20.351 Ergebnisse
Best.-Nr. 201104062Paris, Seuil, 1983 ; in-8, 634 pp., cartonnage d'éditeur avec jaquette (pts accros sur la jaquette). Très bon état.
Best.-Nr. 2905Recueil factice de 7 livrets d'opéras, reliés en un volume in 16, reliure demi chagrin cerise à coins, dos lisse orné, tranches dorées (plats légèrement frottés) ; petites mouillures claires marginales aux dernières pages ; piqûres éparses.
Best.-Nr. 200608887Stuttgart, Deutschen bucherbundes, 1983 ; grand in-8, 672 pp., cartonnage d'éditeur avec jaquette. Mit 400 abbildungen und notenbeispielen.
Best.-Nr. 201015863Paris, Fernand Nathan, 1979 ; in-4, 238 pp., cartonnage d'éditeur avec jaquette. Très bon état - mais un peu jauni sur les bords.
Best.-Nr. 201701723Paris, Opéra national de Paris, 2005 ; in-8, 71 pp., br. Broché très bon état.
Best.-Nr. 201609992Marseille, Opera, 2009 ; in-8, 108 pp., br.
Best.-Nr. 201222220Paris, Editions sauret, 1993 ; in-8, 371 pp., br.
Best.-Nr. 200608868Stuttgart, Deutscher bucherbund, 1967 ; in-8, 558 pp., cartonnage d'éditeur avec jaquette. Mit zahlreichen abbildungen und notenbeispielen.
Best.-Nr. 201900593Toulouse, Editions Ombres, 1990 ; in-4, cartonnage de l'éditeur. Avec jaquette.
Best.-Nr. 201324715Lausanne, Editions rencontre, 1962 ; in-12 oblong, 216 pp., cartonnage de l'éditeur. Très bon étatCollection dirigée par Jean-Pierre Moulin et Yvan Dalain. + une page bleue volante avec légendes des illustrationsNombreuses photos en noir et blanc dans le texte et hors texte.
Best.-Nr. 200908244Paris, CALMANN LEVY , s.d. ; in-12, 88 pp., broché.
Best.-Nr. 200907743Paris, CALMANN LEVY , s.d. ; in-12, 88 pp., broché.
Best.-Nr. 202501850Paris, Editions du Chene, 2000 ; grand in-4, 199 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
Best.-Nr. 201612056Paris, Editions du Chene, 2000 ; grand in-4, 199 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
Best.-Nr. 201012305Paris, Henri Guichaoua éditeur - les grandes mises en scène du XXe siècle - série opéra, 1956 ; in-8, 70 pp., broché, couverture illustr. TRÈS BON ÉTAT - musique de Jean-Philippe Rameau révision musicale de Paul Ducas et Henri Busser préludes parlés de rené Fauchois - exemplaire sur alfa mouse navarre n° 278/3000.
Best.-Nr. 200908176Paris, CALMANN LEVY , s.d. ; in-12, 50 pp., broché.
Best.-Nr. 200907744Paris, CALMANN LEVY , s.d. ; in-12, 50 pp., broché.
Best.-Nr. 201201020Strasbourg, Opera du rhin, 2000 ; grand in-12, 112 pp., br. Broché très bon état (pte pliure sur un coin au premier plat).
Best.-Nr. 201701724Paris, Opéra national de Paris, 2009-2010 ; in-8, 125 pp., br. Broché très bon état.
