Musica, operaBiblio.com
19 998 résultats
réf. 130349Musica libri - Sylvano Bussotti - Oggetto amato Nottetempo - Bussottioperaballet -1976 - Pag. 59 - Copertina morbida - Testo in italiano. - Condizioni molto buone. unknown
réf. 130480M. Vaccarini M. G. Sità A. Estero - Musica come pensiero e come azione: Studi in onore di Guido Salvetti - ed. 2014 - Testo in lingua italiana. Pagine 959 - Copertina rigida. - Condizioni molto buone. unknown
réf. 131231Spartiti - Gaetano Donizetti - Don Pasquale / La Figlia del reggimento / Gemma di Vergy - Primo Novecento Ricordi - Pag. 105; 87; 100 - Copertina rigida. - Buone condizioni generali. Piccole mancanze al dorso. Sguardie rifatte. unknown
réf. 131562La Regina di Saba - Opera in 4 atti - poesia di Mosenthal ; musica di Carlo Goldmark ; versione ritmica di A. Zanardini - Canto con accompagnamento di pianoforte - Milano Stabilimento Musicale F. Lucca 1881 - Pag. 18; 393 - Copertina rigida - Lingua italiana. - Buone condizioni generali. unknown
réf. 132802Lotto 13 fotografie Lambro Jazz Band - anni '50 - Allegati: Brochure 1° Festival internazionale del Jazz un ritaglio di rivista un catalogo Dischi Pathè 1952 - Buone condizioni generali. unknown
réf. 132800Lotto 5 fotografie Lambro Jazz Band - anni '50 - Allegati: Opuscolo 3° Festival Nazionale del Jazz 4 ritagli di giornali d'epoca una fotocopia di lettera un foglietto pubblicitario - Buone condizioni generali. unknown
réf. 128971Spartito: Rondini fantasia primaverile - Manoscritto originale con correzioni autografo di Stanislao Gastaldon - 1926 - Pag. 9 - Copertina morbida - Buone condizioni. - Martino Stanislao Luigi Gastaldon Torino 8 aprile 1861 – Firenze 6 marzo 1939 è stato un compositore italiano. - unknown
réf. 128969Spartito: L'Assalto ai Mulini Marcia Donchisciottesca per pianoforte - Manoscritto originale autografo di Stanislao Gastaldon e correzioni. - 1924 - Pag. 7 - Copertina morbida - Buone condizioni. - Martino Stanislao Luigi Gastaldon Torino 8 aprile 1861 – Firenze 6 marzo 1939 è stato un compositore italiano. - unknown
réf. 128968Spartito: Frate Anselmo - Manoscirtto originale con Correzioni e Autografo di Stanislao Gastaldon - anni '20 - Pag. 6 - Copertina morbida - Buone condizioni. - Martino Stanislao Luigi Gastaldon Torino 8 aprile 1861 – Firenze 6 marzo 1939 è stato un compositore italiano. - unknown
réf. 125326Libretto Opera - I Visionari: Dramma Giocoso per Musica - ed. 1773 - Testo in lingua italiana. Pagine 52 - Copertina semirigida. - Condizioni buone con segni del tempo come da foto. - - unknown
réf. 127684Libretto Opera - F. Jannetti - La Favorita - Dramma serio in quattro atti - Musica di Gaetano Donizetti - 1865 - Pagine 36 - Rilegato insieme a: Vittoria Waston - Ballo storico in cinque atti di Filippo Senatori - 1865 - Pag. 8 - Copertina morbida - Lingua italiana. - Buone condizioni generali. unknown
réf. 127685Libretto Opera - Gli Ugonotti - Dramma in 5 atti parole di Scribe - Musica di Giacomo Meyerbeer - ed. Ricordi 1869 - Pagine 66 - Copertina morbida - Lingua italiana. - Buone condizioni generali. unknown
réf. 127686Libretto Opera - Il Caid - Opera buffa in due atti - Musica di A. Thomas - 1863 - Pagine 50 - Copertina morbida - Lingua italiana. - Buone condizioni generali. unknown
réf. 127774Programma Orchestra diretta dal maestro Urbano Calligari / Musica della Legione Allievi Carabinieri diretta dal maestro Cav. Luigi Cajoli - Roma 6 Giugno 1911 - Pag. 2 dimensioni: 9 x 17 cm ca. - Lingua italiana. - Buone condizioni generali. - unknown
réf. 58044Pagina originale manoscritta da Antifonario medievale - XV secolo - Foglio in pergamena; Canto liturgico in latino e note musicali scritte su due facciate stile gotico. - Capilettera in inchiostro rosso e blu. - Dimensioni: 24 x 33 cm ca. - Provenienza da collezione privata. - Condizioni molto buone con piccoli segni del tempo. unknown
réf. 100368Libretto Opera - Carlo Magno dramma serio - ed. 1817 Teatro Parma pp. 49 - Rara edizione per il carnevale 1817 - - Lingua italiana - Copertina rigida. - Condizioni molto buone - unknown
2008réf. 41936London: Vintage Books 2008. First edition limited issue of 1000 numbered copies signed by McEwan and Berkeley on the title page. Copy #329. Printed label affixed to half-title page as issued. Perfect-bound illustrated card wraps with French-fold flaps. Fine condition. McEwan's libretto for Berkeley's opera which was first performed on May 31 2008. Signed by Author & Composer. Soft Cover. 8vo - over 7¾" - 9¾" tall. Limited Edition. Vintage Books paperback
réf. 440046Paperback. Fair. Grubby marks to front and back cover. Some hinge cracking and loose pages. paperback
