19.988 Ergebnisse
2009cm. 23 x 33, 2 tomi. I: 140 pp. di cui 134 di facsimile. II: xlii-140 pp. con 1 fig, 1 pieghevole ed es. mus. n.t. Centro studi Giacomo Puccini - Testi e documenti Il testo completo del libretto di Tosca, con aggiunte, correzioni, chiose, frammenti di bozze di stampa, schizzi musicali e di piantazioni sceniche. Attraverso gli interventi di Illica, Giacosa, Ricordi, ma soprattutto di Puccini, ? possibile ricostruire, con la massima approssimazione, l?appassionante dialogo che intercorse tra gli autori e l?editore. ? possibile insomma entrare nel vivo del laboratorio creativo e individuare le fasi cruciali della genesi di Tosca. The complete text of the libretto of Tosca, with additions, corrections, glosses, page proof fragments, musical sketches, and sketches of stage settings. Illica, Giacosa, Ricordi and Puccini worked together on Tosca and established an intense professional relationship, which is brilliantly reconstructed in this well-documented volume. A fascinating insight into the creative process and a detailed description of the genesis of Tosca. 1860 gr. xlii-280 p.
Best.-Nr. 19907Paris : Opéra national de Paris, Bastille, 1994. Un programme in-8°, broché.
Best.-Nr. 4991G. Ricordi & C., Italy, s.d. – in-8, 64 pp – broché, couverture illustrée
Best.-Nr. R240072892INCONNU. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 107 pages - illustration en monochrome sur le 1er plat.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Best.-Nr. 2604G. Ricordi & C., Mailand, Rom, Neapel, Palermo, Paris, London, Leipzig, Buenos Aires, New-York - in-8, 62 pp. - br., pap. beige
1942[24] pagine non numerate; 23 cm. Brossura editoriale. Opuscolo promozionale: oltre al riassunto dell'opera e al nome degli artisti, contiene notizie sul mondo artistico vicentino e molte inserzioni pubblicitarie. Carta un po' ingiallita
1994No marks or inscriptions and no creasing to covers. A very clean very tight copy with bright unmarked boards and no bumping to corners. 36pp. Programme for the Winter 1994 season of the opera Tosca. Illustrated.
1982Best.-Nr. RO20204840OPERA DE PARIS. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environs 20 pages - nombreuses photos et illustrations en noir et blanc dans et hors texte - texte en 2 colonnes - quelques pages publicitaires en noir et blanc hors texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1989In 16, bross. ed., pp. 104, libretto di Victorien Sardou - Luigi Illaca - Giuseppe Giacosa.Lievi pieghe alla cop., firma d'appartenenza al frontespizio, ottime condizioni.Luogo di pubblicazione MilanoEditore RicordiAnno pubblicazione 1989Materia/Argomento Opera
Barcelona, Edit. Daimon, 1981. Libreto original. Fotografías en b/n. 99 p. 8º mayor. Rústica editorial ilustrada. Firma antiguo propietario. Muy buen ejemplar.
1930"Musik fur Alle,'' a German edition of highlights from Puccini's opera. Very free arrangements of sections fo the score in orchestral reduction for piano, with the melody line in the right hand and lyrics, translated from the Italian into German, above. Includes a scene in the church of San Andrea della Vallle, a scene between Tosca and Cavaradossi, the torture sequence, Vissa d'arte, and the execution scene. 16 pages, with some text in German Gothic script. A rarity. Previous owner's name stamped on cover. Some wear at corners.
2019ill., ril. «Guardo le stelle. Vedi come rilucono? Un giorno le porteremo in teatro queste stelle... e tutti potranno sentirle, come le vediamo noi ora.» Amore e ambizione, poesia e tradimento: tre storie originali intrecciate al mondo dell'opera e al genio creativo di Puccini. Il melodramma che ha inaugurato il Novecento ora anche a fumetti. Ancora e sempre Tosca.
