19.782 risultati
1828rif. AQ34991London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Browned with chipping to edges. Small hole to lower left-hand side touching text without loss of sense. A Regency playbill advertising the performance of Tit for Tat a comic opera adapted from Mozart's opera buffa Così fan tutte first performed in England during May 1811 at the King's Theatre London. Mozart's libretto and score was adapted by William Hawes 1785-1846 director of music at the English Opera Lyceum. . Dimensions 337 mm x 216 mm. S. G. Fairbrother, (Lyceum Printing Office) unknown
1828rif. AQ34992London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Very slight chipping to edges; overall a fine copy. An early playbill advertising the eleventh British performance of The Pirate of Genoa! proclaiming itself an adaptation of Austrian composer Joseph Weigl's 1766-1846 comic seafaring opera 'Gli Amor Marinari' more accurately known as L’amor Marinaro Ossia il Corsaro 1797. . Dimensions 338 mm x 224 mm. S. G. Fairbrother (Lyceum Printing Office) unknown
rif. 0961868600.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. ria9781800856257_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1997rif. 13711Prentice Hall 1997. Book. Very Good. Hardcover. 1st Edition. Publisher: Prentice Hall / Year: 1997 First Edition ./ ISBN: 0133407381 / Description: Hardcover without dust jacket Very Good condition / Condition: Stamp on back cover: "Simon and Schuster Special Copy Cannot be Returned" whatever that means no underlining no highlighting / Pages: 387 pages . Prentice Hall Hardcover
1601rif. 127846Opera Gallery 2016-01-01. paperback. Like New. 0x0x0. Brand new slender exhibition catalog illustrated in color. Invitation card laid in. Please email for photos. Opera Gallery paperback
1938rif. 209421938. Anderson Marian archive of six concert programs dating from 1938 to 1953 documents the touring career of Marian Anderson during a period when her performances intersected with national debates over race access to public space and cultural representation. By the early 1940s Anderson had achieved international recognition following appearances at the White House and before British royalty as well as her widely attended 1939 concert at the Lincoln Memorial where she performed before an audience of 75000 after being barred from Constitution Hall. The programs trace her sustained concert activity across North America including major tours and individual performances in Canada and the United States and document the presentation of her repertoire which combined European art song traditions with African American spirituals. Anderson Marian. Archive of six concert programs. Various venues including University Artists tour circuits and concert halls in Toronto Brooklyn and Denver 1938 to 1953. Six programs in staple bound wrappers ranging from approximately 5 x 8 inches to 9 x 12 inches. Includes a program from her 1941 to 1942 coast to coast tour with extended biographical content and photographic illustrations depicting Anderson in performance receiving honors and in personal settings with family and manager Sol Hurok. A later illustrated program from the 1951 to 1952 tour presents similar material reflecting her continued prominence. Additional smaller programs document specific engagements at Eaton Auditorium in Toronto 1946 Brooklyn Institute of Arts and Sciences 1950 and Denver Auditorium 1953. These programs provide a record of Anderson's sustained public presence during a period when African American performers navigated segregated venues and expanding national audiences contributing to shifts in cultural access and representation. The inclusion of biographical narratives photographic imagery and repertory selections illustrates how her career was framed for concert audiences and how her public identity was constructed through touring circuits. Her performances in major cities across North America demonstrate the geographic reach of her influence and the institutional contexts in which her work was received offering material for the study of music history race and performance culture in the mid twentieth century. Minor edge wear with some foxing to several programs and manuscript notation to the Eaton Auditorium program; overall clean and stable. Overall very good condition. unknown
