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2006120 pages. Features: Da Vinci Code Tour; The International Law Association comes to Canada; Aerin Lauder - elegance with a twist; Richard Bradshaw - The Canadian Opera Company; and more. Moderate wear. Clean and unmarked. A quality copy of this sumptuous issue. Magazine
194474p. Hardcover Very good condition, edges lightly worn
Chez Duvernois, Paris. 1826. In-8 Carré. Broché. Etat d'usage. Plats abîmés. Dos abîmé. Quelques rousseurs. Plaquette de 56 pages. 2e plat très abîmé. Musique de M. Rifaut. Représ. pour la 1re fois à Paris, sur le Théâtre royal de l'Opéra-comique, par les comédiens ordinaires du roi, le 4 juillet 1826.
1826réf. RO40207118Chez Duvernois, Paris. 1826. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. Plaquette de 56 pages. 2e plat très abîmé.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1861Mm 150x230 Volume in copertina rigida coeva, rilegatura in mezza pelle con titolo e fregi in oro al dorso, XXV-771 pagine. Lieve usura da scaffale ai bordi, peraltro volume in condizioni molto buone con legature ben salde. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
réf. 62128, Antwerpen : J.-E. Buschmann ,, 1972 Gebonden, Hardcover met stofomslag compleet. 90 pag. met illustraties Met handgeschreven opdracht en gesigneerd, gedateerd door Lodewijk De Vocht aan Cecilia van Beirendonck.
réf. 72198Peking China: Peking Opera 200. Presumed first edition/first printing. Hardcover. Fair. Lavishly illustrated including illustrating on otherwise clear plastic. Text in Chinese and English. Cover has slight wear and soiling. Some pages are disbound but present and suitable for framing. Appears complete. Peking opera or Beijing opera is a form of Chinese opera which combines music vocal performance mime dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing dynasty court and has come to be regarded as one of the cultural treasures of China. The art form is also preserved in Taiwan Republic of China where it is known as Guójù literally: "National theatre". Peking opera features four main types of performers. With their elaborate and colorful costumes performers are the only focal points on Peking opera's characteristically sparse stage. They use the skills of speech song dance and combat in movements that are symbolic and suggestive rather than realistic. Above all else the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. . Melodies include arias fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1400 works which are based on Chinese history folklore and increasingly contemporary life. Types of facial makeup are a special method of makeup in Chinese traditional operas. Since every historical character or characters of a certain type are provided with a particular facial type similar to music scores for singing and playing music such a method of makeup is named "Types of facial makeup". Among all Chinese traditional operas types of facial makeup in Peking Opera have developed into the most systematic and mature one. Historical characters in Chinese traditional Peking Opera are provided with different types of facial makeup. They can reflect the identity status personality and appearance of the characters and therefore can intensify the artistic appeal on stage. As an impressionistic and exaggerated art types of facial makeup in Peking Opera is featured by painting brows eyelids and jowls in various patterns such as bat swallow wing and butterfly wing. Also it is characterized by portraying facial expressions with exaggerated nasal fossas and lipped fossas. The age can be reflected by the height and shape of "Crow's-feet" temperament by the opening and closing of "Chordal furrow" and personality by different patterns of "Glabella furrow". Additionally in the types of facial makeup in Peking Opera there exist some invariable images including white-faced Tsao Tsao and black-faced Bao Zheng. The white-faced image symbolizes wickedness and viciousness while black-faced image stands for equity and selflessness. Due to unchangeable rules in types of facial makeup personalities of a character with certain facial makeup can be seen from the facial colors and figures. As one of the onstage art techniques various types of facial makeup in Peking Opera enable the audience to know a character's personality easily and accordingly get more involved in the appreciation of the performance. Thus types of facial makeup enjoy the fame of "Interior Pictures" which is an extremely crack skill of art exclusively existing in Chinese operas. Patterns of theatrical masks have served as a symbol of China. Nowadays on the market there appear many exquisite and aesthetic commodities and stamps printed with such patterns which are of high appreciating and collecting values. Peking Opera hardcover
réf. 70441Coll. "D'ailleurs", Paris, éd. Phébus, 3 février 1992, EDITION ORIGINALE, in-8, cartonnage souple à rabats éd., couv. ill. coul. sur fond noir éd., 240 pp., bibliographie, table des matières, Bonne biographie du compositeur Ernst Theodor Amadeus, auteur des "contes". Pas courant Très bon état; les tranches sont légèrement salies
Cm. 17,5 x 11; pp. 34; brossura editoriale in carta leggera. Timbro a secco 1-61: è infatti il libretto della prima rappresentazione, tenutasi a Parma. CONDIZIONI BUONE Nomi degli interpreti a stampa.
