19.645 Ergebnisse
[8] S. 4°. OU mit Faltspur. Klammerheftung, gering gebräunt. Kl. Randschäden. OU mit Foto des Komponisten.
Napoli, Tip. Pignatelli - Tip. di Giuseppe Coda, 1878 - 1857, due opere rilegate in un volume, in-8, legatura di fine '800 in mezza pergamena con angoli, dorso liscio con filetti ed iscrizioni in nero, pp. 307 - 235. Conservata la copertina anteriore del secondo titolo: con graziosa cornice tipografica e un invio autografo dell'autore (un poco rifilato). Ottime condizioni.
1915Very Good French Original business card. 6x9,5 cm. In Arabic and French. On card, engraved b/w portrait photo of Sultan, his tughra (dated 1331 Hegira), and the sign of Lahej sultanate. Lahej was a Sheikdom based in Lahej in Southern Arabia. The Sultanate became self-ruled in 1728 and gained independence in 1740. In 1839, the Sultanate became the Protectorate of Aden of the British Empire, though nominally the 'Abdali Sultan retained his status. The the Protectorate of Aden was briefly ruled again by the Ottomans during World War I, but regained by the British and absorbed into Federation of South Arabia in 1963. The 'Abdali dynasty was officialy abolished in 1967, through the proclamation by South Yemen. Hegira: 1331 = Gregorian: 1915.
1915Very Good French Original business card. Slightly stained. 5x8,5 cm. In Arabic and French. On card, engraved his tughra (dated 1331 Hegira), and the sign of Lahej sultanate. No photo. Lahej was a Sheikdom based in Lahej in Southern Arabia. The Sultanate became self-ruled in 1728 and gained independence in 1740. In 1839, the Sultanate became the Protectorate of Aden of the British Empire, though nominally the 'Abdali Sultan retained his status. The the Protectorate of Aden was briefly ruled again by the Ottomans during World War I, but regained by the British and absorbed into Federation of South Arabia in 1963. The 'Abdali dynasty was officialy abolished in 1967, through the proclamation by South Yemen. Hegira: 1331 = Gregorian: 1915.
1963Volume numero 21 appartenente alla collana Collezioni di teatro, diretta da Paolo Grassi e Gerardo Guerrieri. Titolo originale dell'opera Each his own wilderness. Traduzione a cura di Luciano Codignola. In copertina fotografia di Doris Lessing. Copertina leggermente stanca agli angoli. Lievemente ingiallita. Presente macchia di umidità al piatto posteriore e al dorso che si propaga all'interno del libro. Dorso brunito, con parti mancanti dovute alla macchia di umidità. Alla controguardia posteriore note a matita e origine della macchia. Pagine salde, lievemente ingiallite. Numero pagine 101. USATO
Best.-Nr. 60995. PLEASE NOTE that those programmes on pink/yellow paper were sold whilst those on white paper were given free with the performance. Apart from the Announcement booklets all the programmes have a central panel on the front cover with an ornamental border. unknown
[Jesi, s.n.t., c. 1840]. Foglietto volante in carta color lillà, mm. 110x139, impresso su una facciata.
[Jesi, s.n.t., c. 1840]. Foglietto volante in carta color rosa antico, mm. 108x137, impresso su una facciata.
[Jesi, s.n.t., c. 1840]. Foglietto volante in carta giallina, mm. 110x135, impresso su una facciata.
[Jesi, s.n.t., c. 1840]. Foglietto volante, mm. 109x136, impresso su una facciata.
Fano, dalla Tipografia Burotti, 1837, foglio volante di mm. 424x310, impresso su una facciata. Raro. Qualche strappetto marginale.
Fano, dalla Tipografia Burotti, 1837, foglio volante di mm. 485x400, impresso su una facciata, su carta lucida di color beige. Raro. Lievi strappetti e mancanze marginali, qualche sgualcitura.
[Cortona, s.n.t., 1843], foglio volante di mm. 210x299, ripiegato una volta. Buone condizioni.
1981287p., illus. Introduction by Garson Kanin Hardcover Very good condition good
1884Best.-Nr. M101579Liège, Vaillant-Carmanne 1884 24pp., 20cm, brochure originale, bon état, ["La scène se passe de nos jours à Ostende"], M101579
1981Best.-Nr. 7641981 - broché - Editions Denoël - Collection Présence du futur, N° 318 - 1981 - In-12 (format poche) broché - 280 pages
Best.-Nr. 35020Paris, Grassin 1964, 190x135mm, 149pages, broché.
188424pp., 20cm, brochure originale, bon état, ["La scène se passe de nos jours à Ostende"], M101579
1947P., La Sixaine, 1947. In-8 broché, 45 pages. papier jauni. quelques lignes soulignées au bic.
184323 cm, copertina muta recente; pp. (4), 6, (2), le prime 4 pagine su carta color vinaccia
1968Best.-Nr. 98956Couverture souple. Brochure de 77 pages.
Best.-Nr. 1334045771.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1968Best.-Nr. 215764San Francisco: the Club 1968. 36p. staplebound booklet 8.5x11 inches minor handling wear and dust soil. Includes photos of performers explanatory text and advertisements. the Club unknown books
Best.-Nr. 5h1837Nuova Era Internazionale s.r.l. ohne Ort 2006. 40 CDs mit je einem Booklet sowie ein 170seitiges Begleitbuch in original Pappbox ca. 37 x 15 x 14 cm. - neuwertig / Begleitheft fünfsprachig: englisch deutsch französisch italienisch und spanisch / Inhalt: De' Cavalieri Monteverdi Vivaldi Händel Piccinni Calderara Paisiello Cimarosa Gazzaniga Boccherini Salieri Rossini Mecadante Donizetti Bellini Verdi Leoncavallo Puccini Marinuzzi Menotti - unknown
2000Father Owen Lee is internationally known for his intermission commentaries featured during the Saturday afternoon broadcasts from the Metropolitan Opera House in New York. A Season of Opera: gathers together for the first time Father Lee's best broadcast and cassette commentaries, public lectures, and articles on twenty-three works for the musical stage. The essays range from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss. Included are Father Lee's famous discussions of Mozart's Magic Flute and Beethoven's Fidelio, Verdi's La Traviata and Falstaff, Wagner's Tristan und Isolde, and Poulenc's Dialogues of the Carmelites. The concluding chapter, originally published as the lead article in The Opera Quarterly's special issue on the end of the twentieth century, is a thought-provoking forecast of opera's future. Recommendations for further reading, CD recordings, and videos are also included. 241p. index Book