20 351 résultats
réf. 23408Dated 1924 or 1925 according to docketing with the name and name of the Company. Eleven Signatures of members of the D'Oyly Carte Opera Company 7 signatures on 7 x 13 x 8cm paper laid down on detached album leaves good condition 18 x 14cm 4 2 each signatures on same album leaves all with tissue fronts. Signatures as follows usually with a brief greeting such as "Best wishes" or "Yours sincerely": singles Sydney Granville Eileen Sharp Bertha Lewis Sidney Pointer Aileen Davies Henry A. Lytton Leo Sheffield; doubles Charles Goulding/Darrell Fancourt Joseph F. Griffin/Winifred Lawson. All "best known" for their roles in Gilbert and Sullivan Savoy Operas. WITH: Signature of "R. D'Oyly Carte" on paper 11.5 x 4 clipped from Typed Letter Signed preserving only the typed words "Yours faithfully" and the signature. Dated 1924 or 1925 according to docketing, with the name and name of the Company. unknown
réf. 22363Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia 'Liceo Musicale'. Rome 14 September 1892. Villari's autograph on reverse of leaf dated from Florence 2 November 1892. 1p 12mo. Leaf of lightly-browned and creased aged paper with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs in a firm attractive hand 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'. On the reverse Villari has written out neatly an eight-line comment on 'Chi cessa d'essere bimbo prima del tempo' losing 'la gaiezza l'innocenza la spontaneità infantile' and all the qualities 'necessari all'uomo'. Beneath the quotation he signs in another attractive hand 'Pasquale Villari Firenze 2 Nov. 92'. Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia ('Liceo Musicale'). Rome, 14 September 1892. Villari's aut unknown
réf. 22384'Bury St. Edmunds. Royal Hotel. Thusday. April 6th. no year'. 3pp 12mo. Bifolium. In good condition lightly aged with thin strip of paper from mount adhering to blank reverse of second leaf one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'. As the weather was 'so unfavorable' she was not able to visit Hardwick that afternoon in order to thank Lady Cullum in person. In the 1850s Lind settled in England with her husband the German composer Otto Goldschmidt 1829-1907. 'Bury St. Edmunds. | Royal Hotel. | Thusday. April 6th. [no year]'. unknown
1964réf. feb121221ESPLA 1964. Used. For more details please contact me ESPLA unknown
2010réf. 123175Den Norske Opera & Ballett 2010. Trade Paperback. Very Good. 3rd Edition First Printing. Published by Norwegian National Opera & Ballet 2010. Quarto. Pictorial wraps with flaps. Book is very good; with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have shelf wear and light smudges. Text is in English and Norwegian. A very good very scarce copy of this photobook highlighting the Oslo Opera House. 80 pages. ISBN: 9788299843003. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. We Buy Books! Individual titles libraries collections. Message us if you have books to sell! Den Norske Opera & Ballett paperback
1873réf. 005672The Academy of Music. Mr. J. C. Fryer's Grand 'Wagner' and 'Meyerbeer' Opera Festival: Libretto and Parlor Pianist Front Cover The Huguenots: A Serious Opera in Five Acts As Represented at the Royal Italian Opera House London and The Academy of Music New York Title Page 1873. A left-stitched soft cover measuring 6-7/8" by 10" and containing 40 pages including interior paginated pages as well as outer covers. The front cover reads: "The Only Correct and Authentic Edition - Mr. J. C. Fryer's Grand 'Wagner' and 'Meyerbeer' Opera Festival - Libretto and Parlor Pianist. The Original German Libretto with a correct English Translation and the Principal Airs and Gems of the Opera arranged as Piano-Forte Solos by distinguished Professors. Huguenots. Published at The Theatre Ticket Office No. 111 Broadway New York." The Title Page reads: "The Huguenots. Die Hugenotten. A Serious Opera in Five Acts. The Music by Giacomo Meyerbeer. As Represented at the Royal Italian Opera House London and The Academy of Music New York. New York: Published at the Academy of Music." No date although late 1873 or very early 1874 published shortly following the performance at The Academy of Music. The contents are as follows: splendid illustrated