
1 121 résultats
1997réf. SKU0611368Dover Publications 1997-07-10. paperback. New. 6x0x8. New Textbook Ships with Tracking Dover Publications paperback
réf. 19148675-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 101328Leipzig Gustav Heinze 1864. 8vo. VII blank 285 1 pp. 70 lith. pp. with music. The title page with paper repair in corner minor spotting. Worn contemporary half calf spine gilt with black label . Owner’s stamp of Lindskog. unknown
réf. Z1-C-056-01324Wiley-ISTE. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Wiley-ISTE unknown
1968réf. 76587Paris: Gründ 1968. Relié. Etat satisfaisant. In-8. 649 pp. Edition du centenaire. Reliure éditeur. Petites déchirures sur les bords de la jaquette. Mention importante page de garde. Gründ unknown
1991réf. DADAX0486269035Dover Publications 1991-11-08. paperback. New. 4.00x15.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
2007réf. DADAX0521036119Cambridge University Press 2007-04-23. 1. paperback. New. 6.69x0.98x9.61. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
réf. mon0003491760BÔøΩrenreiter. hardcover. Good. . BÔøΩrenreiter hardcover
1904réf. OB1022Paris & Bruxelles Henry Lemoine 1904. Hard Cover. iii 276 p.; 25 cm. Second edition; first 1900. Widor-- composer organist teacher-- edited and amplified Berlioz's De l'instrumentation. Berlioz's originality as an orchestral writer prevented a school forming but influenced a generation of French and Russian musicians. Good slight foxing 3/4 leather rebacked. Stock#OB1022. Henry Lemoine hardcover
réf. 4168015 measures titled and signed below the music: "Thème e Bal e La Symphonie Fantastique. H. Berlioz." Undated but ca. 1840-1850. The complete main theme of the second movement "Un Bal" carried by the violins in measures 38 to 54 of the full score. 1 leaf. Notated in dark brown ink within decorative dark gold borders on Lard-Esnault paper. Oblong quarto 227 x 300 mm. "The composition of the 'Symphonie fantastique' was a momentous event in Berlioz's career his first full-scale masterpiece and equally momentous in the history of music as the first unequivocal declaration of romantic ideas in style and musical language and its echo has pervaded all music of passion and personal experience to this day . Of Harriet Smithson's identity as the 'beloved' portrayed by an 'idée fixe' in the form of an obsessive theme that recurs in all the movements there can be no question." MacDonald: Berlioz p. 18. With: - Roger Gustave-Hippolyte 1825-1879. Autograph musical quotation signed "G. Roger" being a 12-measure song for voice and piano commencing "d'autiens tu beau miage" to lower portion of recto. With to verso: - Adam Adolphe 1803-1856. Autograph musical quotation signed "Ad. Adam" being a 16-measure waltz for pian. - Halévy Fromental 1799-1862. Autograph musical quotation signed "F. Halévy" being a 22-measure work for piano titled "Suite." A dynamic excerpt from one of the great revolutionary works of the Romantic period constructed around a recurring "idée fixe" a concept originating with Berlioz's revolutionary Symphonie Fantastique and presenting here as a recurring theme associated with Berlioz's obsession with Irish actress Harriet Smithson. A unique artifact incorporating a rare quotation from one of the most outstanding works of the symphonic repertoire of the Romantic period the whole linking Berlioz with three important French musical figures of the mid-19th century. unknown
réf. 416811 leaf. Oblong folio 268 x ca. 170 mm. 7 measures notated in black ink on one side of the leaf. Unsigned. Several notes crossed out and a final passage rewritten. A first draft of a polyphonic theme. Identified in German in contemporary manuscript at head: "Handschrift von Hector Berlioz Erste Skizze. Benvenuto Cellini." Some wear and browning; slightly creased at folds; lower edge unevenly trimmed. The present manuscript not recorded in Holoman. Benvenuto Cellini an opéra semi-seria in two acts to a libretto by Léon de Wailly and Auguste Barbier assisted by Alfred de Vigny was based on the memoirs of Benvenuto Cellini. Set in 16th century Rome during the papacy of Clement VII the work premiered in Paris on 10 September 1838 at the Opéra and was produced in a revised version in Weimar at the Grossherzogliches Hoftheater on 20 March 1852 and with further revision in three acts on 17 November 1852. "Whether it originated as a serious or a comic opera the result in all its many versions is a compound a characteristic blend of idealism and farce grandeur and wit breadth and vivacity. Berlioz poured into Benvenuto Cellini every drop of invention and