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CIDIM - Le Fonti Musicali in Italia - Studi e Ricerche II - ed. 1988 Lingua italiana Pagine - 300 Copertina morbida Condizioni molto buone
CIDIM - Le Fonti Musicali in Italia - Studi e Ricerche III - ed. 1989 Lingua italiana Pagine - 247 Copertina morbida Condizioni molto buone
1910rif. 42191AB1910. Lugano Cooperativa Umanista no year c.1910. 15.2cm x 10.3cm. 23 pages. Original softcover. Very good condition with only minor signs of external wear. paperback
1952cm. 17 x 24,5, 32 pp. con 1 ripr. Quaderni dell'Accademia Chigiana 68 gr. 32 p.
1940rif. 1136Plon, Paris, 1940-1941, 3 volumes in-8 (21x14cm), II-505, 468 et 426pp., broché.
1991rif. 7661991 1991 J.-C. Lattès, Paris, 1991 (Traduit de l'Anglais par Vierne Béatrice, première parution : Thames and Hudson, Londres, 1991). 1 volume in-4 cartonné sous jaquette illustrée, 199 pages, riche iconographie. Parfait état.
rif. 3735785New-York: Samuel French 121 Nassau Street 1855. 8vo. 34 2pp. Original printed wrappers ornamental border; light wear partial splitting along length of spine clean and well-preserved. Scarce American libretto for a mid-19th-century English opera troupe’s rendition of Rossini’s Cinderella performed at the Broadway Theatre in New York. While Rossini’s score is credited the adaptation is Anglicized and adjusted to suit the Broadway Theatre’s stage and audience. Based loosely on Rossini’s La Cenerentola 1817 this booklet was sold or distributed at performances serving both as a libretto and souvenir. This 1855 production starred Miss Louisa Pyne in the title role and Mr. W. Harrison as Prince Felix two leading figures of the Pyne & Harrison Troupe known for popularizing English-language opera in America during the 1850s. The cast list includes comic and magical roles such as Dandini Clorinda Thisbe and the Fairy Queen. unknown
191220 cm, br. edit, p. 74. Nomi degli interpreti a matita a fianco delle parti.
187818 cm, brossura originale; pp. 45, bruniture nel testo
1979Volume rilegato in tela con titoli al dorso e al piatto e sovraccoperta illustrata, come i risguardi, con bandelle. Ricca documenhtazioen fotografica interna con immagini in bianco e nero e a colori con didascalie. Buonissimo lo stato di conservazione con pagine ben tenute di colore candido come i tagli. Numero pagine 293. USATO
1978In 4', tela ed. con sovrac., pp. 294, ill. in n. e col. n.t., risguardi ill., finito di stampare il 5 febbraio 1979; minimi segni d'uso alla sovrac. , firma d'appartenenza in antiporta(foto), macchia al taglio laterale(foto), lievi fioriture al taglio sup.(foto), leggerissimo sentore di cantina.
1979Jole Tognelli Cinquant'anni del Teatro dell'Opera 1928 Roma 1978. , Bestetti 1979, Volume illustrato sul valore artistico e architettonico del Teatro dell'Opera a Roma, in particolare nel cinquantennio 1928/1978. Condizioni molto buone: rilegatura rigida, sovraccoperta perfettamente integra, tagli e pagine in ottimo stato e perfettamente fruibili. Misure in cm: 32x25x3 Molto buono (Very Good) . in quarto
19548°, CARTONATO MUTO EDITORIALE CON SOVR. A COLORI, PG. (2) 131 (3), CORPOSO APPARATO ICONOGRAFICO COSTITUITO DA NUMEROSE FOTO B.N. F.T. E DA ALCUNE SCENOGRAFIE RIPRODOTTE A COLORI SU TAVOLE F.T. RIPIEGATE (AUTORI: SAVINIO, PRAMPOLINI, FIUME, SIRONI, DE CHIRICO, BENOIS ED ALTRI), GLI INTERVENTI SONO DI G. PANNAIN - E. GARA - V. COSTANTINI - E. COLOSIMO - G. TANI - L. JANNATTON, OPERA A CURA DI GUIDO M. GATTI, A FINE VOLUME E' PRESENTE INDICE DEI NOMI - OPERE E BALLETTI CITATI. PRIMA EDIZIONE.
1954AA. VV. Cinquant'anni di opera e balletto in Italia. Bestetti 1954.. Roma, Bestetti 1954 italiano, in ottavo pp. 131 19081 Cinquant'anni di opera e balletto in Italia. Bestetti 1954. In-8. 131 pp. Brossura con alette. Molto buono. Ill. a colori.
