20 202 résultats
1781réf. 523404Venice: Balleoni 1781. Hardcover 6 volumes in 3; FULL TITLE: Sancti Bernardi abbatis primi Clarae-Vallensis Opera genuina videlicet in primo et secundo volumine; spuria dubiaque in tertio comprehensa; Horstii et Mabillonii notis aliusque permultis aucta juxta editionem Parisien. anni MDCCXIX; adjecta appendice Edmundi Martene ex veterum scriptorum & momentorum collectione; atque his omnibus in hac tertia editione Veneta accuratius revisis & illustratis. Half-bound in cream coloured leather with marbled paper sides and marbled endpapers. Gilt bands to spine have partially worn away and title labels to spine are lightly worn. Board edges are rubbed and worn leather is lightly spotted and paper sides are shelfworn. Light foxing to prelims in all 3 and on a few pages in mains throughout. V.1 and V.3 have slight hinge breaks at title pages. Water marks to gutter of pages 1182 to REP in V.3. and mark to spine of V.1. Very good condition for age. Text is clean and unmarked throughout. AD. leather. Very Good. Used. Balleoni Hardcover
1929réf. 008486New York / London / Toronto: Longmans Green and Co. 1929. First Edition 1st Printing. Red Cloth. Very Good/Good Slipcase. Two Volumes. Slipcase With Modernist Illustration Of A Woman's Head And A Single Musical Note In Blue Gray Black And White By "H. M."; Preliminary Reviews On Rear Panel; Publisher's Summary On Rear Panel With $5.00 Price. Stated First Editions. A Well Received Novel But Reprinted Almost Immediately In The Book League Monthly In Two Parts Hence Never Receiving A Further Trade Printing. A Tight Clean Lightly Used Set Binding And Hinges Tight Spine Gilt Dull But Readable. Inscribed On Front Endpaper To Miss Pearl Besuner And Dated March 11 1929; She Was A Soprano From Cincinnati Who Made Her Debut With The Metropolitan Opera In 1928 And Was Favorably Reviewed By Sanborn For Her Performance In "The Emperor Jones" In 1933. Her History Mirrors That Of The Main Character Of This Novel Making This A Likely Dedication Copy. Pitts Sanborn 1879-1941 Was Music Critic For The New York Globe And Then The New York World Telegram. "He Also Write Books Such As The Metropolitan Book Of The Opera Prima Donna : A Novel Of The Opera Ludwig Van Beethoven." Wikipedia. Sanborn Was Also Remarked Upon As One Of The Great Originals Of 1920'S / 1930'S Culture. His Friendship With Wallace Stevens Included A Great Influence Upon Stevens' Interest In Music And Thus His Poetry. With A Long Two-Column Review From A Contemporary Newspaper Not Identified. Signed Material From Sanborn Is Scarce; Most Of His Personal Estate Was Lost Thrown Out On Street By His Ny Landlord Immediately After His Death In 1941. Longmans, Green and Co. hardcover
1968réf. 215764San Francisco: the Club 1968. 36p. staplebound booklet 8.5x11 inches minor handling wear and dust soil. Includes photos of performers explanatory text and advertisements. the Club unknown books
réf. 19-6505San Francisco: San Francisco Opera Company 1990s. Dossier with 12 documents and promotional materials about Rodney Gilfry and his performances. Near Fine. [San Francisco: San Francisco Opera Company], 1990s. unknown
réf. 18-9403San Francisco: San Francisco Opera Company 1925. 8vo. 40 pp. Very Good. Soft Cover. illustrated paper wraps. B&W plates throughout including advertisements from the 1920s. Announcement included in Oct. 3-4 : Fay Yen Fah a new opera. Extremely Scarce. San Francisco: San Francisco Opera Company, 1925. paperback
réf. 51-1774San Francisco: 1971. . Poster. 34 x 22 inches. Photography by Pete Peters. San Francisco: 1971. unknown