advertisement for Weber Grand Square and Upright Piano-Fortes to inside front cover; Title Page; advertisement The Weber Piano-Fortes: Opinions of the most Distinguished Artists the latest of which is dated December 6 1873; Dramatis Personae; Argument; the complete opera The Huguenots - Die Hugenotten in Five Acts with German verse on left pages and English verse on right pages; Die Hugenotten Musical Score; advertisement for Weber to inside rear cover and rear cover "'Weber' of New York Receives the Highest Award at the U.S. Centennial Commission". Condition: front and rear covers soiled but not badly and not impacting the often bold cover typeface; covers show narrow chipping along lower overhang short closed edge tear periodic narrow chips along outer spine; the lightest of foxing to interior pages. Exceptionally rare. . Good. Soft cover. 1st Edition. 1873. The Academy of Music paperback
réf. 34689Very good. - Two bars of music penned with the lyric "We are be-trothed" on a 3 inch high by 5-5/8 inch wide sheet of buff paper. Signed in full "Frederic Solomon". Once mounted into an album the corners are torn with remnants of paper & glue adhering to the corners of the verso. The American composer of comic operas & songs Frederic Solomon was the author of several compositions including "Cunnin Ain't it A Satirical! Comical! Topical!" 1887 "Beggar's Keepsake" 1893 "Temptation is hard to resist" 1893 "King Kaliko" an 1892 comic opera with libretto by Frank Dupree. unknown
1888réf. 33019Boston MA: circa 1888. 1888. Very good. - Sepia-toned cabinet photograph by Conly 5-1/2 inches high by 3-7/8 inches wide mounted on a card 6-1/2 inches high by 4-1/4 inches wide with the cast and credits of "Prince Kam; or A Trip to Venus" printed on the verso Signed "Sincerely yours / Camille D'Arville" below the photo. There is some very light foxing & soiling to the verso. Very good. The copy on the verso of the photograph states that this card is a souvenir of the 75th performance at the Park Theatre Boston of Rice's comic opera 'Venus' with libretto by Charles Alfred Byrne and Louis Harrison and music by Gustave Kerker. As the star Camille D'Arville is listed separately at the foot of the cast list. She plays Prince Kam son and heir of Poom the Grand Llama of Thibet. The photo is a head-and-shoulders portrait of a distinctly womanly D'Arville wearing an embroidered cap on her mop of short curly hair and a doublet with puffed sleeves elaborately jeweled around the collar. Born Neeltye Dykstra in the Netherlands Camille D'Arville studied music in Amsterdam and made her debut there in concert in 1877. She appeared in London toured the English provinces and came to the United States in 1888 under the management of J. F. Duff. The photographer Charles F. Conly 1846-1892 was best known for his theatrical photographs. Boston, MA: circa (1888). unknown
1980réf. 28607New York: October 14 1980. 1980. Very good. - sc Quarto 11 inches high by 8-3/8 inches high. 201 words typed on a sheet of cream paper with her address typed at the top. Signed "Constance DeJong". The left edge of the paper is darkened & there is a light paper-clip mark to the top left corner with a small light stain just below the body of the letter. Very good. DeJong writes to Gary Wilkie of Contexts in Seattle to ask if she could present her new work there as part of a tour that will take her to Portland Oregon. She encloses a photo and resume: "It's not very up to date in terms of the new work I'd be presenting or the recently completed book and opera I wrote with Philip Glass." A publicity sheet from Art Performances New York states: "Constance DeJong is one of the young post-modern writers who has made performance a natural extension of her work as a writer. By blending some of the traditional techniques of theatre - lighting movement music - performances extend her work beyond the written word into an almost tactile presence a context where the narrative can come to life. New York: October 14, 1980. unknown
