[CHINESE OPERA MASKS].Biblio.com
20 176 résultats
1986réf. 223029Sichuan.: 四川美术出版社. Sichuan meishu chubanshe. 1986. Poster showing 56 captioned Chinese Sichuan Opera facepaint masks. Text in simplified Chinese characters 76 x 52.5cm occasional light creasing corner pinholes in very good and bright condition. In Chinese opera individual characters are distinguished by highly codified facial make-up often described as painted “masks” and in some regional traditions particularly Sichuan opera by the use of actual masks. These visual conventions function as an interpretive guide for audiences signalling a character’s identity personality and moral attributes. Musical style facial design and costume vary markedly between regional operatic forms including Beijing opera Sichuan opera Yue opera and Cantonese opera reflecting distinct local performance traditions and aesthetic systems. . 四川美术出版社. [Sichuan meishu chubanshe]. unknown
1900Fine Turkish, Ottoman (1500-1928) Paperback. 4to. (28 x 20 cm). In Ottoman script and transcription into Latin letters. 16, [2] p. 1 b/w portrait of Samli Iskender. Leblebici Hor Hor [Aga] opereti. Chamli Isquender.= Kudmânizade Samli Iskender. Text by Takvor Nalyan. Not in Özege for this edition. Leblebici Horhor (Horhor the Chickpea Seller) is an 1875 Turkish-language operetta by the Ottoman-Armenian composer Dikran Tchouhadjian. Leblebici Horhor is often claimed as the first original Turkish operetta, though Tchouhadjian's Arif'in Hilesi (Arif's Trick) was at least year earlier - it is reported in 1874. Tigran Tchoukhajian was an Armenian composer, conductor, public activist and the founder of the first opera institution in the Ottoman Empire. He is considered the first opera composer in Turkish history.
1910Very Good Turkish, Ottoman (1500-1928) Original business card. Autograph notes on card. Autograph note in Ottoman script; print in French. Salih Munir Pasha was one of the grandchildren of Çorlulu Ali Pasha the grand vizier. His father, "Nafia" and Trade Minister Mahmud Jalaleddin Pasha. Salih Münir was born on November 4, 1859 in Istanbul. In 1939, at the age of 80, he died. His education was special. He was one of the first students of "Galatasaray Sultanisi". In 1869, during the wife of Napoleon's wife Empress Ojeni and the Sultan's visit to Galatasaray, 10-year-old Salih Münir's speech in French in the name of Galatasaray School, attracted a lot of attention. Because he was speaking French as his mother-language, he was chosen as a companion of Abdulhamid II the Prince in order to advance her French. Salih Münir's childhood passed with Abdulhamid's childhood, which would later sit on the throne...
1979réf. 2142622Turnhout: Brepols 1975-1979. XV, (1), 1144, (2) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckeln und Rücken sowie rotgefärbten Kopfschnitten. [Hardcover / fest gebunden].
1980réf. 2142665Turnhout: Brepols 1975-1980. XXVI, 808 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1989This is a very good hardcover copy in a very good dustjacket with just light wear. Completely clean inside and out, no writing or marks. Text in Chinese. 227 color photographs of Nuo mask art from Guizhou, China. Nuo opera or Nuo drama is one of the most popular folk operas in southern China. Characterized by its special features such as ferocious masks, unique dresses and adornments, the strange language used in performance and mysterious scenes. 11" high X 9" wide, 147 pages. This book will be securely wrapped and packed in a sturdy box and sent with tracking.
réf. DADAX1461353661New unknown
réf. 80488Chants et chansons populaires de la France - ed. 1854 - Nouvelle édition illustrée d'après les dessins de MM. E. de Beaumont Daubigny Dubouloz E. Giraud Meissonnier Pascal Staal Steinheil et Trimolet - Opera completa in due tomi - Tomo 1: chansons choisies - romances rondes complaintes et chansonnettes - Tomo 2: chants guerriers et patriotiques - chansons bachiques et burlesques - Pag. 340 circa cad. - Legatura in mezza pelle - Testo in francese. - Condizioni generali buone. Segni di foxing naturale. - unknown
réf. 58302Musica - Lotto fotografie e documenti musicologo Federico Mompellio - 12 foto e una ventina di documenti tra biglietti e lettere. - Condizioni molto buone. - Federico Mompellio Genova 9 settembre 1908 – Domodossola 7 agosto 1989 è stato un musicologo italiano. unknown
réf. 116403Musica Spartiti - La Palestra Musicale - Anno II - 2° Trimestre - 1867 - Dal fascicolo 14 al fascicolo 25/26 - Pag. 53-96; 209-416 - Copertina rigida - Lingua italiana. - Buone condizioni generali. Piccoli segni del tempo. - Copertina anteriore con mancanza al bordo destro come da foto. - RARITA' unknown
réf. 116402Musica Spartiti - La Palestra Musicale - Anno II - 1° Trimestre - 1867 - Dal fascicolo 1 al fascicolo 13 - Pag. 52; 208 - Copertina rigida - Lingua italiana. - Buone condizioni generali. Piccoli segni del tempo. - RARITA' - - unknown
réf. 5127o.J. Marlow-Homolatsch. Opernsängerin. "die kroatische Nachtigall". 1844-49 am Hoftheater von Darmstadt, 1849-52 am Stadttheater in Hamburg, 1852-54 an der Wiener Hofoper, wirkte seit 1854 an der Hofoper von Stuttgart. 1826 Agram (Zagreb) - 1888 Stuttgart. Kniestück, stehend, die Linke ruht auf einem Hermelinpelz. Lithographie von Prinzhofer 1854. Ca. 300 x 240 mm. Sehr dekorativ!
