20 191 résultats
réf. GF24260Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24439Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24441Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24442Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24443Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24529Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24530Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24531Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24562Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24563Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24564Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24565Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24566Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24567Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24568Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24570Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24571Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24572Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
réf. GF24573Paris - Album Mariani - vers 1900 - 3 pages in8 comprenant une notice biographique de 2 pages, un portrait gravé et un fac-similé d'autographe -
1952réf. List2814Homestead Pennsylvania 1952. 7 x 9 inch photograph. International News Photos and Tribune 4th Edition stamps verso with newspaper clipping. Marked “623” in pencil recto. Fine. Olive Moorefield b.1932 is an American opera singer and theater and film actress from Homestead Pennsylvania. As the newspaper clipping on the back of this photograph—from very early in Moorefield’s career—explains “She had earned $22 by baby sitting and decided to go to New York in hopes of auditioning for a play. She was given a try at a part in ‘My Darlin’ Aida’ . She made the grade”. Following Aida she was brought to Vienna by the US Information Service to sing for servicemen and would go on to sing for the Vienna Volksoper Oper Frankfurt Schauspielhaus Zürich and others. She would also star in a number of German and Viennese films. Offered here is a photograph of Moorefield’s mother sitting on the porch of Moorefield’s childhood home. The clipping states that her mother “urged her to try for the part” of Lolly in Aida. unknown books
1837réf. List3613Philadelphia: Firth Meignen & Co. Publishers & Importers of Music and Musical Instruments No. 41 Chestnut Street 1837. Seven pages complete including dance figures. Folio sheet music. Very good with scattered foxing and light edge wear. A rare early American operatic dance arrangement by Francis Johnson 1792-1844 widely regarded as the first published Black composer in the United States. Issued circa 1837 this work adapts themes from Vincenzo Bellini's opera La Sonnambula 1831 into a set of quadrilles with concluding waltz arranged for piano forte and structured for social dancing. The internal headings "Pantalon" "Ladies Chain" etc. retain the formal quadrille sequence reflecting the popularity of European ballroom forms in Philadelphia during the period. Johnson a Philadelphia bandleader composer and virtuoso keyed bugle player published approximately seventy compositions over nearly three decades. Active in Philadelphia from at least the 1810s he became one of the city's most sought-after musicians leading ensembles for cotillions public balls military functions and civic celebrations. In 1818 became the first African-American composer known to have sheet music published in the United States. His band performed for elite social events and public commemorations including celebrations for the Marquis de Lafayette's visit to Philadelphia. In 1838 he toured Europe with his ensemble performing in England and reportedly receiving a silver trumpet from Queen Victoria. This piece was composed a year earlier per the Johnson page at Musicalgeography.com six years after Bellini's work. Operatic paraphrases and dance adaptations of fashionable European works were central to Johnson's output. Overall a quite scarce early title from an important composer. We find two copies in OCLC 692295106 at AAS and the William Clements Library. See "Francis Johnson's Compositions - With Sheet Music" https://musicalgeography.org/francis-johnsons-compositions/. Firth, Meignen & Co., Publishers & Importers of Music and Musical Instruments, No. 41 Chestnut Street books
1952réf. List2814Homestead Pennsylvania 1952. 7 x 9 inch photograph. International News Photos and Tribune 4th Edition stamps verso with newspaper clipping. Marked “623” in pencil recto. Fine. Olive Moorefield b.1932 is an American opera singer and theater and film actress from Homestead Pennsylvania. As the newspaper clipping on the back of this photograph—from very early in Moorefield’s career—explains “She had earned $22 by baby sitting and decided to go to New York in hopes of auditioning for a play. She was given a try at a part in ‘My Darlin’ Aida’ . She made the grade”. Following Aida she was brought to Vienna by the US Information Service to sing for servicemen and would go on to sing for the Vienna Volksoper Oper Frankfurt Schauspielhaus Zürich and others. She would also star in a number of German and Viennese films. Offered here is a photograph of Moorefield’s mother sitting on the porch of Moorefield’s childhood home. The clipping states that her mother “urged her to try for the part” of Lolly in Aida. unknown
1837réf. List3613Philadelphia: Firth Meignen & Co. Publishers & Importers of Music and Musical Instruments No. 41 Chestnut Street 1837. Seven pages complete including dance figures. Folio sheet music. Very good with scattered foxing and light edge wear. A rare early American operatic dance arrangement by Francis Johnson 1792-1844 widely regarded as the first published Black composer in the United States. Issued circa 1837 this work adapts themes from Vincenzo Bellini's opera La Sonnambula 1831 into a set of quadrilles with concluding waltz arranged for piano forte and structured for social dancing. The internal headings "Pantalon" "Ladies Chain" etc. retain the formal quadrille sequence reflecting the popularity of European ballroom forms in Philadelphia during the period. Johnson a Philadelphia bandleader composer and virtuoso keyed bugle player published approximately seventy compositions over nearly three decades. Active in Philadelphia from at least the 1810s he became one of the city's most sought-after musicians leading ensembles for cotillions public balls military functions and civic celebrations. In 1818 became the first African-American composer known to have sheet music published in the United States. His band performed for elite social events and public commemorations including celebrations for the Marquis de Lafayette's visit to Philadelphia. In 1838 he toured Europe with his ensemble performing in England and reportedly receiving a silver trumpet from Queen Victoria. This piece was composed a year earlier per the Johnson page at Musicalgeography.com six years after Bellini's work. Operatic paraphrases and dance adaptations of fashionable European works were central to Johnson's output. Overall a quite scarce early title from an important composer. We find two copies in OCLC 692295106 at AAS and the William Clements Library. See "Francis Johnson's Compositions - With Sheet Music" https://musicalgeography.org/francis-johnsons-compositions/. Firth, Meignen & Co., Publishers & Importers of Music and Musical Instruments, No. 41 Chestnut Street
réf. 17903On letterhead of the Royal Italian Opera Covent Garden. 6 June 1866. 1p. landscape 12mo. In good condition on lightly-aged paper. Reads with manuscript text in square brackets: 'Royal Italian Opera Covent Garden. Madle Vestris Londres Le 6 Juin 1866. Recu de M. Gye la somme de £40 - - G Vestris B.V £40 : - : -''. On letterhead of the Royal Italian Opera, Covent Garden. 6 June 1866. unknown
réf. 44383Paris de l'imprimerie de P. de Lormel 1783 in 8 (18,5x12) 1 fascicule broché, couverture muette de papier marbré ancien, 31 pages. Paroles de Philippe Quinault, 1635-1688. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )