20 202 résultats
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929, Istanbul. It starts as 'Muhterem Vasfi Riza bey'... Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5, 1902 in Constantinople, Ottoman Empire. He was an actor, known for Karim beni aldatirsa (1933), Ankara postasi (1928) and Milyon avcilari (1934). He died on November 23, 1992 in Istanbul, Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit (actor, husband of paintress Bedia Muvahhit), writer Refik Halit (Karay) and Refi 'Cevat (Ulunay). After the proclamation of the Second Constitutional Monarchy, he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri (Sekizinci). Bican Efendi series, in which he played the title role after the WW 1, was accepted from the first comedy of Turkish cinema history.
1975A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. Includes laid in typewritten letter written and signed by Kenward Elmslie to a potential reviewer.
1955Very Good Turkish Original concert program signed and inscribed by Semiha Berkdoy. 24x12 cm (Folded size). Folded. 8 p., fully ills. Signed and inscribed by Berksoy. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
1992Fine English Paperback. Oblong large 8vo. (23 x 24 cm). In English and Turkish. [36] p., color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 (commissioned by Kemal Atatürk, composed by Adnan Saygun). She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934, performing in Turkey, Germany, and Portugal, becoming known as a Wagnerian soprano. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne Auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement, she remained active mostly as a theater artist. Four years preceding her death, at the age of 90, she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death, Destruction and Detroit III at the Lincoln Center in New York City (1999).
1925Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
1997Book is in excellent condition with two lightly bumped corners, slight wear at bottom edge. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. Black cloth covers with a photo-illustrated dustjacket. Lavishly illustrated with full page mostly colour photographs, including endpapers. Published posthumously as an ode to Versace and his art collection just after his death in July 1997; it was the last book he worked on. Works from his art collection are included in close-ups with fashion shots of male and female models. About 150 pages, unpaginated.
Libretto, L'Ultimo Abencerragio Dramma lirico in tre atti di Giovanni Peruzzini per musica espressamente composta dal Maestro Francesco Tessarin da rappresentarsi nel Gran Teatro La Fenice nella stagione di carnevale e quadragesima 1857-58 Dalla Tipografia del Commercio, Venezia 1857, cm 18x12, pp. 32, bellissma legatura d'epoca, in stile romantico, con numerosi bei fregi e decorazioni in rilievo ai piatti, dettagli in oro e a colori. Condizioni di conservazione Esemplare ben conservato con tracce d'uso, coperta con alcuni minimi aloni e leggerissime tracce di sporco. Interni buoni con piccole lievi bruniture. Raro libretto della prima rappresentazione avvenuta al Teatro La Fenice di Venezia. Bellissima legatura (vedi foto). OPEB.3995 N
Libretto Opera - Carlo Magno dramma serio - ed. 1817 Teatro Parma pp. 49 Rara edizione , per il carnevale 1817  , Lingua italiana Copertina rigida. Condizioni molto buone  ,
1981réf. yam0031imprimerie nationale Fort in-4 carré pleine toile rouge de 332 pages, adaptation française, commentaires dramatiques et indications scéniques de Franck Venaille, totalité des découpages reproduits dans leur grandeur originale, 4 livrets des 4 opéras (avec traduction française et scories) Jaquette émoussée sur les bords sinon très bon état
réf. DADAX0313278415New unknown
réf. SONG0521517397Used: Good unknown
réf. DADAX0190091266New unknown
réf. DADAX0847827992New unknown
1973In 4 (33x24) Legatura in tela, in pelle con fregi in oro al dorso e al piatto. pp.138, Stampe e illustrazioni in B/N.Ottimo
réf. 70861, Brepols, 2025 Hardback, Pages: xxii + 317, Size:210 x 270 mm, Illustrations:22 b/w, 5 tables b/w., 17 music examples, Language: English. ISBN 9782503615585.
1958réf. 2142674Turnhout: Brepols 1958. XX, (2), 1361 Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenbände mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1831réf. 2143943Turici (Zürich): Fuesslini et Sociorum 1826-1831. XX, 701, (3); 588, 640; 464, XXIV, 504; 576, 607, (5) Seiten. Gr. 8° (24 x 16 cm). Halblederbände der Zeit mit goldgeprägtem Rückentitel und Marmorpapierbezug und minzgrünen Schnitten. [Hardcover / fest gebunden].
1850réf. 2087557Ienae prostat apud Frider. Mauke (Jena: Mauke) 1847-1850. LIV, 215, (5), 510, (1); L, 296, XXXVIII, 207, (1), 404 Seiten. 8° (21 x 14,5 cm). Halblederbände der Zeit mit goldgeprägtem Rückentitel und Marmorpapierbezügen. [Hardcover / fest gebunden].
réf. DADAX0571517307New unknown
réf. DADAX0312293461New unknown
réf. 21454o.J. Opernsänger. 1914-1925 Metropolitan Opera New York, mehrfach bei den Festspielen von Zoppot, 1931 Budapest, 1925-37 Opernhaus Berlin, Konzertsänger, später Musikpädagoge in Stockholm, 1933 schwedischer Hofsänger, großer Wagner-Interpret. 1887 Floda - 1967 Stockholm. Ganze Figur im Profil nach rechts, vor einem Klavier sitzend. Bleistiftzeichnung von Benedikt Fred Dolbin um 1930, nicht signiert. Ca. 270 x 210 mm.
réf. 65315, Brepols, 2021 Hardback, xiv + 562 pages, Size:210 x 270 mm, Illustrations:25 b/w, Language(s):English, Spanish, French. ISBN 9782503595436.
1949réf. 52974New York:: Metropolitan Opera House October 9 1949. original printed wrappers. . Some light creasing and use to the wrappers. 8vo. Boldly signed by Margot Fonteyn on the first text page of the program. Metropolitan Opera House, unknown
réf. 68-8830San Francisco CA: Grand Opera House 1880. Fabric Broadside. 12 x 16 cm. Very Good with minor staining. Scarce. San Francisco, CA: Grand Opera House, 1880. unknown
réf. 68-8833Philadelphia PA: Juvenile Opera Company 1875. Fabric Broadside. 23.5 x 15 cm. Very Good. Scarce. Philadelphia, PA: Juvenile Opera Company, 1875. unknown
