20.138 risultati
rif. 567967Berlin, Breslauer & Liepmannssohn, 1928. 4 parties reliées en un fort et grand in-8, bradel plein vélin (ancien), pièce de titre rouge, tranches bleues, couvertures sup. conservées, [5]ff.-287 (catalogue de 1541 notices) et [5]ff.-576 pp. (catalogue de 2491 notices), liste des prix d’estimations, bibliographie, et 2 vol. de 48 et 41 planches. Texte en allemand.
Paris, Neuchâtel, Editions Victor Attinger, 1933. In-8, broché, 463 pp.
rif. 13414Paris, Neuchâtel, Editions Victor Attinger, 1933. In-8, broché, 463 pp.
1984rif. 69255ABBerlin., Deutsche Oper., 1984. 21,4 x 12 cm. 16 S. Illustrierter OKartonband mit Klammerheftung und Prägedruck., 69255A Erste Auflage. Einband papierbedingt minimalst lichtspurig, sonst gutes Exemplar.
Gr. In-8, 278p. Edition limitée à 4000 exemplaires. Préface de Georges Thill. Illustré de nombreuses photographies hors texte.
1828rif. AQ34992London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Very slight chipping to edges; overall a fine copy. An early playbill advertising the eleventh British performance of The Pirate of Genoa! proclaiming itself an adaptation of Austrian composer Joseph Weigl's 1766-1846 comic seafaring opera 'Gli Amor Marinari' more accurately known as L’amor Marinaro Ossia il Corsaro 1797. . Dimensions 338 mm x 224 mm. S. G. Fairbrother (Lyceum Printing Office) unknown
1827rif. AQ21248London: S. G. Fairbrother 1827. Single leaf broadside. All edges uncut. Some spotting very short tear to one margin. An apparently unrecorded playbill advertising a staging at the English Opera House of William Moncrieff's 1794-1857 popular Monsieur Tonson a two-act farce first performed in 1821 with Mary Anne Goward 1805-1899 in the lead female role. In 1829 Goward married actor Robert Keeley 1793-1869 who also appears on the present bill as part of a 'new musical farce' Before Breakfast! Two further comic pieces were a part of the night's proceedings the performances interspersed with the overtures to Mozart's Cosi Fan Tutte and Figaro. . Dimensions 215 x 350 mm. S. G. Fairbrother unknown
1828rif. AQ34991London: S. G. Fairbrother Lyceum Printing Office 1828. Single leaf broadside. Browned with chipping to edges. Small hole to lower left-hand side touching text without loss of sense. A Regency playbill advertising the performance of Tit for Tat a comic opera adapted from Mozart's opera buffa Così fan tutte first performed in England during May 1811 at the King's Theatre London. Mozart's libretto and score was adapted by William Hawes 1785-1846 director of music at the English Opera Lyceum. . Dimensions 337 mm x 216 mm. S. G. Fairbrother, (Lyceum Printing Office) unknown
1915rif. 45639New York 1915. First edition. Stapled paper wrappers. A very good copy. 16 pp. 8vo. The playbill for "The Blue Bird" by Maurice Maeterlinck a popular work at the time at the Manhattan Opera House. unknown books
1822rif. 18691Paris, Chez Mme Veuve Dabo, 1822. 5 volumes in-18, demi-veau caramel, dos ornés de filets, roulettes et fleurons dorés, pièces de titre et de tomaison, tranches mouchetées.
rif. 3025La Haye, chez P.F. Gueffier, 1768 - in-8, 487 pp., Vol 2. - rel. bas. brune, airs notés pour les opéras comiques (qqs trous de vers sans atteinte au texte, dos cassé)
Gr. In-8, 260p. Edition limitée à 5000 exemplaires. Préface de mario del Monaco. Illustré de nombreuses photographies hors texte.
Firenze, appresso Anton-Giuseppe Pagani librajo delle Scalere di Badia, 1778, in-8 piccolo, magnifica cartonatura coeva in carta dorata e goffrata con disegno a racemi floreali rosa su fondo oro, pp. 59, [1]. Con emblema xilografico dell'Accademia degli Infuocati (motto: A tempo infuocati) raffigurante una bomba che esplode sul frontespizio. Reca anche i nomi degli attori, ballerini, ecc. Una sola copia censita in ICCU. Magnifico esemplare.
