Vivaldi, FrancoBiblio.com
207 résultats
2017réf. x-1138411965Chapman & Hall 2017. Hardcover. New. 240 pages. 9.21x6.14x0.79 inches. Chapman & Hall hardcover
1547réf. 68039Lugduni Leiden: Apud Iacobum Giunta 1547. Fine. Apud Iacobum Giunta Lugduni Leiden 1547 11 x 16 cm relié New edition after the editio princeps of 1503. Title page in red and black. Gothic typeface. Editions from 1517 are found at the Bibliothèque nationale de France and the British Library. Contemporary limp vellum binding. Smooth spine with faded handwritten title. Joints cracked at foot. Foot headcap with 1 cm tear. Text block detached from binding. Last leaf loose. Lacking endpapers at end of volume and probably the index. Theological and moral work on contrition by the Dominican Vivaldi from Mantua professor of theology and advisor to the Marquis of Saluzzo. It was reprinted several times from 1503. Apud Iacobum Giunta hardcover
2002réf. SBBIH-6IJFHQAYNM4RRICORDI 2002. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. RICORDI paperback
2017réf. SBBIH-G2UIUEJDHJTPPeters Edition 2017. sheet_music. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Peters Edition unknown
1969réf. 59525Rome Italy: Studio D'Arte Toninelli. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 124 pp. With 86 ills. 9 col. . 22 x 22 cm. -- with a bonus offer-- . 1969. Studio D'Arte Toninelli paperback
1511réf. 047787Paris: J. Barbier for Franciscus Regnault 1511. Third Edition. Hardcover Full Leather. Very Good Condition. Contemporary calf over wooden boards clasps repaired with old vellum rolled blindstamping of fleur de lis and other flowers as well as a cat of some sort. Staining and wear front hinge starting evidence of old repairs endpapers appear to have been refreshed at some point 18th century and a blank probably added between the main work and the index. Some dampstaining in the gutter for about 80 leaves towards the middle some old red underliings here and there and a few trimmed pages in the lower margin. Still a fine copy in a fine original binding. CCXCI 1 possibly added 7 leaves. Four large illustrations one a lovely Dance of Death. The illustrations for this edition were done with multiple modular metal cuts as many as a dozen different pieces instead of one large woodcut. A very fine edition the first printed in Paris and the third overall after the 1507 printed in Saluzzo and the 1508 in Lyon. Mortimer 552 the Lyon ed. Adams V929 Provenance: Chr. Falsterus signature on title. Possibly the Danish philologist and rector at Ribe. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047787. J. Barbier for Franciscus Regnault hardcover
1732réf. 39416London: I. Walsh . and I Hare 1732. 8 volumes. Small folio. Sewn. Housed in a custom-made brown linen clamshell archival box with printed title label to spine. Violino Primo: 1f. title 1 blank 2-27 1f. title 1 blank 2-7 i blank 8-18 pp. John Young overpaste to titles of both parts several minor edge stains. Violino Secondo: 1f. title 1 blank 2-25 1 blank 26-31 pp. Violino Terzo: 1f. title 1 blank 2-12 1 blank 13-17 1 blank 18-28 pp. Violino Quatro: 1f. title 1 blank 2-10 1 blank 11-15; 1 blank 2-7 1 blank 8-12 pp. Alto Primo: 1f. title 1 blank 2-23 pp. Alto Secondo: 1 title 2-23 pp. Violoncello: 1f. title 1 blank 2-27 pp. Violino e Cembalo: 1f.title 1blank 2-10; 1f.title 11-16 1 blank 2-5 1 blank 6-12 pp. Engraved throughout. Early manuscript numbering to upper margins of each page of music to parts for Violino Secondo Terzo and and Alto Primo. "No. 451" absent from the Violino e Cembalo part. All parts with Japanese paper reinforcement to spines and binder's pinholes to inner margins; some outer margins trimmed just affecting printed area. A mixed set predominantly a reissue of the second London edition first published in 1717; the Violino Primo and Violino e Cembalo parts from an earlier issue before 1730. Smith & Humphries 1520. BUC p. 1047. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales p. 17 6a and 9. RISM V2205 and VV2203. "In 1711 Etienne Roger the Amsterdam publisher brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro armonico op. 3 dedicated to Grand Prince Ferdinando of Tuscany; it comprised 12 concertos divided equally into works for one two and four solo violins. The third fifth and 12th concertos from op. 3 along with the concerto published individually under the title 'The Cuckow' RV 335 became staples of the repertoire of many violinists were arranged for a variety of instruments and were extracted for use in violin tutors throughout the 18th century and beyond. Nowhere was the enthusiasm for Vivaldi's concertos stronger than in Germany. Bach transcribed several of them including five from op. 3 for keyboard and his noble patron Prince Johann Ernst of Saxe-Weimar wrote concertos in Vivaldi's style." Michael Talbot revised by Nicholas Lockey in Grove Music Online All lifetime editions of Vivaldi's works are rare. I. Walsh ... and I Hare unknown
