19.988 risultati
rif. 62220Paris, Stock, 1980. 11 x 18, 320 pp., broché, bon état (couverture légèrement défraîchie).
rif. 12422Lausanne, La Guilde du Livre 1976, 220x135mm, 306pages, reliure toile de l’éditeur. Bel exemplaire.
rif. 26207o.J. Carl. Opernsänger. 1863 in Wien, 1864 in Budapest, 1864-67 an der Berliner Hofoper, 1867-76 Mitglied der Wiener Hofoper, 1871 an der Mailänder Scala, seit 1877 wieder in den USA. Wagner Sänger. 1834 Charlestown - 1900 West Harwich. Brustbild, fast im Profil nach links. Stahlstich von Weger. 170 x 130 mm.
1978In-8 (cm. 17.90), brossura illustrata, pp. 169, (7). Prima edizione nella Universale Economica. Minime tracce di polvere alla brossura; piccola macchia al taglio concavo; peraltro, volume in buono stato (good copy).
1978Milano, Feltrinelli, 1978, 16mo brossura editoriale con copertina illustrata, pp. 169 (qualche sottolineatura a matita) .
1960Introduzione 1 22x13,5 in brossura, pp. 217 (1), in apertura tavole fuori testo con 12 illustrazioni di scena, all'inyerno su carta colorata Dispense del Teatro Studio, prima edizione, in italiano, buone condizioni.
1865Firenze, Barbera, 1865, 25 novembre, articolo e una illustrazione stralcio de "Il Giornale Illustrato". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1871rif. R240074655ALPHONSE LEMERRE. 1871. In-12. Broché. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Non coupé. 16 pages - coins frottés - plats tâchés - agraffes rouillées - coiffe en pied abîmée - tranches salies.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
20002 Voll. In-4 (32 x 23,5) pp. LIV-418 - 105 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione prima, opere teatrali, volume 25. A cura di Fabrizio della seta. Edizione Italiana COME NUOVO
1992In-8° pp. 78 con foto, dis. e cc. n.t. Bross. edit. a colori.
rif. 72448Middletown (Connecticut), Wesleyan University Press, 1968, grand in 8° relié pleine percaline de l'éditeur, XV-242 pages.
2016br. La vita appassionata e intensa di un grande protagonista dell'opera lirica nell'Ottocento. Stella di prima grandezza, giovanissimo, all'Opéra di Parigi grazie alla voce potente e precisa, Adolphe Nourrit entra in competizione presto con lo 'star system' internazionale. Maldicenze e angherie lo spingono a cercare un'altra vita sotto il cielo dell'unica città pari a Parigi: Napoli e il Teatro di San Carlo lo accolgono con entusiasmo nel 1838. Da Guillaume Cottrau, a Domenico Barbaja, fino alla bellissima Maria Malibran, a Rossini, Donizetti, Girolamo Crescentini, Eugénie García... rivivono atmosfere e personaggi, quasi come in un romanzo, in una girandola di musica, feste, palcoscenici, fino all'epilogo tragico, il suicidio del protagonista.