195428 cm, ril. in tela, titolo in oro al piatto e dorso, sovracop. illustrata; p. 131, 150 tavole in nero e 12 tavole a colori ripiegate f.t
1954AA.VV. Cinquanta anni di Opera e Balletto in Italia. Roma, Carlo Bestetti 1954 italian, 131 CLL19Brossura editoriale,volume in discrete condizioni, in gran parte illustrato, segni da scaffalatura agli angoli della copertina, legatura lenta131 pagine circacopertina come da foto
1954All’interno ci sono molte illustrazioni, tavole fuori testo con delle fotografie e dei disegni in bianco e nero. La copertina in cartone di colore nero è illustrata con un disegno a colori, si presenta leggermente scurita ed ha il bordo sfilacciato in vari punti, mancano dei pezzetti di materiale. Le pagine all’interno sono brunite dal tempo. Numero delle pagine 131. USATO
1954In 8 grande, cart. edit. con titolo al piatto e al dorso, pp. 131, 159 tavv.Copia stanca: sovracc. mancante, segni del tempo, piatto post. allentato dal corpo. Discrete condizioni.Luogo di pubblicazione Roma Editore Carlo BestettiAnno pubblicazione 1954Materia/Argomento Opera, Balletto
196021,5x15,5 cm, locandina di p.4 con foto di Puccini, Giacosa e Illica al piatto. Foto e nomi degli interpreti all'interno
1990Mm 210x300 Volume rilegato in tela con sovraccoperta, xv-373 pagine con numerose figure in nero lungo l'intero testo. Copia pari al nuovo, spedizione in 24 ore dalla conferma dell'ordine.
1942In-16 (Cm 16,8 x 12), pp. 30, brossura editoriale illustrata, illustrazioni b.n. nel testo. Macchioline alla brossura ant. Un po' allentato. BUONO
1880rif. 17251np 1880. Broadsheet 5.75" x 17.5" pink paper light wear. Very Good. unknown books
1938rif. 209421938. Anderson Marian archive of six concert programs dating from 1938 to 1953 documents the touring career of Marian Anderson during a period when her performances intersected with national debates over race access to public space and cultural representation. By the early 1940s Anderson had achieved international recognition following appearances at the White House and before British royalty as well as her widely attended 1939 concert at the Lincoln Memorial where she performed before an audience of 75000 after being barred from Constitution Hall. The programs trace her sustained concert activity across North America including major tours and individual performances in Canada and the United States and document the presentation of her repertoire which combined European art song traditions with African American spirituals. Anderson Marian. Archive of six concert programs. Various venues including University Artists tour circuits and concert halls in Toronto Brooklyn and Denver 1938 to 1953. Six programs in staple bound wrappers ranging from approximately 5 x 8 inches to 9 x 12 inches. Includes a program from her 1941 to 1942 coast to coast tour with extended biographical content and photographic illustrations depicting Anderson in performance receiving honors and in personal settings with family and manager Sol Hurok. A later illustrated program from the 1951 to 1952 tour presents similar material reflecting her continued prominence. Additional smaller programs document specific engagements at Eaton Auditorium in Toronto 1946 Brooklyn Institute of Arts and Sciences 1950 and Denver Auditorium 1953. These programs provide a record of Anderson's sustained public presence during a period when African American performers navigated segregated venues and expanding national audiences contributing to shifts in cultural access and representation. The inclusion of biographical narratives photographic imagery and repertory selections illustrates how her career was framed for concert audiences and how her public identity was constructed through touring circuits. Her performances in major cities across North America demonstrate the geographic reach of her influence and the institutional contexts in which her work was received offering material for the study of music history race and performance culture in the mid twentieth century. Minor edge wear with some foxing to several programs and manuscript notation to the Eaton Auditorium program; overall clean and stable. Overall very good condition. unknown
1938rif. 209421938. Anderson Marian archive of six concert programs dating from 1938 to 1953 documents the touring career of Marian Anderson during a period when her performances intersected with national debates over race access to public space and cultural representation. By the early 1940s Anderson had achieved international recognition following appearances at the White House and before British royalty as well as her widely attended 1939 concert at the Lincoln Memorial where she performed before an audience of 75000 after being barred from Constitution Hall. The programs trace her sustained concert activity across North America including major tours and individual performances in Canada and the United States and document the presentation of her repertoire which combined European art song traditions with African American spirituals. Anderson Marian. Archive of six concert programs. Various venues including University Artists tour circuits and concert halls in Toronto Brooklyn and Denver 1938 to 1953. Six programs in staple bound wrappers ranging from approximately 5 x 8 inches to 9 x 12 inches. Includes a program from her 1941 to 1942 coast to coast tour with extended biographical content and photographic illustrations depicting Anderson in performance receiving honors and in personal settings with family and manager Sol Hurok. A later illustrated program from the 1951 to 1952 tour presents similar material reflecting her continued prominence. Additional smaller programs document specific engagements at Eaton Auditorium in Toronto 1946 Brooklyn Institute of Arts and Sciences 1950 and Denver Auditorium 1953. These programs provide a record of Anderson's sustained public presence during a period when African American performers navigated segregated venues and expanding national audiences contributing to shifts in cultural access and representation. The inclusion of biographical narratives photographic imagery and repertory selections illustrates how her career was framed for concert audiences and how her public identity was constructed through touring circuits. Her performances in major cities across North America demonstrate the geographic reach of her influence and the institutional contexts in which her work was received offering material for the study of music history race and performance culture in the mid twentieth century. Minor edge wear with some foxing to several programs and manuscript notation to the Eaton Auditorium program; overall clean and stable. Overall very good condition. unknown books
rif. R160198225PRIVAT. NON DATE. In-12. Relié. Etat d'usage, Coins frottés, Dos très frotté, Papier jauni. 222 pages - Annotations au crayon à papier sur le contreplat du 2e plat et la dernière page de garde. . . . Classification Dewey : 782.1-Théâtre musical, opéra
