OPERA NATIONAL DE PARISLivre Rare Book
19.782 risultati
1995rif. RO80026899CHEZ L'AUTEUR. 1995. In-8. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 102 pages. Quelques illustrations et photos en noir et lanc dans le texte et hors-texte. Encars publicitaires.. . . . Classification Dewey : 792-Théâtre
1954368pp.+ 8 planches hors-texte, 21cm., br.orig., bon état, M83240
1954rif. M83240Paris, Office de centralisation d'ouvrages 1954 368pp.+ 8 planches hors-texte, 21cm., br.orig., bon état, M83240
1989In 4, leg. ed. con sovrac. ill. col, pp. 290, ill. in n.e. col. f.t., tracce d'uso alla sovrac. con taglio al dorso e strappetti ai margini, interno buono, segni del tempo, tagli un po sporchiLuogo di pubblicazione BolognaEditore GrafisAnno pubblicazione 1989Materia/Argomento Teatro, Opera
1968In-4 p., cartonato editoriale, pp. (6),315,CXIX, con 30 tavole in tinta fuori testo. In buono stato (good copy).
rif. 19341, Beveren/ Nijmegen, Orbis en Orion/ Gottmer, 1982, Paperback, geillustreerde kartonomslag, 155 x 235mm., 463pp., z/w illustratie.
1909rif. 30266ABBerlin-Leipzig-Wien-Stuttgart, Deutsches Verlagshaus Bong & Co, [1909]. 8° (18x13), XCVI,495,289; 721 S., mit DichterPortät in Tiefdruck und doppelseitigem Brief-Faksimile, einheitl flex rote OLdrbde mit goldTitel, KopfgoldSchnitt, Lesebändchen, zusätzlich die seltenen OU (dieser randlädiert), 3 Teile in 2 Bänden (so komplett). ob Kapital minimal berieben, Name auf Reihentitel, fest sauber und gepflegt, [= Goldene Klassiker-Bibliothek : Hempels Klassiker-Ausgaben in neuer Bearbeitung],
1893rif. 49864ABLeipzig; Wien, Bibliographisches Institut, (1893). 8° (19x12), 52,558; 423 S., PorträtFrontispiz, 1 HandschriftFaksimile, einheitlich grüne Olnbde mit Jugendstil-Schmuckrahmen, rot geprägt RSchild, dreiseitiger GrünSchnitt, florale SchmuckVorsätze, 2 Bände in 2 [so komplett], kh fest sauber und gepflegt, [= Meyers Klassiker-Ausgaben : herausgegeben von Ernst Elster],
1893rif. 17162ABLeipzig-Wien, Bibliographisches Institut, (1893). 8°, 52,558; 423 S., PorträtFrontispiz, 1 HandschriftFaksimile, einheitlich grüne Olnbde mit Jugendstil-Schmuckrahmen, rot geprägt RSchild, dreiseitiger GrünSchnitt, florale SchmuckVorsätze, 2 Bände in 2 [so komplett], Papier teils etwas stockfleckig, ordentliche Exemplare, [= Meyers Klassiker-Ausgaben : herausgegeben von Ernst Elster],
1892rif. 30522ABStuttgart, Verlag der J.G.Cotta'schen Buchhandlung Nachf, [1892]. 8° (18x12) 328,342; 216,235; 228, 208 S., PorträtFrontispiz, einheitliche rote Olnbde mit reicher goldPräg, marmorSchnitt, 6 Bände in 3 [so komplett]. kaum gelesen, gute Exemplare, [= Cotta'sche Bibliothek der Weltliteratur],
1892rif. 36803ABStuttgart, Verlag der J.G. Cotta'schen Buchhandlung Nachf, [1892]. 8° (18x12), 312, 342 S., roter Oln (Kaliko) mit schwarz- und goldPrägung, 2 Bände in 1 Buch (so komplett), Besitzvermerk (Rich. Wagner Weihanchten 1893) verso Frontispiz, ohne Gebrauchsspuren, offensichtlich ungelesen,
1911rif. 19411ABStuttgart; Berlin, J.G. Cotta'sche Buchhandlung Nachf, 1911-1916. gr8° (24x16), IX,469; XII,454; XIV,477; XV,425 S., jeweils Frontispiz, 1 doppelseitiges HandschriftFaksimile, einige Porträts im Text sowie Tafelabb., einheitliche rotbraune Olnbde (Kaliko) mit goldPräg, (Band 4 etwas dunkler), dreiseitiger Farbschnitt, grüne Vorsätze, jeweils 1 Lesebändchen, 4 Bände in 4 (so komplett), gelegentlich gering stockfleckig, feste saubere Exemplare, [= Veröffentlichungen des Schwäbischen Schillervereins; 4-7 : herausgegeben von Otto Güntter],