Best.-Nr. AQ25079vs.: vs. c. 1820s-1930s 12mo 8vo and quarto. The majority preserved within original publisher's wrappers. An extensive archive of theatrical publications and ephemera emanating from the recently dispersed library of Howth Castle County Dublin seat of the Gaisford-St. Lawrence family comprised of theatre programmes and libretti representing productions spanning from the late 1820s up to the 1930s both domestic and Continental in origin. The 94 individual publications comprehend: Eight playscripts and libretti printed in Paris between including an 1828 edition of Théaulon and Choquart's comic vaudeville Monsieur Jovial ou l'huissier-chansonnier 1827 and an 1882 issue of Charles Gounod's five-act opera Faust set to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite. 15 Italian productions variously printed at Rome Milan Florence and Naples in the latter half of the nineteenth century including an 1848 Neapolitan edition of Verdi's four-act opera Nabucodonosor composed to an Italian libretto by Temistocle Solera first performed at La Scala in Milan 9th March 1842; and a programme to accompany the first performance of Verdi's Attila at La Fenice in Venice 17th March 1846. An Italian language edition printed at Barcelona in 1845 of Jacopo Ferretti's libretto Eran due or son tre 1834. 70 theatre programmes operas and Italian-language libretti printed in London spanning the century between the 1830s and 1930s including: 15 issued in the 1870s as a part of 'Davidson's Musical Opera-Books' series published in conjunction with performances at 'London's Italian Opera Houses' of productions of inter alia Rossini's The Barber of Seville Bizet's Carmen and Mozart's Don Giovanni and The Magic Flute each with a parallel English translation and 'the music of the principal airs'. The first appearance in print of the libretti for five Gilbert and Sullivan productions: Patience 1881 Princess Ida 1884 The Mikado 1885 The Yeomen of the Guard 1888 and Utopia 1893. A magazine-programme for a run of performances at the Shaftesbury Theatre in 1926 of J. M. Barrie's Peter Pan; or the Boy Who Wouldn't Grow Up 1904 - a production with which Barrie was directly involved - with Dorothy Dickson in the lead role. A run of 12 programmes for the 1925/26 1926/27 seasons at the The Old Vic including 11 productions of Shakespeare's plays all notably featuring leading Shakespearean actor Baliol Holloway d. 1967. Notable members of the Gaisford-St. Lawrence family included Thomas Gaisford 1789-1855 English classical scholar sometime curator of the Bodliean Library Regius Professor of Greek at Oxford and Dean of Christ Church. Gaisford’s eldest son Thomas Gaisford of Offington Sussex 1816-1898 British Army officer married in 1859 as his second of three wives Lady Emily St Lawrence d. 1868 eldest daughter of the third Earl of Howth. Their eldest surviving son Royal Navy officer Julian Charles Gaisford-St Lawrence 1862-1932 succeeded in 1909 his uncle the fourth and last Earl of Howth and came to reside at Howth Castle in Co. Dublin. A rare opportunity to acquire an ephemeral archive which not only exemplifies the theatrical passions of a single family across least three generations but documents the evolution of nineteenth century stage production charts the popular progress of Italian-language libretti in both Britain and on the Continent and exhibits the situation of English theatre prior to the post-war dominance of television and film. . [vs.], [c. 1820s-1930s] unknown
Best.-Nr. 7790In 4° dérelié de 6 pp. (bandeau gravé).
Best.-Nr. 201106936Paris, Académie nationale de musique et de danse, 1957 ; in-4, 64+pub, broché, couverture illustr. Bon état - n°15 - L'Atlantide, Dialogues des carmélites, Ravel, Albert Roussel, Cocteau.
1949Best.-Nr. 293881949. Good overall. An impressive collection of post W.W.II German opera stars dancers & directors and the stunning sets from the Hamburg Opera Ensemble. The 1st page is a dedication of farewell to Edward Groth US Consul General dated 24th May 1949. Groth had a long career in the Foreign Service including Consul in Afghanistan and India. Photographs of vocalists dancers directors - many signed - include: Günther Rennert staging director Arthur Grüber Günter Hertel Martina Wulf Theo Herrmann Ilse Koegel Helene Werth Lore Hoffman Hedy Gura Sigmund Roth Peter Markworth Hermann Mendt Nikola Eva Poser Rudolf Zerber Adolph Meyer-Bremen Johannes Drath Elfriede Wasserthal Richard Holm Irma Handler Cornelia Händel Elisabeth de Freitas and Danelies Rothenberger Otti Tenzel Bico von Larsky and several others signed and unsigned but unidentified. = signed. There are 20 programs for operas performed between April 1946 Die Entfuhrung aus dem Serail to April 1949 Raskolnikoff. Opera programs include: Tosca La Traviata Peter Grimes Othello Carmen Barber of Seville La Boheme Rigoletto and many others. Many of the performers were known through Europe. The portfolio starts with photo portraits which someone has annotated with sticky notes then includes many 1 sheet programs laid down and superb photographs of elegant sets for the varying operas. Fabric covered card covers cream cloth no title 38pp stiff card each page with 1 2 3 or 4 b&w photos later pages with programs from various operas dating 1946-1949. 38 portraits many silvertone 53 set photographs 20 programs for a total of 111 pieces. Photos varying in size 24 4 1/2 x 3.1/2" 42 6 329387/8 x 4 ¼" 20 5 ½ x 3 3/8" 4 9 3/8 x 7 1/8" and 20 programs all laid down on heavy card stock. Covers marked and dusty internally clean. Considering the Opera House was almost completely destroyed during the war this is a remarkable record of the Hamburg Opera and their artists. unknown
Best.-Nr. 201900594Paris, Nathan - beaux livres, 1984 ; grand in-4, 192 pp., cartonnage de l'éditeur. Très bon état, avec jaquette.
Best.-Nr. 201612055Paris, FAYARD, 1983 ; in-4, 156 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.