AAVVMareMagnum
20.191 risultati
1976In 4 (33x24) Legatura in tela, in pelle con fregi in oro al dorso e al piatto. pp.217, Stampe e illustrazioni in B/N.Ottimo
rif. DADAX0226035085New unknown
1915rif. 161064Berolini (= Berlin): Georg Reimer 1896-1915. X, 280; XI, (1), 306; XII, 290; XI, (1), 254; X, 306; X, 200 Seiten. 8° (17,5-22,5 cm). Private Halbleinenbände der Zeit. [Hardcover / fest gebunden].
1980rif. 157863(Berlin: de Gruyter) ohne Jahr (ca. 1970-1980). 8° (17,5-22,5 cm). Orig.-Leinenbände mit goldgeprägten Rückentiteln und braun gefärbten Kopfschnitten. [Hardcover / fest gebunden].
rif. DADAX0190915056New unknown
petit in-4° broché sous couverture illustrée. 488 pages. Quelques défauts mineurs à la couverture. [POR-3]
Paolo Conte - Razmataz - Commedia musicale - 1^ ed. 1989 Pag. 191 con numerose illustrazioni. Copertina rigida - Testo in italiano. Condizioni molto buone.
1968rif. 2142667Turnhout: Brepols 1968. XIV, 540; 1010 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
rif. 11562Hood's letter: On letterhead of Osborne Isle of Wight. 8 January 1891. Mrs Gye's draft reply: without place or date. Both items good on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye and letter and reply are written informally. Hood's letter: 3pp. 12mo. She received Mrs Gye's letter that morning 'and the Queen has read it' and is 'quite pleased with your reply'. 'The Queen desired me to assure you that she had never for a moment supposed that you were responsible for the article in the newspaper - only the Queen thought it was better to have the matter mentioned to you - especially as it might be copied into other papers.' The Queen also thinks that Mrs Gye should 'have some contradiction put in the Paper'. Mrs Gye's draft reply: 2pp. 12mo. She writes that she cannot express her relief at the contents of Hood's letter. 'Since your first letter the thought that Her Majesty would be displeased about it has troubled me very much - therefore you can imagine how delighted I am to find the Queen did not imagine I was responsible.' She has 'written to Church Journal to deny the authorship of the article and ask them to publish it'. Hood's letter: On letterhead of Osborne [Isle of Wight]. 8 January 1891. Mrs Gye's draft reply: without place or date. unknown
rif. 222466 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.” Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
rif. 24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms” which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
rif. 104730Antico spartito manoscritto - Gloria in excelsis Deo / Credo - secolo XIX - Pag. 8 - Dimensioni: 31 x 45 cm ca. - Condizioni generali buone. Piccoli segni del tempo. unknown
rif. 69949Bibliographie der Musik-Sammelwerke des XVI und XVII Jahrhunderts - Im vereine mit Frz. Xav. Haberl A. Lagerberg und C. F. Pohl - Bearbeitet und herausgegeben von Robert Eitner - 1877 - Pag. IX 964 - Copertina rigida - Testo in tedesco - Titoli delle opere nelle varie lingue. - Condizioni molto buone. - unknown
rif. 120727Lotto concerto The Rolling Stones - Torino luglio 1982 - Brochure biglietto tessera e 3 adesivi - Buone condizioni generali. unknown
rif. 4179Musica Opera - Giuseppe Verdi - Spartito musicale: Giovanna de Guzman; I vespri - Siciliani. Dramma in cinque atti posto in musica dal maestro Giuseppe - Verdi - Edizioni Ricordi Milano - 1856. - Riduzione completa per pianoforte solo di Luigi ed Aless. Truzzi e H. - Potier - Pag. 286 - Legatura in mezzapelle; titolo e fregi dorati al - dorso; copertina con titolo dorato contornato da incisioni decorative. - Condizioni generali molto buone. - . FAI IMMEDIATAMENTE un'offerta per l'oggetto . - . NON ASPETTARE la scadenza. - . NON RISCHIARE DI PERDERLO. - . COMPRA SUBITO!!! unknown
rif. 666Genève, René Kister, 1957. In-4° carré en feuilles, emboitage. Avec 16 planches en couleurs des costumes et décors par Cassandre. Tiré à 3145 exemplaires numérotés; celui-ci sur vélin.
rif. 17605o.J. Opernsänger, Bariton. Seit 1939 Metropolitan Opera New York. 1909 Celeste /Texas - 1960 Dallas. Fast ganze Figur stehend, rechts daneben Frances Green. Bleistiftzeichnung von Benedikt Fred Dolbin um 1950, nicht signiert. Ca. 280 x 175 mm.
rif. 3059o.J. Komponist, Sänger. 1718 Tenor an der Hamburger Oper, 1720 in Braunschweig, 1722 in Neapel, 1731 in Dresden, dort 1734 Kapellmeister u. 1750 Opernkapellmeister, ließ sich 1764 in Wien u. 1773 in Venedig nieder. 1699 Hamburg-Bergedorf - 1783 Venedig. Brustbild im Oval. Lithographie von Wintter 1816. Ca. 185 x 145 mm.
rif. 11949o.J. Berühmter Baritonsänger. Prag, Brünn, Wien, 1840 Frankfurt/Main, 1844-64 Kgl. Kammersänger in Stuttgart. 1814 Mscheno b. Melnik - 1873 Sigmaringen. Fast Kniestück, Kopf im Profil nach links. Lithographie von Kriehuber. Ca . 270 x 220 mm.
rif. 17499o.J. Nanette. Opernsängerin in München. Mußte 1835 ihre Karriere aufgeben. 1806 München - 1860. Halbfigur. Lithographie von Hanfstaengl. Ca. 300 x 280 mm.
rif. 7763o.J. K.K. Hofopernsängerin. 1846 Leipzig, 1847 Hofoper Dresden, 1850 Prag, 1852 Wien, 1854 Hofoper München, seit 1864 Leipzig. 1825 Löbau in Sachsen - 1880 Leipzig. Kniestück, stehend, in den Händen Blumenstrauß. Lithographie von Prinzhofer 1854. Ca. 290 x 240 mm.
In Foligno, per Pompeo Campana, [1713], in-8 piccolo, brossura marmorizzata moderna, pp. 56. Per l'intestazione all'autore cfr. la scheda in ICCU, che censisce solo due esemplari di questa edizione. Leggermente brunite le prime 5 carte.
1910rif. MUSI0132Wien, Artaria u. Lpz., Breitkopf & Härtel 1910. 28x35,5 cm, 263 S., mit 7 Illustrationen, HLn. d. Zt. m. aufkasch. OTit., u. gldgepr. RüTit., geringe Gebrauchsspuren. (= Denkmäler der Tonkunst in Österreich. Jhg. XVII). Erstausgabe. [3 Warenabbildungen]
2014Questo terzo volume analizza la categoria dei bozzetti, dei modellini di scena e dei figurini per i costumi. Di ogni disegno teatrale è fornita una scheda scientifica completa. Un lavoro di riordino compilativo unico in Italia e il primo a realizzarsi in questo settore specifico degli Archivi teatrali, per una collezione che raccoglie oggi più di 13.000 disegni di scenografie e costumi. The third volume of the inventory of the set and costume designs and models covers the years 1953 to 1963. A comprehensive technical description is given for each entry. The book is the result of a complete reorganization of the collection - the first in Italy for a theatrical archive - that includes more than 13,000 set and costume designs. Fondazione Carlo Marchi - Studi 30 cm 22,5 x 30, xvi-570 pp. con 2061 figg. n.t. a colori e 11 in b.n. Rilegato