rif. 29333o.J. Sängerin. 1851 am Hoftheater von Neustrelitz und Dessau, 1856-61 am Hoftheater in Schwerin, 1861-66 Hoftheater in Hannover, 1867-68 zahlreiche Gastspiele in Deutschland und Frankreich, 1867 am Hoftheater Schwerin, 1868-69 Hoftheater in Darmstadt, heiratete den Tenor Jose Lederer, seit 1879 Gesangspädagogin in Frankfurt. 1837 Hildesheim - 1890 Frankfurt /Main. Kniestück stehend. Stahlstich von Weger. 205 x 155 mm.
Condizioni buone come da immagini
U. Buttafava ed E. Gentile - Arrivano i Beatles: Storie di una Generazione - ed. 2007 Testo in lingua italiana. Pagine 255 con illustrazioni. Copertina morbida. Condizioni molto buone.  ,
2015New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 176 p. Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu. Report on theater and opera in the early Republican years.
rif. 1390363414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961rif. 2142618Turnhout: Brepols 1961. XIX, (1), 345, (1) Seiten. Gr. 8° (25,5 x 16 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken sowie rotgefärbtem Kopfschnitt. [Hardcover / fest gebunden].
1976rif. 100846New York April 19 1976. 1976. Fine. - Over 60 words typed on 10-1/2 inch high by 7-1/4 inch wide "MET: Metropolitan Opera Association Lincoln Center" stationery. The executive director of the Metropolitan Opera Anthony Bliss replies to City Center's former producer and director Jean Dalrymple's suggestion that she could be helpful to City Center again in managing the four ballet companies associated with the MET "Regardless of what kind of arrangements we may make on behalf of the ballet companies we certainly will want to get the benefit of your ideas and experience." Signed "Tony". Folded for mailing else fine. Together with the retained copy of Jean Dalrymple's letter of April 6 1976. The executive director of the Metropolitan Opera Anthony A. Bliss 1913-1991 gave up his law practice in 1974 to take over what was then a financially troubled organization. He co-operated with music director & chief conductor James Levine and the director of production John Dexter in the early 1980's. Bliss was also co-chairman of the Joffrey Ballet. Though tall and distinctive looking his wife Sally described him as "the most unsophisticated man I ever met. I pick out his clothes." and elaborated by saying "He has no gourmet instincts: I could feed him a can of Alpo." With a sense of humor Bliss then started keeping a can of dog food on his desk. President Lyndon Johnson appointed Bliss to the original National Council on the Arts. The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, April 19, 1976. hardcover
1980rif. 28607New York: October 14 1980. 1980. Very good. - sc Quarto 11 inches high by 8-3/8 inches high. 201 words typed on a sheet of cream paper with her address typed at the top. Signed "Constance DeJong". The left edge of the paper is darkened & there is a light paper-clip mark to the top left corner with a small light stain just below the body of the letter. Very good. DeJong writes to Gary Wilkie of Contexts in Seattle to ask if she could present her new work there as part of a tour that will take her to Portland Oregon. She encloses a photo and resume: "It's not very up to date in terms of the new work I'd be presenting or the recently completed book and opera I wrote with Philip Glass." A publicity sheet from Art Performances New York states: "Constance DeJong is one of the young post-modern writers who has made performance a natural extension of her work as a writer. By blending some of the traditional techniques of theatre - lighting movement music - performances extend her work beyond the written word into an almost tactile presence a context where the narrative can come to life. New York: October 14, 1980. unknown