réf. 1436691923.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1357283407.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1120900026.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1020650028.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1343350190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. 011921Los Angeles CA: J.M. Moskowitz. Offered is an original letter dated January 11 1927 written and signed by J. M. Moskowitz Chairman of the Los Angeles Grand Opera Choral Society to Mr. Vitti who I could not identify in my research of the San Carlo Grand Opera Company. Measuring 8-3/16" by 9" it reads in full: "Los Angeles Cal. - Jan. 11 1927 - Mr. Vitti - c/o San Carlo Grand Opera Company - Dear Sir: I understand that during your stay in Los Angeles you will complete the process of organizing into a union chorus the Los Angeles Grand Opera Choral Society and also present the charter. Please inform me as to the evening most convenient for you to be with us so that everything as far as we know will be prepared. Cordially Yours J.M. Moskowitz Chairman L.A. Grand Opera Choral Society - street number Arlington Ave. Los Angeles Cal." Lacks mailing envelope; previously folded twice possibly for mailing or delivery purposes. . Fine. No Binding. 1st Edition. 1927. J.M. Moskowitz unknown
réf. 125814Carlo Gatti - Verdi - ed. 1931 Alpes - Opera completa in due volumi. - Pag. 470 con 64 tavole illustrate - Pag. 638 con 65 tavole illustrate l'ultima non numerata - Copertina rigida - Lingua italiana. - Buone condizioni generali. Legatura e sguardie rifatte. unknown
réf. 125724La Biennale di Venezia - Orchestra da Camera Internazionale Anton Webern - 14 Luglio / 13 Settembre 1975 - Pag. 27 con due illustrazioni. - Copertina morbida - Testo in italiano. - Buone condizioni generali. - unknown
1971réf. AG-10059Beijing: Published by Foreign Language Press 1971 FIRST EDITION. The July 1970 Script Revised by "The Taking Tiger Mountain by Strategy" Group of Peking Opera Troupe of Shanghai. Large 8vo. XXX 113 6 pp. colophon with 3 pages Quotations from Chairman Mao. Printed pictorial wrappers minor tear to the foot edge of the front cover minor curled at the head edge of the front cover else very good condition. 北京:外文出版社出版,1971年第一版,由ä¸å›½äº¬å‰§å›¢æ ¹æ®1970年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•。å°çš®é¡¶éƒ¨ç¨æœ‰ç£¨æŸï¼Œå…¶ä»–部分å“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬ç»„å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ Foreign Language Press paperback
1972réf. AG-10060Beijing: Published by Foreign Language Press 1972 FIRST EDITION the January 1972 Script Revised by the Song of the Dragon River Group of Shanghai. Started with Quotation from Chairman Mao on the first page large 8vo xii 44 pp. 12 colophon fine condition fine condition 北京:外语出版社出版,1972年第一版,由上海《龙江颂》改编,开头带有毛主席语录。本册共44页12页彩色舞å°ç…§ç‰‡ï¼Œå“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ Foreign Language Press
1972réf. AG-10058Beijing: Published by Foreign Language Press 1972 FIRST EDITION. The May 1970 Script Revised Collectively by China Peking Opera Troupe. Started with Quotation from Chairman Mao on the first page. Large 8vo. vii 98 1 pp. colophon printed pictorial wrappers very good condition. 北京:外文出版社出版,1972年第一版,由ä¸å›½äº¬å‰§å›¢æ ¹æ®1970年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•。å“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ Foreign Language Press paperback
réf. 125331Libretto Opera - Il Crociato in Egitto: Melodramma Eroico in Due Atti di Giacomo Meyerbeer e Gaetano Rossi - ed. 1825 - Testo in lingua italiana. Pagine 61 - Copertina morbida. - Condizioni buone con segni del tempo come da foto. - - unknown
réf. 125315Libretto Opera - Francesca Donato: Azione Mimica di P. Diani - ed. 1861 - Testo in lingua italiana. Pagine 14 - Copertina morbida. - Condizioni buone con segni del tempo come da foto. - - unknown
réf. 125303Libretto Opera - Aureliano in Palmira: Dramma per Musica in Due Atti - ed. 1827 - Testo in lingua italiana. Pagine 48 - Copertina morbida. - Condizioni buone con segni del tempo come da foto. - - unknown
réf. 125311Libretto Opera - Olga di Cracovia: Azione Romantica di G. Briol - ed. 1857 - Testo in lingua italiana. Pagine 24 - Copertina morbida. - Condizioni buone con segni del tempo come da foto. - - unknown
réf. 125310Libretto Opera - Caterina ovvero La Figlia del Bandito di A. Palladino - ed.1856 - Testo in lingua italiana. Pagine 32 - Copertina morbida. - Condizioni buone con segni del tempo come da foto. - - unknown