20.138 risultati
1954rif. 06980USA: Standard Oil Company of California 1954. USA INSCRIBED BY Richard Tucker tenor SIGNED BY Inge Borkh soprano; SIGNED BY kurt Herbert Adler conductor no other markings Very Good. 21.5 x 14 cm one sheet folded in half to make 4 pages counting both covers. Cover with dark rose coloured background small portraits of Adler Borhk and Tucker. The back cover says The Standard Hour is the oldest network program on the Pacific Coast and the longest musical broadcast in the United States. This concert has pieces by Weber Ponchielli Debussy Menotti Giordano Gluck Mascagni ad Weinberger. 1.0 JM HOX 2/6. Signed by Artists. Leaflet. Very Good. 8vo - over 7¾" - 9¾". Standard Oil Company of California Paperback
rif. ORD-16883Paris. Brandus & Dufour. Opéra-comique créé en 1869. In-8 (177 x 277mm) broché, couverture jaune imprimée et ornée, 1f., 245 pages. Offert aux abonnés de la Revue et Gazette musicale. Exemplaire abîmé, presque totalement débroché, bords de feuilles insolés, mais complet. Peu courant.
rif. RO20027074Sans éditeur. Sans date. In-8. Broché. Bon état, Couv. partiel. décollorée, Agraffes rouillées, Intérieur frais. Nombreuses illustrations en noir et blanc hors texte. Couverture illustrée en couleurs. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1900rif. 52551- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900rif. 53271- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1988rif. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown books
1988rif. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sezai' by Samipasazade Sezai to Türkgeldi family. In Ottoman script. 4 p., last page has Ali Fuat Türkgeldi's autograph note on Samipasazade Sezai's death as: "[Samipasazade] Sezai Bey; 26 Nisan 1936 Pazar aksami saat dokuzu yirmi geçe [21:20] ölmüstür.". Sezai's letter starts as 'Pek muhterem kardesim'. Used blue ink with a fountain pen. Ali Fuat Türkgeldi, (1867-1935) was an Ottoman historian and politician. He is the son of Celâl Bey, the undersecretary of the Ministry of Interior and the son of Cemal Bey in the Reform period (Tanzimat - Westernization) period), the director of Translation Chamber. Sezai Turkish realist storyteller, novelist. He is the author of Sergüzest (Adventure) which is one of the first realistic novels of Turkish literature. Also he was pioneer of the modern short story in Turkish literature with Küçük seyler 'Little things' he wrote in 1892. Between 1885 and 1901 he lived in Istanbul (this letter dated probably in that period) and had a literary period. He was close friends with Abdülhak Hamit and Recaizade Ekrem. He met with Namik Kemal whom he met when he was 17-18. He did not produce many works like other Tanzimat writers; wrote one novel, two small story books, and travel memoirs. In 1888, he published a novel called Sergüzest (A story about a Pasazade and his love story), after which he became one of the first writers of Turkish literature after Semseddin Sami, Namik Kemal and Ahmet Mithat Efendi. He translated Alphonse Daudet's 'Jak' into Turkish. For thinking that he was being held under 'surveillance' for his novel, he went to Paris in 1901 and stayed there until the declaration of the Constitutional Monarchy in 1908. He met the Young Turks in Paris; He joined the Committee of Union and Progress and came to a respected place in the community in a short time. Upon the declaration of the Constitutional Monarchy, he returned to Istanbul and was appointed as ambassador to Madrid. As WW 1 began, he moved from Madrid to Switzerland, where he stayed until the end of the war. His only novel, Serguzest, was the first novel in Turkish literature to deal entirely with captivity; the novel, in which the system of concubinance and slavery was criticized, was his most famous work. It was translated into French by Besim Ömer Pasha. e combined romance and realism in her writings. He combined romanticism and realism in his writings. He gave works with the motto of "l'art pour l'art".
In-4 gr. (mm. 335x245), mz. tela edit. (con aloni, dorso restaur. per spacco), etichetta orig. al piatto anter. con stampato il titolo, pp. 268 di testo musicale integrale. Probabilmente era la copia per il suggeritore dato che l’etichetta porta due timbri con la parola “suggeritore” e un timbro con “canto e piano”. L’opera "Rhea" è un dramma in 3 atti di Paul Milliet, musicato da Spiro Samara. “Spyros Samaras (1863-1917), compositore greco. Perfezionandosi con Delibes a Parigi rappresentò a Milano l’opera ‘Flora mirabilis’ (1886). Dedito in prevalenza al teatro, risentì l’influsso della scuola operistica francese e soprattutto del verismo italiano. Compose inoltre operette, musica da camera e il famoso ‘Inno olimpico’ (dal 1958 inno ufficiale delle Olimpiadi)”. Così Enciclopedia della musica Garzanti (1974), p. 507. Pagine ingiallite, prima carta restaur. e con mancanza al margine super.; sottolineature con matita blu su una decina di pagine, ma complessivamente un discreto esemplare.