feeling at his command in a torrent of notes that make up a long and very lively opera and its heterogeneity so baffling to Parisians in 1838 and Londoners in 1853 is one of its main virtues." Macdonald: Berlioz p. 106. "Berlioz stands as the leading musician of his age in a country France whose principal artistic endeavour was then literary in an art music whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century. . In Berlioz's own words Benvenuto Cellini 'contains a variety of ideas an energy and exuberance and a brilliance of colour such as I may perhaps never find again.' " Hugh Macdonald in Grove Music Online A rare working manuscript from one of Berlioz's important stage works evidencing the compositional process through its autograph revisions. While short musical quotations in Berlioz's hand are not rare his sketch leaves are very rare to the market; we have located only one example at auction in over 30 years. unknown
réf. 478292Macmillan and Co. London. Hardcover. Good. This is the 1884 first English translation by Rachel Scott Russell Holmes and Elinor Holmes in 2 volumes 'comprising his travels in Italy Germany Russia and England' 'From 1803 to 1865'. Both volumes have brown cloth-covered boards with gilt lettering on spines and black decorative bands top and bottom. Both have bumped corners and rubbed spines with spines somewhat torn across tops and bottoms. Boards show light wear and slight stains. Dark green end papers are torn at joins to pages but holding; stitched binding holding well throughout. Pages tanned with a few stains here and there but generally clean and clear; edges lightly grubby with age. Vol. I has 336 pages; vol. II has 4 Macmillan and Co., London hardcover
réf. SBBIH-ACTXTLDULZAJOxford University Press 1957. hardcover. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Oxford University Press hardcover
réf. 10507858-nnew. unknown
réf. 648460-nnew. unknown
réf. 22061292like new. unknown
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réf. 7686909like new. unknown
1860réf. 73029Paris: Nadar 1860. Fine. Nadar Paris s. d. circa 1860 6.50 x 10.30 cm une photographie Original albumen photograph carte-de-visite format mounted on card from Nadar studio 35 boulevard des Capucines. Manuscript annotations on verso. A copy of this photograph is held in the Music Department of the Bibliothèque Nationale de France. Nadar unknown
1862réf. 71549Paris: Michel Lévy frères 1862. Fine. Michel Lévy frères Paris 1862 12.50 x 19 cm relié First edition. Half shagreen binding spine with five raised bands with gilt decorations date at foot marbled paper covers original soft front cover preserved. Rare and precious signed autograph inscription by the composer: à mon ami Seligmann - Hector Berlioz ""to my friend Seligmann - Hector Berlioz"" Hippolyte-Prosper Seligmann 1817-1882 cellist and composer was an active member of the Philharmonic Society founded by Berlioz in 1849. Provenance: R. & B. L. library with his bookplate pasted on the back of the first endpaper. Michel Lévy frères hardcover
1859réf. 68513Paris: A. Bourdilliat & Cie 1859. Fine. A. Bourdilliat & Cie Paris 1859 11.50 x 18 cm reliure de l'éditeur Les Grotesques de la musique The Musical Madhouse A. Bourdilliat & Cie Paris 1859 11.5 x 18 cm publisher's original binding First edition. Publisher's green cloth spine and boards ruled in blind yellow endpapers and pastedowns pastedowns soiled edges spotted. A little light foxing. A rare and handsome autograph inscription signed by Hector Berlioz in pencil to title: ""à mon ami Théodore Ritter souvenirs affectueux"" Théodore Ritter son of composer Eugène Prévost was Berlioz's student for whom he composed a piano arrangement of L'Enfance du Christ The Childhood of Christ Berlioz inscriptions are rare and highly sought-after. A. Bourdilliat & Cie hardcover
1844réf. 62537Paris: Jules Labitte 1844. Fine. Jules Labitte Paris 1844 14.50 x 22.50 cm 2 volumes brochés sous chemises et étuis Rare first edition of Hector Berlioz's first book. Some restorations to the top spine-end volume label on the spine of the second volume not fully visible boards strengthened or lined first board of the first volume some stains on the first boards of both volumes. Fine condition inside almost without any foxing. Our copy is housed in green half shagreen chemises and slipcases marbled paper boards slipcases lined with the same shagreen gilt titles and dates on the spine. Rare. Jules Labitte hardcover
2002réf. DADAX0521239532Cambridge University Press 2002-09-02. hardcover. New. 7.10x1.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