1954réf. 06980USA: Standard Oil Company of California 1954. USA INSCRIBED BY Richard Tucker tenor SIGNED BY Inge Borkh soprano; SIGNED BY kurt Herbert Adler conductor no other markings Very Good. 21.5 x 14 cm one sheet folded in half to make 4 pages counting both covers. Cover with dark rose coloured background small portraits of Adler Borhk and Tucker. The back cover says The Standard Hour is the oldest network program on the Pacific Coast and the longest musical broadcast in the United States. This concert has pieces by Weber Ponchielli Debussy Menotti Giordano Gluck Mascagni ad Weinberger. 1.0 JM HOX 2/6. Signed by Artists. Leaflet. Very Good. 8vo - over 7¾" - 9¾". Standard Oil Company of California Paperback
1988réf. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown books
1988réf. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed as 'Sezai' by Samipasazade Sezai to Türkgeldi family. In Ottoman script. 4 p., last page has Ali Fuat Türkgeldi's autograph note on Samipasazade Sezai's death as: "[Samipasazade] Sezai Bey; 26 Nisan 1936 Pazar aksami saat dokuzu yirmi geçe [21:20] ölmüstür.". Sezai's letter starts as 'Pek muhterem kardesim'. Used blue ink with a fountain pen. Ali Fuat Türkgeldi, (1867-1935) was an Ottoman historian and politician. He is the son of Celâl Bey, the undersecretary of the Ministry of Interior and the son of Cemal Bey in the Reform period (Tanzimat - Westernization) period), the director of Translation Chamber. Sezai Turkish realist storyteller, novelist. He is the author of Sergüzest (Adventure) which is one of the first realistic novels of Turkish literature. Also he was pioneer of the modern short story in Turkish literature with Küçük seyler 'Little things' he wrote in 1892. Between 1885 and 1901 he lived in Istanbul (this letter dated probably in that period) and had a literary period. He was close friends with Abdülhak Hamit and Recaizade Ekrem. He met with Namik Kemal whom he met when he was 17-18. He did not produce many works like other Tanzimat writers; wrote one novel, two small story books, and travel memoirs. In 1888, he published a novel called Sergüzest (A story about a Pasazade and his love story), after which he became one of the first writers of Turkish literature after Semseddin Sami, Namik Kemal and Ahmet Mithat Efendi. He translated Alphonse Daudet's 'Jak' into Turkish. For thinking that he was being held under 'surveillance' for his novel, he went to Paris in 1901 and stayed there until the declaration of the Constitutional Monarchy in 1908. He met the Young Turks in Paris; He joined the Committee of Union and Progress and came to a respected place in the community in a short time. Upon the declaration of the Constitutional Monarchy, he returned to Istanbul and was appointed as ambassador to Madrid. As WW 1 began, he moved from Madrid to Switzerland, where he stayed until the end of the war. His only novel, Serguzest, was the first novel in Turkish literature to deal entirely with captivity; the novel, in which the system of concubinance and slavery was criticized, was his most famous work. It was translated into French by Besim Ömer Pasha. e combined romance and realism in her writings. He combined romanticism and realism in his writings. He gave works with the motto of "l'art pour l'art".
In-4 gr. (mm. 335x245), mz. tela edit. (con aloni, dorso restaur. per spacco), etichetta orig. al piatto anter. con stampato il titolo, pp. 268 di testo musicale integrale. Probabilmente era la copia per il suggeritore dato che l’etichetta porta due timbri con la parola “suggeritore” e un timbro con “canto e piano”. L’opera "Rhea" è un dramma in 3 atti di Paul Milliet, musicato da Spiro Samara. “Spyros Samaras (1863-1917), compositore greco. Perfezionandosi con Delibes a Parigi rappresentò a Milano l’opera ‘Flora mirabilis’ (1886). Dedito in prevalenza al teatro, risentì l’influsso della scuola operistica francese e soprattutto del verismo italiano. Compose inoltre operette, musica da camera e il famoso ‘Inno olimpico’ (dal 1958 inno ufficiale delle Olimpiadi)”. Così Enciclopedia della musica Garzanti (1974), p. 507. Pagine ingiallite, prima carta restaur. e con mancanza al margine super.; sottolineature con matita blu su una decina di pagine, ma complessivamente un discreto esemplare.