1976rif. RO30325189L'avant-Scène. 1976. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 130 pages. Quelques coupures de presse. Nombreuses illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1966Brossura flessibile in cartoncino illustrato, opera n.6a della collana "Gli Oscar mensili", edizione integrale, il volume riporta lievi segni dell’uso alla copertina, fogli leggermente scuriti ai fogli da fattore tempo e tagli ben conservati. Numero pagine 206. USATO
1729rif. 44914Leipzig, M. G. Weidmann, 1729. Kl.-8°. Mit gest. Frontispiz. Titel in Rot u. Schwarz. 5 Bll., 348 S., 4 Bll., Ldr. d. Zt. m. reicher Deckel- u. Rückenverg. sowie dreiseitigem Farbschnitt.
1910Very Good Turkish, Ottoman (1500-1928) Original business card. Autograph notes on card. Autograph note in Ottoman script; print in French. Salih Munir Pasha was one of the grandchildren of Çorlulu Ali Pasha the grand vizier. His father, "Nafia" and Trade Minister Mahmud Jalaleddin Pasha. Salih Münir was born on November 4, 1859 in Istanbul. In 1939, at the age of 80, he died. His education was special. He was one of the first students of "Galatasaray Sultanisi". In 1869, during the wife of Napoleon's wife Empress Ojeni and the Sultan's visit to Galatasaray, 10-year-old Salih Münir's speech in French in the name of Galatasaray School, attracted a lot of attention. Because he was speaking French as his mother-language, he was chosen as a companion of Abdulhamid II the Prince in order to advance her French. Salih Münir's childhood passed with Abdulhamid's childhood, which would later sit on the throne...
2004In-8 (cm. 24.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. (88), 265, (63), con illustrazioni in bianco e nero e soprattutto a colori nel testo; e con fac-simile del Libretto di Mattia Veratti. In ottimo stato (nice copy).
1980rif. RO30348994Mondadori. 1980. In-Folio. Relié toilé. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Papier jauni. 93 pages. Nombreuses illustrations en noir et blanc et en couleurs, dans et hors texte. Rousseurs. Texte sur plusieurs colonnes. Rhomboïd en mauvais état. Une jaquette couvrant uniquement le 1er plat + le dos en mauvais état. Titres de la collection dorés sur le 1er plat + titre du volume et tomaison dorés au dos.. Avec Jaquette. . . Classification Dewey : 782.1-Théâtre musical, opéra
rif. R240008506. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 12 pages. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
rif. 11907Paris, E. Fromont Editeur In-8, broché, tranche de titre muette et plat titré en noir, 124 pages, 1f , bon ensemble, pagination fanée deux taches circulaires sur le premier plat (parafine de chandelle) - Bon Etat
1986rif. 33060Couverture rigide. Cartonnage de l'éditeur. 94 pages. 32 x 32 cm.
1900rif. 50850- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900rif. 52672- Photographie 4 x 7, 5 cm. Légères piqûres. Notice biographique collée au dos.
1985Otto volumi; in 16 (18x12) Legatura editoriale in pelle, sovracoperta plastificata e cartone protettivo illustrato in b/n; tomo 1 pp. 1776, tomo 2 pp. 1728, tomo 3 pp. 1664, tomo 4 pp. 1568, tomo 5 pp. 1744, tomo 6 pp. 1504, tomo 7 pp.1648, tomo 8 pp. 1904; ottimo
A. Durand & Fils - Calmann Lévy. Non daté. In-12 Carré. Broché. Etat d'usage. Tâchée. Coiffe en tête abîmée. Quelques rousseurs. 44 pages. Annotation en page de garde. Musique de Saint-Saens et poème de F. Lemaire.
Calmann Lévy, Paris. 1885. In-12 Carré. Relié. Etat d'usage. Couv. convenable. Dos satisfaisant. Quelques rousseurs. 318 pages. Auteur, titre et filets dorés sur le dos. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Fort tampon d'éditeur en page de faux-titre. Premiers feuillets légèrement déchirés (Gardes, Titre, Introduction). (Rare) Harmonie et mélodie. L'Anneau du Niebelung et bayreuth. Les Oratorios de Bach et de Haendel. Liszt. Madame Miolan-Carvalho. Jacques Offenbach...
2015Plon, 2015. In-8 broché de 439 pages. Très bon état
CALMANN LEVY. 1927. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 45 pages