"Vedere la descrizione dettagliata Libretto d'Opera, Adriana Dramma Lirico in quattro parti di Leone Fortis Musica del Maestro Tomaso Benvenuti Da rappresentarsi nell'I. R. Teatro alla Canobbiana l'Autunno 1857 Coi Tipi di Luigi di Giacomo Pirola, Milano 1857, cm 17,5x11,5, pp. 71, brossura ed. restaurata. Timbretto di precedente proprietà, alla brossura ant. Condizioni di conservazione. Esemplare complessivamente in buone condizioni con tracce d'uso e del tempo, brossure e dorso con alcune mancanze restaurate tramite applicazione di rinforzi cartacei (vedi foto), alcuni lievi aloni, interni con tracce di vecchia umidità, che interessano tutto l'esemplare ma che non compromettono la lettura del testo, angoli inf. di alcune pagine con piccole pieghette. Tra gli interpreti figurano Fanny Gordosa, Luigia Abbadia, Giovanni de Vecchi, Ruggero Pizzigati, ecc. Libretto edito in occasione della prima rppresentazione di tale Opera. SC03.D8570 N Per libri e documenti su questo e altri argomenti visitate il nostro negozio "Libreria Grandangolo" Data l'importanza delle 5 stelle rilasciate durante l'assegnazione del feedback, invitiamo tutti gli acquirenti, se soddisfatti del loro acquisto, a rilasciare tutte le 5 stelle. La mancanza anche solo di una stella illuminata è, molto lesiva per noi venditori professionali. Grazie! CONDIZIONI DI VENDITA Spedizione Fino a 5 kg piego di libri raccomandato, oltre i 5 kg pacco postale. Si ricorda che l'imballo viene eseguito con la massima cura. La merce viene spedita a pagamento avvenuto e viaggia a rischio e pericolo dell'acquirente. Per maggiori informazioni vedi la pagina SPEDIZIONI del nostro negozio. Ritiro diretto Siamo disponibili per il ritiro diretto a Modena e a Milano. Per gli indirizzi delle sedi vedi la pagina DOVE SIAMO del nostro negozio. Acquisti multipli Se si acquistano più, libri, la spedizione si paga una sola volta, purché, si rispettino gli scaglioni di peso. Estero / Foreign For international shipment, please contact us. Metodo di pagamento Pay Pal, bonifico bancario, versamento postale (cc/p, vaglia o altro). La spedizione avverrà, entro i primi 4 giorni lavorativi dopo la conferma di avvenuto pagamento. Si emette ricevuta fiscale e a richiesta fattura. Il pagamento deve essere effettuato entro 7 giorni lavorativi dalla data di acquisto, trascorsi i quali l'oggetto sarà, rimesso in vendita. Feedback Viene rilasciato dall'acquirente dopo il ricevimento di quanto acquistato. Data la sua importanza, vi invitiamo a leggere il breve testo della pagina FEEDBACK del nostro negozio. Pertanto, in caso di qualsiasi problema, non esitate a contattarci. Diritto di recesso L'acquirente ha il diritto di restituire l'oggetto entro 14 giorni ed essere rimborsato, escluse le spese di porto e imballo. L'oggetto deve essere restituito, dopo previa comunicazione, imballato e nelle medesime condizioni di come era all'origine. "
195518 cm, brossura editoriale; pp. 84
1959In-8 (cm. 22), legatura editoriale in tela con impressioni in oro e colore di Mino Buttafava, pp. 249, (7), illustrato da tavole fuori testo in bianco e nero e riproduzione di autografi nel testo. Dorso e tagli leggermente bruniti. Piccola macchia all’ultima carta. Minime abrasioni alle cuffie; peraltro, volume in ottimo stato (nice copy).
198925 cm. br. illustrata, p. 94, numerose tavole e pubblicità. Contiene il libretto dell'opera e la locandina
rif. QWA-15603Marseille, P. Tacussel, 1997, in-8 br. (14,5 x 20,5), 151 p., préface de Pierre Echinard, planches h.-t., dessins, fac-similés, très bon état.