1976réf. RO30325189L'avant-Scène. 1976. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 130 pages. Quelques coupures de presse. Nombreuses illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1980réf. RO30348994Mondadori. 1980. In-Folio. Relié toilé. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Papier jauni. 93 pages. Nombreuses illustrations en noir et blanc et en couleurs, dans et hors texte. Rousseurs. Texte sur plusieurs colonnes. Rhomboïd en mauvais état. Une jaquette couvrant uniquement le 1er plat + le dos en mauvais état. Titres de la collection dorés sur le 1er plat + titre du volume et tomaison dorés au dos.. Avec Jaquette. . . Classification Dewey : 782.1-Théâtre musical, opéra
1986réf. 33060Couverture rigide. Cartonnage de l'éditeur. 94 pages. 32 x 32 cm.
1966Brossura flessibile in cartoncino illustrato, opera n.6a della collana "Gli Oscar mensili", edizione integrale, il volume riporta lievi segni dell’uso alla copertina, fogli leggermente scuriti ai fogli da fattore tempo e tagli ben conservati. Numero pagine 206. USATO
réf. R240008506. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 12 pages. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. 11907Paris, E. Fromont Editeur In-8, broché, tranche de titre muette et plat titré en noir, 124 pages, 1f , bon ensemble, pagination fanée deux taches circulaires sur le premier plat (parafine de chandelle) - Bon Etat
1729réf. 44914Leipzig, M. G. Weidmann, 1729. Kl.-8°. Mit gest. Frontispiz. Titel in Rot u. Schwarz. 5 Bll., 348 S., 4 Bll., Ldr. d. Zt. m. reicher Deckel- u. Rückenverg. sowie dreiseitigem Farbschnitt.
1910Very Good Turkish, Ottoman (1500-1928) Original business card. Autograph notes on card. Autograph note in Ottoman script; print in French. Salih Munir Pasha was one of the grandchildren of Çorlulu Ali Pasha the grand vizier. His father, "Nafia" and Trade Minister Mahmud Jalaleddin Pasha. Salih Münir was born on November 4, 1859 in Istanbul. In 1939, at the age of 80, he died. His education was special. He was one of the first students of "Galatasaray Sultanisi". In 1869, during the wife of Napoleon's wife Empress Ojeni and the Sultan's visit to Galatasaray, 10-year-old Salih Münir's speech in French in the name of Galatasaray School, attracted a lot of attention. Because he was speaking French as his mother-language, he was chosen as a companion of Abdulhamid II the Prince in order to advance her French. Salih Münir's childhood passed with Abdulhamid's childhood, which would later sit on the throne...
2004In-8 (cm. 24.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. (88), 265, (63), con illustrazioni in bianco e nero e soprattutto a colori nel testo; e con fac-simile del Libretto di Mattia Veratti. In ottimo stato (nice copy).
1900réf. 50850- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900réf. 52672- Photographie 4 x 7, 5 cm. Légères piqûres. Notice biographique collée au dos.
1985Otto volumi; in 16 (18x12) Legatura editoriale in pelle, sovracoperta plastificata e cartone protettivo illustrato in b/n; tomo 1 pp. 1776, tomo 2 pp. 1728, tomo 3 pp. 1664, tomo 4 pp. 1568, tomo 5 pp. 1744, tomo 6 pp. 1504, tomo 7 pp.1648, tomo 8 pp. 1904; ottimo
réf. 4318Paris, Durand et Schoenewerk, Éditeurs, (1890). In-4 (27 cm) (7) feuillets, 391, (1) pages, illustré d’un frontispice par G. Clairin, gravé par Michelet. Reliure demi-chagrin marron, dos à nerfs orné de fleurons et filets dorés, plats et gardes marbrés, tranches jaspées. Coins et coupes légèrement frottés. Très bel état. Édition originale. [ D. S. 4025 ].
réf. 4319Paris, A. Durand et Fils, Éditeur, sans date (1892 ?). Grand in-8 (27,8 cm) 27 feuillets encadrés en rouge, 268 pages, illustré d’une chromolitho de G. Clairin en frontispice. Reliure demi-chagrin marron, dos à nerfs orné de fleurons et filets dorés, plats et gardes marbrés. Nerfs, coins et coupes légèrement frottés. Très bel état intérieur. [ D. S. et Cie 2186 ].