2019ill., br. Roberta Pedrotti ci guida alla scoperta del mondo del melodramma, della sua storia e dei suoi protagonisti, ma anche dei suoi codici, dei suoi segreti, delle sue tradizioni e dei suoi nuovi orizzonti nel mondo contemporaneo. Pagina dopo pagina prendiamo parte a un viaggio affascinante nelle vicende che hanno caratterizzato la nascita di un'arte capace di rinnovarsi e rimanere viva e attuale dal Seicento fino ai giorni nostri, sempre protesa, come una musa bifronte, fra passato e futuro. È il racconto di artisti come Monteverdi, Vivaldi, Händel, Mozart, Rossini, Bellini, Donizetti, Verdi, Puccini, Wagner, Strauss e Britten, ma è anche una storia di politica, società, arti e tecnologie. Lo sguardo panoramico e a curato dell'autrice, infatti, si arricchisce di approfondimenti, schede e spunti di riflessione che rendono il volume anche un manuale di consultazione, una guida per il mondo dell'opera e dei melomani. Un libro pensato per tutti, per essere semplice ma non superficiale, per accompagnare anche il lettore meno esperto e offrirgli mappa e bussola così da potersi orientare in un universo straordinario, tutto da scoprire. Prefazione di Azio Corghi. Premessa di Francesco Lanzillotta.
2013Alfredo Catalani versus il conterraneo Giacomo Puccini: il volume ricostruisce l'immagine dei due compositori attraverso la stampa coeva, quindi affronta la sfida tra Edgar e Loreley e soprattutto quella tra Manon Lescaut e La Wally. Mostrando come l'«eredità del Wagner» evocata da Catalani giochi un ruolo importante in questa competizione. I due ultimi capitoli indagano possibili rapporti tra La Wally e il Puccini novecentesco della Fanciulla del West. Alfredo Catalani versus his fellow citizen Giacomo Puccini: the volume reconstructs the two composers' biographies through contemporary press, then describes the challenge between Edgar and Loreley and, in more depth, that between Manon Lescaut and La Wally, showing the importance of the «Legacy of Wagner» mentioned by Catalani in this competition. The last two chapters investigate into the possible relationship between La Wally and twentieth century Puccini's opera La fanciulla del West. Centro studi Giacomo Puccini - Premio Rotary 1 cm 17 x 24, x-252 pp. con 2 figg. n.t. a colori.
1988réf. 1070523The Arts Council, (1988). 50 S., Illustr.; 20 cm; kart.
19721 24,5x18,5 cm., legatura in piena tela con titoli in oro al dorso, sovraccoperta illustrata a colori, pagg. 112, numerose illustrazioni in bianco e nero, prima edizione, in inglese, buone condizioni.
1988réf. R200138868Fayard. 1988. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos plié, Papier jauni. 894 pages, texte en 2 colonnes - coins, tranches et dos frottés.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
réf. c6377Paris, Fayard, 1979 ; in-8°, plein cartonnage bleu de l'éditeur, titre en blanc, jaquette blanche illustrée en couleurs; 574pp.
ISBN : 221300675X. FAYARD. 1979. In-8 Carré. Relié, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 574 pages- 2 petites déchirures en tranche en pied du 1er plat de la jaquette
1979réf. R150209513FAYARD. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 574 pages- 2 petites déchirures en tranche en pied du 1er plat de la jaquette. Avec Jaquette. . . Classification Dewey : 782.1-Théâtre musical, opéra
1979réf. 73261Fayard 1979 In-8 relié, sous jaquette un fânée, néanoins bon état d’occasion.
Milano, G. Ricordi & C., 1937, in-8 piccolo, brossura editoriale (copertina anteriore illustrata da Cisari), pp. 23, [1]. Prima edizione. Opera di argomento aviatorio, rappresentata per la prima volta al Maggio Musicale Fiorentino del 1937. Cammarota, Futurismo, 366.6. Ottime condizioni.
1981In 8°, t.t. edit. con sovrac. ill. (lievissime tracce d'uso), pp. 330,(6), con 49 fot. b.n. in tavv. f.t.; coll. "Le Scie"; prima ed., nel complesso ottimo es.. (m302/d)
réf. 103.334Ville de Bruxelle, 1987. 21 x 28, 38 pp., quelques planches en couleurs et en N/B, broché, très bon état.
1942134 pages. Count Marcel and his sister, Lady Cerise, have been tricked out of their titles and their fortune. Contains music for piano and voice plus lines. Above-average wear. Spine taped. Some markings. A worthy vintage working copy. Book
1914réf. boz_006117Paul VIDAL. Carte de visite autographe signée en date du 10 juillet 1914, Paris. Carte de visite adressée à un ami pour rappel de date à l'opéra comique. Dimensions cartes : 9 x 5 cm. 1 page. Etat : Bon état de conservation, malgré la présence d'onglets au verso. Voir photos. Paul Antonin Vidal né à Toulouse le 16 avril 1863 et mort à Paris le 9 avril 1931 est un compositeur français. Wikipédia Envoi soigné dans un emballage rigide et étanche. Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, je reprends la marchandise avec retour à ma charge pour l'Europe et à la charge de l'acheteur pour le reste du monde. N’hésitez pas à visiter ma boutique et affiner vos recherches en fonction des catégories qui vous intéressent. Ma boutique L'Art Délivré. Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres… Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Merci de votre visite. Jérôme KAYSER.
réf. 10451Au Menestrel a Paris, partition pour chant seul, non date, circa 1900. Superbe petite demi reliure fine, nerfs, filets, decors dores, 210 pages.Tres bon etat.
1943réf. 156117N.p.: Herzog Film 1943. Vintage program for the 1943 German film. Titles and text in German. A skilled amateur dancer gets her big break when she is discovered by a musical composer despite the objections of her father. 7.25 x 10.5 inches. Bi-fold. Very Good plus lightly age-toned. Herzog Film unknown books