1919rif. 432211919. First Edition. GILBERT AND SULLIVAN D'OYLY CARTE OPERA COMPANY. Poster ""Gilbert and Sullivan's ""The Yeoman of the Guard"" by Dudley Hardy"". WITH: Billboard ""Opera Company's 1919/1920 Season by Dudley Hardy and John Hassall"". London: David Allen & Sons 1919. Single sheet measuring 20 by 30 inches; nine unassembled dovetailing sheets measuring 7-1/2 by 10 feet assembled. $900.Original poster depicting the headsman with axe from Gilbert and Sullivan's The Yeoman of the Guard accompanied by a large billboard in parts announcing the seasons productions with three poster designs: The Yeoman The Gondoliers and The Mikado.The poster advertises Gilbert and Sullivan's ""Yeoman of the Guard"" widely recognized as Sullivan's most accomplished musical score. A classic Savoy Opera the piece israther unusuallyset during the 16th century at the Tower of London bringing in quasi-Shakespearean dialogue and a darker atmosphere. The accompanying billboardmeasuring over 70 square feetpromotes the 1919 season's productions including ""Yeoman"" the musical theater favorite ""The Mikado"" and Gilbert and Sullivan's last major success ""The Gondoliers."" Hardy and Hassall were among the premier graphic artists of their time having built reputations both as book illustrators and specialists in poster design. Hardy was influenced by French chalk drawings and poster art while Hassall attributes his style to Japanese prints. ""Yeoman"" poster fine. Chipping and creasing to separate panels of original billboard. A wonderful pair. unknown books
1919rif. 432211919. First Edition. GILBERT AND SULLIVAN D'OYLY CARTE OPERA COMPANY. Poster ""Gilbert and Sullivan's ""The Yeoman of the Guard"" by Dudley Hardy"". WITH: Billboard ""Opera Company's 1919/1920 Season by Dudley Hardy and John Hassall"". London: David Allen & Sons 1919. Single sheet measuring 20 by 30 inches; nine unassembled dovetailing sheets measuring 7-1/2 by 10 feet assembled. $900.Original poster depicting the headsman with axe from Gilbert and Sullivan's ÒThe Yeoman of the GuardÓ accompanied by a large billboard in parts announcing the seasonÕs productions with three poster designs: ÒThe YeomanÓ ÒThe GondoliersÓ and ÒThe Mikado.ÓThe poster advertises Gilbert and Sullivan's ""Yeoman of the Guard"" widely recognized as Sullivan's most accomplished musical score. A classic Savoy Opera the piece isÑrather unusuallyÑset during the 16th century at the Tower of London bringing in quasi-Shakespearean dialogue and a darker atmosphere. The accompanying billboardÑmeasuring over 70 square feetÑpromotes the 1919 season's productions including ""Yeoman"" the musical theater favorite ""The Mikado"" and Gilbert and Sullivan's last major success ""The Gondoliers."" Hardy and Hassall were among the premier graphic artists of their time having built reputations both as book illustrators and specialists in poster design. Hardy was influenced by French chalk drawings and poster art while Hassall attributes his style to Japanese prints. ""Yeoman"" poster fine. Chipping and creasing to separate panels of original billboard. A wonderful pair. unknown
1987Collana NARRA 57 Legatura brossura con bandelle Formato Ottavo Num Pagine 502 Illustrazioni in b/n fuori testo Traduttore Gioia Angiolillo Zannino Prima Edizione
195721 cm, brossura illustrata con qualche traccia d'uso alle copertine; pp. 178, alcuni esempi musicali
1975In 8, leg. ed. con sovracc., pp. XIV+610 con ill. in n. n.t., introduzione e note di Luigi Baldacci, con una postfazione di Gino Negri.Prima ed.Pieghe, piccole abrasione e tracce di sporco alla sovracc., piccole gore al dorso della sovracc., lieve spolveratura al taglio sup., alone alle sguardie, dedica d'appartenenza al frontespizio, interno in ottime condizioni.Luogo di pubblicazione MilanoEditore GarzantiAnno pubblicazione 1975Materia/Argomento Lirica, OperaPrima Edizione S