réf. 053791Paris - Leipzig Gide et J. Baudry, Editeurs - T. O. Weigel,, Editeur, 1854-1855 1854 in 8 (22x14) 3 volumes reliures demi basane bleue de l'époque, dos lisses ornés, des rousseurs éparses. Tome 1: XXII et 638 pages. Tomes 2: 703 pages. Tome 3: 628 pages. François Arago.Jean Augustin Barral. Tomes 1 à 3 renfermant les: Notices Biographique. Ensemble en bel état ( Photographies sur demande / We can send pictures of this book on simple request )
Lisboa, Na Impressao Regia, 1827. Quarta edizione. In 16°, PP XII+228n. Legatura in pelle coeva con titoli al tassello e fili in oro al dorso. Esemplare con 16 belle stampe.
2019cm 22,5 x 30, 2 tomi di xxiv-756 pp. compl. con 1692 figg. n.t. a colori e 2 in b.n. Rilegato Fondazione Carlo Marchi. Studi 35 Ha termine con questo quinto volume l?Inventario dei disegni dell?Archivio Storico del Teatro del Maggio Musicale Fiorentino, che, come i precedenti, analizza la categoria dei bozzetti, dei modellini, dell?attrezzeria di scena e dei figurini per i costumi. Di ogni elaborato della collezione ? fornita una scheda scientifica completa. Un lavoro di riordino compilativo unico in Italia e il primo a realizzarsi in questo settore specifico degli Archivi teatrali, per una collezione che raccoglie oggi pi? di 16.000 disegni e altri manufatti teatrali, per l?opera, il balletto e la prosa. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and represents a complete reordering of a collection that consists of more than 16,000 drawings and other material for opera, dance and drama. This is the fifth volume of the inventory of the drawings belonging the Archivio Storico del Teatro del Maggio Musicale Fiorentino, which like the four previous tomes, surveys, with individual informative entries, the designs for sets, costumes and props as well as the stage models. The series is the first ever for theatrical archives in Italy and r
1953réf. UUI-13163In-8 broché sous couverture rempliée, Plon, 1953, 254 pp. Un peu frotté et jauni, dos un peu ridé et insolé, intérieur propre. Bon état général. Bon exemplaire de l’édition originale, un des 35 numérotés sur vélin pur fil, seul grand papier, et parmi ceux-ci un des 10 hors commerce. Orné d’un bel envoi autographe signé de Jouve, signé par Fano. Bel et rare ensemble. Poids 330 g.
1845réf. 37389[Paris] Typographie Vinchon s.d. [1845] prospectus in-8 en feuille
1857réf. 37408Auxerre Imprimerie, librairie et lithographie Ch. Gallot s.d. [1857] prospectus in-8 en feuille
1846réf. 37388[Paris] Typographie Vinchon s.d. [1846] prospectus in-8 en feuille
1846réf. 37393[Paris] Typographie Vinchon s.d. [1846] prospectus in-8 en feuille
Milano, G. Ricordi & C., 1937, in-8 piccolo, brossura editoriale (copertina anteriore illustrata da Cisari), pp. 23, [1]. Prima edizione. Opera di argomento aviatorio, rappresentata per la prima volta al Maggio Musicale Fiorentino del 1937. Cammarota, Futurismo, 366.6. Ottime condizioni.
réf. c3816Album in-4° oblong, pleine toile bordeaux de l'éditeur , titre doré au 1er plat.Ensemble de 16 photographies originales , de formats divers (dont 3 grandes rectangulaires de 22 X 17, certaines ovales, d'autres rondes ), montées sur 8 feuillets de papier fort.
19983 Voll. In-4 (32 x 23,5) pp. L-1235 - 181 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 22. A cura di Charles S. Brauner e Patricia B. Brauner. Lingua italiana. COME NUOVO
20203 Voll. In-4 (32 x 23,5) pp. LXXXVII-569 - 251 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 1, Volume Secondo, Partitura, atto secondo, appendici. A cura di Daniele Carnini. COME NUOVO
1781réf. 26217Halle, Johann Jacob Gebauer, 1781. 8vo. XVI, X, 934 S.; 1 Bl., IV S., S. (717)-1666. Hldr. d. Zt. m. 2 RSchildern u. Rückengoldprägung.