1898rif. 120815Buenos Aires Litografia Blanchi. Granzini y Volante 1898. In 8° massimo brossura in cromolitografia con belle immagini ai due piatti. Pp. 12 con al centro la composizione nominativa per palchi degli abbonati e la composizione nominativa dell'orchestra del Teatro dell'Opera. Le pagine sono una grande miniera di notizie sulla vita commerciale di Buenos Aires sono infatti tutte pubblicità di vario formato alcune con figure di negozi e aziente della città unknown
1949rif. 52974New York:: Metropolitan Opera House October 9 1949. original printed wrappers. . Some light creasing and use to the wrappers. 8vo. Boldly signed by Margot Fonteyn on the first text page of the program. Metropolitan Opera House, unknown
rif. 463060Scottish Opera. Hardcover. Good. Scottish Opera's production of Der Ring Des Nibelungen with photos and text relating to the production and signed by members of the cast and production crew. Scottish Opera hardcover
rif. 75-9973New York NY: The Everyman Opera 1953. 4to. Very good. Soft Cover. 40 pp. B & W Plates. New York, NY: The Everyman Opera, 1953 paperback
rif. 68-8830San Francisco CA: Grand Opera House 1880. Fabric Broadside. 12 x 16 cm. Very Good with minor staining. Scarce. San Francisco, CA: Grand Opera House, 1880. unknown
rif. 77-0722Fort Lauderdale 1990. 4to. Very Good. Soft Cover stapled. 6 pp. Contains event planning details for Opera Guild. [Fort Lauderdale] 1990 paperback
rif. 68-8866Leicester UK: Royal Opera House 1960. Theatre Poster Broadside. 35 x 24.5 cm. Good with marginal tears and minor losses. Leicester, UK: Royal Opera House, 1960. unknown
rif. 68-8833Philadelphia PA: Juvenile Opera Company 1875. Fabric Broadside. 23.5 x 15 cm. Very Good. Scarce. Philadelphia, PA: Juvenile Opera Company, 1875. unknown
rif. 68-8835San Francisco CA: Wade's Opera House 1876. Fabric Broadside. 22 x 16 cm. Very Good. Scarce. San Francisco, CA: Wade's Opera House, 1876. unknown
rif. 69-3854Paris France: Opera Gallery 2004. 64 x 40 cm. Offset Color Lithograph. Very Good tape behind corners. Paris, France: Opera Gallery, 2004 unknown
rif. 68-6382London UK: Royal English Opera House 1892. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. London, UK: Royal English Opera House, [1892]. unknown
rif. 73-6653Paris: Le Bistro de la Gare Opéra circa 1970s-1980s. 4to. 4 pp. Bifold menu. Black and white plates. Soft cover. Very Good. Text in French.Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris Paris: Le Bistro de la Gare Opéra, [circa 1970s-1980s] paperback
rif. 18-9403San Francisco: San Francisco Opera Company 1925. 8vo. 40 pp. Very Good. Soft Cover. illustrated paper wraps. B&W plates throughout including advertisements from the 1920s. Announcement included in Oct. 3-4 : Fay Yen Fah a new opera. Extremely Scarce. San Francisco: San Francisco Opera Company, 1925. paperback
rif. 63-9096New York: Children's Asthma Research Institute and Hospital 1959. Program. 8vo. Soft covers 18 pp. Good: Loose Unbound Pages with marginal tears minor losses creasing. Illustrated. Scarce. New York: Children's Asthma Research Institute and Hospital, 1959. paperback
rif. 63-6723NY: Metropolitan Opera Guild 1990. 4to. Trade Paperback 94 pp. Plates some color. Very Good.Provenance: Frederick G. Ruffner. NY: Metropolitan Opera Guild, [1990]. paperback
rif. 63-6497Los Angeles CA: Mason Opera House 1920. Programme. 10.5" x 5" Single Leaf Good with minor losses marginal tears toning. Inked note on top margin. Los Angeles, CA: Mason Opera House, [1920]. unknown
rif. 63-6496Los Angeles CA: Mason Opera House 1923. Programme. 12.5" x 5.25" Single Leaf Good with losses tears toning. Los Angeles, CA: Mason Opera House, 1923. unknown
rif. 19-6505San Francisco: San Francisco Opera Company 1990s. Dossier with 12 documents and promotional materials about Rodney Gilfry and his performances. Near Fine. [San Francisco: San Francisco Opera Company], 1990s. unknown
