Elizabeth Csicsery-Ronay Hector BerliozBiblio.com
1 304 résultats
réf. 63846600Indiana University Press USA . Hardback. New. Indiana University Press (USA) hardcover
réf. 61839932Cambridge University Press CUP . Papeback. New. pp. 266 Cambridge University Press CUP unknown
réf. 6390592Cambridge University Press CUP . Papeback. New. pp. 432 Cambridge University Press CUP unknown
réf. 6422314Cambridge University Press CUP . Hardback. New. pp. 430 Cambridge University Press CUP hardcover
réf. mon0003491760BÔøΩrenreiter. hardcover. Good. . BÔøΩrenreiter hardcover
1912réf. 48615Dent 1912. 8vo. First Edition thus; original series binding of grey ribbed cloth upper board framed and blocked in blind gilt back dark top pictorial endpapers a very good bright clean copy. Sole appearance in EL. EL 602; Seymour 87.0. VERY SCARCE. Dent, hardcover
1987réf. 307442London: Folio Society 1987. First Edition Thus; First Printing. Hardcover. Near Fine in a Near Fine slipcase. Owner nameplate on FEP. Folio Society hardcover
2005réf. x-1580461824Univ of Rochester Pr 2005. Paperback. New. 239 pages. 9.00x6.00x0.75 inches. Univ of Rochester Pr paperback
réf. 316604np nd. 1 page pen and ink on paper. 12mo 3-3/8 x 3-1/8 inches visible. Framed in gilt frame. 1 page pen and ink on paper. 12mo 3-3/8 x 3-1/8 inches visible. In translation: "Have the courtesy to send me the three articles on the debates that I left at your house a few days ago ." M. Gras is perhaps a relation to soprano Julie Dorus-Gras who performed as Teresa in the premier Berlioz' opera Benvenuto Cellini. unknown
1963réf. 44025AB1963. England / U.S.A / Australia Penguin Books 1963. 13 cm x 20 cm. 153 pages. Original softcover. Very good condition with only very minor signs of external wear. "During the performances of fashionable operas in an unidentified but "civilized" town in northern Europe the musicians with the exception of the conscientious bass drummer tell tales read stories and exchange gossip to relieve the tedium of the bad music they are paid to perform. In this delightful and now classic narrative written by the brilliant composer and critic Hector Berlioz we are privy to twenty-five highly entertaining evenings with a fascinating group of distracted performers. As we near the two-hundredth anniversary of Berlioz's birth Jacques Barzun's pitch-perfect translation of Evenings with the Orchestra with a new foreword by Berlioz scholar Peter Bloom testifies to the enduring pleasure found in this most witty and amusing book. "Full of knowledge penetration good sense individual wit stock humor justifiable exasperation understanding exaggeration emotion and rhetoric of every kind" Randall Jarrell New York Times Book Review "To succeed in writing these tales as Berlioz most brilliantly does requires a combination of qualities which is very rare the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet" W. H. Auden The Griffin". Amazon. paperback
1982réf. 72234AB1982. London / Melbourne / Toronto J.M. Dent & Sons Ltd 1982. 14.5 cm x 22 cm. 261 pages with eight pages of photographs four line illustrations and sixty-two music examples. Original Hardcover with original dustjacket in protective collector's Mylar. Near Fine. Excellent condition with only very minor signs of external wear. The Master Musicians Includes for example the following essays: Life: 1803 - 1830; 1831-1848. / Music: 1818 - 1830; 1831-1841. / Berlioz's Style / Appendix A: Calendar / Appendix C: Personalia etc. hardcover
réf. 78743Paris Librairie de l’art L. Alllison 1888. 4° lithogr. Frontispiz XVI 386 S. 13 lithogr. Taf. 3 Taf. 1 Heliogravüre 1 Photogravüre u. 1 Radierung: Porträt nach G. Courbet 122 Textabb. Neueres Priv.-Lwd. Lederoptik m. eingebundenem Vorderdeckel der Orig.-Brosch. Eingebundener Vorderdeckel fleckig letzte ca. 50 Bl. am Fusssteg wasserrandig u. -wellig die Deckbl. der Taf. gebräunt; allg. gutes Ex. 010 Paris, Librairie de l’art, L. Alllison, 1888 unknown
1987réf. 120558London: Folio Society 1987. First Edition; First Printing. Hardcover. Near Fine in a Near Fine slipcase. Folio Society hardcover
1951réf. 44083Edinburgh: Printed for the Edinburgh Bibliographical Society 1951. First edition one of 320 copies no. 58. Illustrated. 205 pp. 1 vols. 4to. Wrapper staining on lower covers else VG. First edition one of 320 copies no. 58. Illustrated. 205 pp. 1 vols. 4to. Printed for the Edinburgh Bibliographical Society unknown