rif. 205245eme année juin-juillet-aout 1962 revue in 4 brochée 47 pages nombreuses illustrations
rif. 205944eme année février 1961 revue in 4 brochée 47 pages nombreuses illustrations
1957rif. 208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change. Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity. Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown
1947rif. 209021947. Anderson Marian group of eight items dating from 1946 to 1959 documents the concert career and international recognition of Marian Anderson a central figure in twentieth century African American music and a pivotal presence in the desegregation of American performance spaces. By the mid twentieth century Anderson's career intersected with both domestic civil rights developments and U.S. cultural diplomacy abroad following earlier milestones including her 1939 Lincoln Memorial concert and her 1955 debut at the Metropolitan Opera. The materials trace her concert programming repertoire and public reception including performances featuring European composers such as Franz Schubert alongside African American spirituals as well as her role in international cultural exchange. Photographs document formal recognitions including a ceremony in Tokyo where Princess Takamatsu of the Japanese Red Cross awarded Anderson a medal of merit following her performances benefiting Japanese orphans and a 1958 presentation at the American National Theatre and Academy marking her participation in presidential cultural initiatives. Anderson Marian. Archive of concert programs and press photographs. Various locations: University of Minnesota and S. Hurok management 1946 to 1959. Eight items total comprising four concert programs and four black and white silver gelatin press photographs. Programs range from approximately 5 x 8 inches to 9 x 12 inches and include: a University Artists Course program for the 1946 to 1947 season at the University of Minnesota featuring Anderson's recital with repertoire including Schubert and spirituals; multiple S. Hurok managed programs presenting Anderson as a leading concert artist with biographical essays photographs and repertory notes; and a 1955 program continuing similar documentation of her touring career. Photographs measure approximately 8 x 10 inches with three retaining original press captions on verso or margins including images of Anderson receiving honors in Japan posing with a sculpted bust by Napoleon Veloso Abueva and accepting the Gimbel National Award in 1959. These materials situate Anderson within mid twentieth century performance networks that linked concert stages international diplomacy and public recognition of African American achievement. The programs document how her repertoire bridged European classical traditions and African American musical forms while the press photographs emphasize her role as a cultural ambassador during the Cold War period when artists were enlisted in international outreach initiatives. Honors such as the Japanese Red Cross recognition and the Gimbel National Award underscore the transnational and humanitarian dimensions of her career while the sustained documentation of her concerts reflects her continued prominence in American cultural life following breakthroughs in segregated institutions. Minor edge wear to programs and light creasing to one photograph; materials remain clean and well preserved. Overall very good condition. unknown
1947rif. 209021947. Anderson Marian group of eight items dating from 1946 to 1959 documents the concert career and international recognition of Marian Anderson a central figure in twentieth century African American music and a pivotal presence in the desegregation of American performance spaces. By the mid twentieth century Anderson's career intersected with both domestic civil rights developments and U.S. cultural diplomacy abroad following earlier milestones including her 1939 Lincoln Memorial concert and her 1955 debut at the Metropolitan Opera. The materials trace her concert programming repertoire and public reception including performances featuring European composers such as Franz Schubert alongside African American spirituals as well as her role in international cultural exchange. Photographs document formal recognitions including a ceremony in Tokyo where Princess Takamatsu of the Japanese Red Cross awarded Anderson a medal of merit following her performances benefiting Japanese orphans and a 1958 presentation at the American National Theatre and Academy marking her participation in presidential cultural initiatives. Anderson Marian. Archive of concert programs and press photographs. Various locations: University of Minnesota and S. Hurok management 1946 to 1959. Eight items total comprising four concert programs and four black and white silver gelatin press photographs. Programs range from approximately 5 x 8 inches to 9 x 12 inches and include: a University Artists Course program for the 1946 to 1947 season at the University of Minnesota featuring Anderson's recital with repertoire including Schubert and spirituals; multiple S. Hurok managed programs presenting Anderson as a leading concert artist with biographical essays photographs and repertory notes; and a 1955 program continuing similar documentation of her touring career. Photographs measure approximately 8 x 10 inches with three retaining original press captions on verso or margins including images of Anderson receiving honors in Japan posing with a sculpted bust by Napoleon Veloso Abueva and accepting the Gimbel National Award in 1959. These materials situate Anderson within mid twentieth century performance networks that linked concert stages international diplomacy and public recognition of African American achievement. The programs document how her repertoire bridged European classical traditions and African American musical forms while the press photographs emphasize her role as a cultural ambassador during the Cold War period when artists were enlisted in international outreach initiatives. Honors such as the Japanese Red Cross recognition and the Gimbel National Award underscore the transnational and humanitarian dimensions of her career while the sustained documentation of her concerts reflects her continued prominence in American cultural life following breakthroughs in segregated institutions. Minor edge wear to programs and light creasing to one photograph; materials remain clean and well preserved. Overall very good condition. unknown books
1957rif. 208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change. Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity. Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown books
rif. 23661Bruxelles, Archives d'Architecture Moderne, 2006 softcover, 336 pages, 280 x 220 mm, 200 illustrations ISBN 9782871432968.