1837réf. List3613Philadelphia: Firth Meignen & Co. Publishers & Importers of Music and Musical Instruments No. 41 Chestnut Street 1837. Seven pages complete including dance figures. Folio sheet music. Very good with scattered foxing and light edge wear. A rare early American operatic dance arrangement by Francis Johnson 1792-1844 widely regarded as the first published Black composer in the United States. Issued circa 1837 this work adapts themes from Vincenzo Bellini's opera La Sonnambula 1831 into a set of quadrilles with concluding waltz arranged for piano forte and structured for social dancing. The internal headings "Pantalon" "Ladies Chain" etc. retain the formal quadrille sequence reflecting the popularity of European ballroom forms in Philadelphia during the period. Johnson a Philadelphia bandleader composer and virtuoso keyed bugle player published approximately seventy compositions over nearly three decades. Active in Philadelphia from at least the 1810s he became one of the city's most sought-after musicians leading ensembles for cotillions public balls military functions and civic celebrations. In 1818 became the first African-American composer known to have sheet music published in the United States. His band performed for elite social events and public commemorations including celebrations for the Marquis de Lafayette's visit to Philadelphia. In 1838 he toured Europe with his ensemble performing in England and reportedly receiving a silver trumpet from Queen Victoria. This piece was composed a year earlier per the Johnson page at Musicalgeography.com six years after Bellini's work. Operatic paraphrases and dance adaptations of fashionable European works were central to Johnson's output. Overall a quite scarce early title from an important composer. We find two copies in OCLC 692295106 at AAS and the William Clements Library. See "Francis Johnson's Compositions - With Sheet Music" https://musicalgeography.org/francis-johnsons-compositions/. Firth, Meignen & Co., Publishers & Importers of Music and Musical Instruments, No. 41 Chestnut Street
réf. Bloomsbury-9781786829191Bloomsbury Academic. Paperback. New. 112 pages Bloomsbury Academic paperback
réf. Bloomsbury-9781786829191Bloomsbury Academic. Paperback. New. 112 pages Bloomsbury Academic paperback
réf. Bloomsbury-9781574671964Amadeus. Paperback. New. 230 pages Amadeus paperback
réf. Bloomsbury-9781574671964Amadeus. Paperback. New. 230 pages Amadeus paperback
réf. AQ25079vs.: vs. c. 1820s-1930s 12mo 8vo and quarto. The majority preserved within original publisher's wrappers. An extensive archive of theatrical publications and ephemera emanating from the recently dispersed library of Howth Castle County Dublin seat of the Gaisford-St. Lawrence family comprised of theatre programmes and libretti representing productions spanning from the late 1820s up to the 1930s both domestic and Continental in origin. The 94 individual publications comprehend: Eight playscripts and libretti printed in Paris between including an 1828 edition of Théaulon and Choquart's comic vaudeville Monsieur Jovial ou l'huissier-chansonnier 1827 and an 1882 issue of Charles Gounod's five-act opera Faust set to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite. 15 Italian productions variously printed at Rome Milan Florence and Naples in the latter half of the nineteenth century including an 1848 Neapolitan edition of Verdi's four-act opera Nabucodonosor composed to an Italian libretto by Temistocle Solera first performed at La Scala in Milan 9th March 1842; and a programme to accompany the first performance of Verdi's Attila at La Fenice in Venice 17th March 1846. An Italian language edition printed at Barcelona in 1845 of Jacopo Ferretti's libretto Eran due or son tre 1834. 70 theatre programmes operas and Italian-language libretti printed in London spanning the century between the 1830s and 1930s including: 15 issued in the 1870s as a part of 'Davidson's Musical Opera-Books' series published in conjunction with performances at 'London's Italian Opera Houses' of productions of inter alia Rossini's The Barber of Seville Bizet's Carmen and Mozart's Don Giovanni and The Magic Flute each with a parallel English translation and 'the music of the principal airs'. The first appearance in print of the libretti for five Gilbert and Sullivan productions: Patience 1881 Princess Ida 1884 The Mikado 1885 The Yeomen of the Guard 1888 and Utopia 1893. A magazine-programme for a run of performances at the Shaftesbury Theatre in 1926 of J. M. Barrie's Peter Pan; or the Boy Who Wouldn't Grow Up 1904 - a production with which Barrie was directly involved - with Dorothy Dickson in the lead role. A run of 12 programmes for the 1925/26 1926/27 seasons at the The Old Vic including 11 productions of Shakespeare's plays all notably featuring leading Shakespearean actor Baliol Holloway d. 1967. Notable members of the Gaisford-St. Lawrence family included Thomas Gaisford 1789-1855 English classical scholar sometime curator of the Bodliean Library Regius Professor of Greek at Oxford and Dean of Christ Church. Gaisford’s eldest son Thomas Gaisford of Offington Sussex 1816-1898 British Army officer married in 1859 as his second of three wives Lady Emily St Lawrence d. 1868 eldest daughter of the third Earl of Howth. Their eldest surviving son Royal Navy officer Julian Charles Gaisford-St Lawrence 1862-1932 succeeded in 1909 his uncle the fourth and last Earl of Howth and came to reside at Howth Castle in Co. Dublin. A rare opportunity to acquire an ephemeral archive which not only exemplifies the theatrical passions of a single family across least three generations but documents the evolution of nineteenth century stage production charts the popular progress of Italian-language libretti in both Britain and on the Continent and exhibits the situation of English theatre prior to the post-war dominance of television and film. . [vs.], [c. 1820s-1930s] unknown
réf. 1333159137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