2009brossura
20073 Voll. In-4 (32 x 23,5) pp. L-734 - 207 , legatura editoriale piena tela rigida, commento critico brossurato in formato ottavo. Edizione Critica delle opere di Gioachino Rossini, Sezione Prima, Opere Teatrali, Volume 16. A cura di Francesco Paolo Russo. OTTIMO
2013In-8 (Cm 24,5 x 17), pp. CL-562 , brossura editoriale illustrata. Collana I Libretti di Rossini 19 della Fondazione Rossini di Pesaro. A cura di Francesco Paolo Russo. OTTIMO
1837In-16° (18 x 10,7 cm), pp. 52, copertina editoriale con titoli entro cornice decorata. Qualche traccia d'uso e del tempo alla copertina, in particolare: al dorso, piccole mende, ben sistemate con carta giapponese; alla prima di copertina, firma d'appartenenza e data scritte da mano coeva. Vignetta al frontespizio. Al foglio con al recto il frontespizio, piccola macchia d'inchiostro, di 0,5 x 0,2, nella parte bianca. A pagina 5, accanto ai nomi degli attori, l'antico proprietario ha scritto, a matita, i nomi degli interpreti di una rappresentazione successiva. Segni d'umido alle pagine, un alone di forma semi ellittica nella parte superiore del margine interno del foglio con le pagine 51-52, per il resto ben conservato. Tra le pagine 4 e 5, foglio, ripiegato inserito e scritto da mano coeva, riportante le seguenti notazioni: «Alfonso Duca = Marcelli Antonio. Eleonora Sorella = Abbadia Luigia. Eleonora Contessa = Gandalia [ma Gandaglia] Amalia. Torquato Tasso = Colletti Filippo. Roberto Geraldini Segretario del Duca = Pedrazzi Francesco. D. Gherardo, Cortigiano del Duca = Rovere Agostino. Ambrogio, servo di Torquato = Marconi Napoleone. Questi attori vengono impiegati in occasione che quest'opera vien riprodotta per ripiego nel carnevale 1840-41 nel Teatro alla Scala in Milano». Personaggi e attori: Alfonso II, Duca di Ferrara, Sig.r Sermattei Valentino; Eleonora sua sorella, Sig.a Beltrami Barozzi; Eleonora, Contessa di Scandiano, Sig.a Baillou Hilaret; Torquato Tasso, Sig.r Ronconi Sebastiano; Roberto Geraldini, Segretario del Duca, Sig.r Milesi Giambattista; Don Gherardo, Cortigiano del Duca, Sig.r Leoni Carlo; Ambrogio, servo di Torquato, Sig.r Marconi Napoleone. Coro e Comparse: Cavalieri, Cortigiani del Duca, Paggi, Svizzeri in armi. Musica del Maestro Cavaliere sig. Gaetano Donizetti. Scenografia di Baldassare Cavallotti e Domenico Menozzi.
183716,5 cm, brossura originale con titolo incorniciato al piatto, p. 54. Buon esemplare con lievi tracce del tempo
Best.-Nr. 24125o.J. eigtl. Tordkova. Opernsängerin. 1899-1901 am Tschechischen Nationaltheater Prag, 1901-13 Hofoper von Müchen. Verheiratet mit dem Arzt Gustav Gerhäuser. 1878 Kamenitz an der Linde /Böhmen - 1918 München. Halbfigur. Photogravure um 1905. 310 x 205 mm.
1993Best.-Nr. 1145331993 N° 1 - 1er trimestre 1993 - Edité par Semic France - In-4, broché couverutre illustrée - 67 pages - Très nombreuses illustrations et reproductions photographiques en couleurs in et hors texte
2010Best.-Nr. RO20237395L'Harmattan. 2010. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 204 pages. Quelqus photos en noir et blanc hors texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1979Best.-Nr. RO20181775THEATRE NATIONALE DE L'OPERA DE PARIS. 1979. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 75 pages.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
Best.-Nr. 0365703273.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms” which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
2008Best.-Nr. R260149944THEATRE DES CHAMPS-ELYSEES. 2008. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Livret de 59 pages. Premier plat illustré en couleurs.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