Bastia, typographie Fabiani, [1842], stampato su seta su una facciata, mm. 307x243. Purtroppo il foglio di seta è diviso a metà e ciascuna delle due parti reca anche degli strappetti trasversali (lievi perdite).
rif. 114642Stockholm Sohlmans förlag 1981. Stor 8:o. 511 1 s. Rikt illustrerad. Förlagsband med skyddsomslag. Ur Rolf Mallanders bibliotek. Fortfarande det bästa operalexikonet. Elsa-Britt Sjöstedt har översatt från den engelska Phaidon-upplagan 1978 och Hans Åstrand har författat ett antal nya artiklar till denna upplaga. Originalutgåva 1977 i Milano med titel ”L’ Opera: Repertorio della lirica dal 1597” unknown
rif. 109862Stockholm Sohlmans förlag 1981. Stor 8:o. 511 1 s. Rikt illustrerad. Förlagsband med skyddsomslag. Fortfarande det bästa operalexikonet. Elsa-Britt Sjöstedt har översatt från den engelska Phaidon-upplagan 1978 och Hans Åstrand har författat ett antal nya artiklar till denna upplaga. Originalutgåva 1977 i Milano med titel ”L’ Opera: Repertorio della lirica dal 1597” unknown
rif. 7296Lyon, Opéra national de Lyon, 1999. In-8, broché.
1845rif. 12060Dresden : Not published. ca 1845. Unique. Contemporary ebony frame. Very good. 68 mm diameter An early painted rendering on a bisque porcelain disk of what has come to be known as the Semperoper Dresden. The building was designed by Gottfried Semper arguably the most important German architect of the Victorian era and opened in 1841. This was his first major building - a neo Renaissance theater with subdued ornamentation and an exterior that clearly expressed its internal spaces - and the introduction of Semper's revolutionary ideas that were ' . to change the course of theater design.' The Bayreuth Festspielhaus was the last expression of these design concepts. Semper was the original architect but was dismissed by Wagner before the project was complete. The Semperoper of Dresden burned to the ground in 1861.Contemporary renderings of the building are all that remain. The disk bears a contemporary identification on the back: 'Koenig Theater / zu Dresden'. It is mounted in a contemporary wooden ebony frame and held in place with a stamped gilt bezel. The verso of the frame is marked with a letter M and the number 30 impressed in the wood. As if to emphasize the revolutionary aspects of Semper's design the painter illustrated the theater building from the stage side a unique perspective when judged by the few contemmporary illustrations of the building. Given that the Meissen works were within 25 km of Dresden one assumes the bisque porcelain disk is Meissen but it bears none of the usual marks of the great manufactory. See Mullin The Development of the Playhouse. Not published. unknown books
Trieste, presso Michele Weis, [1842], in-16, br. editoriale (ma è conservata solo la copertina anteriore decorata, con lieve mancanza al margine esterno), pp. 32. Libretto dell'opera, recante anche i nomi dei cantanti, degli orchestrali, del suggeritore, del pittore delle decorazioni, del macchinista e del costumista per la rappresentazione triestina.
1983rif. 4163Fayard 1983 In-4 reliure éditeur sous jaquette, 156 pp. Illustrations en noir
1989rif. 159645San Francisco: San Francisco Opera 1989. Vintage flyer advertising a costume sale by the San Francisco Opera SFO on April 22-23 1989 at the War Memorial Opera House. The SFO has held costume sales nearly every year for the last few decades frequently leading to lines stretched around the block. The SFO's costume sales serve not only to clear items from productions no longer performed to make room for new costumes but to generate much needed additional income for the arts organization. In recent years the SFO has begun holding their annual costume sale online. 8.5 x 11 inches on goldenrod paper. Very Good plus with light creasing overall and two small bruises on the bottom edge. San Francisco Opera unknown books
1989rif. 159645San Francisco: San Francisco Opera 1989. Vintage flyer advertising a costume sale by the San Francisco Opera SFO on April 22-23 1989 at the War Memorial Opera House. The SFO has held costume sales nearly every year for the last few decades frequently leading to lines stretched around the block. The SFO's costume sales serve not only to clear items from productions no longer performed to make room for new costumes but to generate much needed additional income for the arts organization. In recent years the SFO has begun holding their annual costume sale online. 8.5 x 11 inches on goldenrod paper. Very Good plus with light creasing overall and two small bruises on the bottom edge. San Francisco Opera unknown
Lucca, per Giacomo Rocchi stampatore dei RR. Teatri, [1843], in-16, brossura decorata novecentesca, pp. 32, [4]. Libretto dell'opera. Reca anche i nomi dei cantanti e degli orchestrali dello spettacolo lucchese. Ottime condizioni. Le due carte finali non numerate recano delle integrazioni di testo ai due atti.
rif. 11777« LOPÉRA DE DEUX SOUS». (4 pages, texte sur 3 colonnes). Un dessin de Jean Bruller. 5 photos de scène. Bon état. /// Critique satirique de M. Rouché, directeur de lOpéra de Paris, « seul Français assez riche, assez inoccupé et assez munificent pour diriger (même au prix dune subvention accrue) le plus onéreux théâtre du monde ». /// Notre catalogue " Henri Béraud " est disponible sur simple demande.
in-8°, non paginé (44 pages), illustrations en noir, agrafe + cordon. Bel exemplaire. [ARCH] Interprètes : Mlle DEMOUGEOT - M. SWOLFS - M. DELMAS, etc