réf. 66941New York: Broude Brothers N.D. Vintage Copy. Softcover. Very Good in wrappers. Crease to edge at rear panel. A few minor ink stains to front panel.; Masterworks of the Choral Art; 4to - over 9¾" - 12" tall. Broude Brothers unknown
1973réf. 59004Chicago: University of Chicago Press 1973. First Edition Thus; First Printing. Softcover. Good in wrappers. Some creasing to wrappers. Sunning at spine.; 7.90 X 5 X 1.30 inches; 400 pages. University of Chicago Press unknown
2014réf. H-822-033MAGNARD 2014. Paperback. Good. Former library book. Different cover. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations. MAGNARD paperback
1840réf. 74941-A-67143Schlesinger ca 1840. Signed and dated 1942 by Karel Mengelberg. First German edition German text alongside the original French text. Full cloth binding gilted title. 332 p. -Cloth missing on the spine but cover/binding still intact. Corners damaged. Foxed and some moist staining throughout gradually more severe towards the end. enthaltend eine genaue Angabe des Umfangs des Mechanismus des Klang- und Ausdruckscharackters der verschiedenen Instrumente nebst einer großen Anzahl von Beispielen aus den Partituren der großten Meister: Auber Beethoven Gluck Haydn Meyerbeer Mendelssohn Mozart Rossini Wagner Sacchini Spontini C.M.v. Weber etc. u. einigen noch ungedruckten Werken des Verfassers. Schlesinger hardcover
réf. 101328Leipzig Gustav Heinze 1864. 8vo. VII blank 285 1 pp. 70 lith. pp. with music. The title page with paper repair in corner minor spotting. Worn contemporary half calf spine gilt with black label . Owner’s stamp of Lindskog. unknown
réf. Z1-C-056-01324Wiley-ISTE. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Wiley-ISTE unknown
1968réf. 76587Paris: Gründ 1968. Relié. Etat satisfaisant. In-8. 649 pp. Edition du centenaire. Reliure éditeur. Petites déchirures sur les bords de la jaquette. Mention importante page de garde. Gründ unknown
1991réf. DADAX0486269035Dover Publications 1991-11-08. paperback. New. 4.00x15.00x10.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
2007réf. DADAX0521036119Cambridge University Press 2007-04-23. 1. paperback. New. 6.69x0.98x9.61. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
1904réf. OB1022Paris & Bruxelles Henry Lemoine 1904. Hard Cover. iii 276 p.; 25 cm. Second edition; first 1900. Widor-- composer organist teacher-- edited and amplified Berlioz's De l'instrumentation. Berlioz's originality as an orchestral writer prevented a school forming but influenced a generation of French and Russian musicians. Good slight foxing 3/4 leather rebacked. Stock#OB1022. Henry Lemoine hardcover
réf. 4168015 measures titled and signed below the music: "Thème e Bal e La Symphonie Fantastique. H. Berlioz." Undated but ca. 1840-1850. The complete main theme of the second movement "Un Bal" carried by the violins in measures 38 to 54 of the full score. 1 leaf. Notated in dark brown ink within decorative dark gold borders on Lard-Esnault paper. Oblong quarto 227 x 300 mm. "The composition of the 'Symphonie fantastique' was a momentous event in Berlioz's career his first full-scale masterpiece and equally momentous in the history of music as the first unequivocal declaration of romantic ideas in style and musical language and its echo has pervaded all music of passion and personal experience to this day . Of Harriet Smithson's identity as the 'beloved' portrayed by an 'idée fixe' in the form of an obsessive theme that recurs in all the movements there can be no question." MacDonald: Berlioz p. 18. With: - Roger Gustave-Hippolyte 1825-1879. Autograph musical quotation signed "G. Roger" being a 12-measure song for voice and piano commencing "d'autiens tu beau miage" to lower portion of recto. With to verso: - Adam Adolphe 1803-1856. Autograph musical quotation signed "Ad. Adam" being a 16-measure waltz for pian. - Halévy Fromental 1799-1862. Autograph musical quotation signed "F. Halévy" being a 22-measure work for piano titled "Suite." A dynamic excerpt from one of the great revolutionary works of the Romantic period constructed around a recurring "idée fixe" a concept originating with Berlioz's revolutionary Symphonie Fantastique and presenting here as a recurring theme associated with Berlioz's obsession with Irish actress Harriet Smithson. A unique artifact incorporating a rare quotation from one of the most outstanding works of the symphonic repertoire of the Romantic period the whole linking Berlioz with three important French musical figures of the mid-19th century. unknown
