20.138 Ergebnisse
Best.-Nr. RO60123070Théâtre National de l'Opéra, Paris. Non daté. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette d'env. 40 pages, illustrée de nombreuses photos en noir et blanc dans le texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
2008Best.-Nr. RO80155750IDDAC (INSTITUT DEPARTEMENTAL DE DEVELOPPEMENT ARTISTIQUE ET CULTUREL DE LA GIRONDE). 2008. In-4. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. Programme de 62 pages, illustrées de nombreuses photos en couleurs, dans le texte et hors-texte.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1884Best.-Nr. 023463Paris LIBRAIRIE DE FIRMIN DIDOT et CIE 1884 un volume in-8°, (8) 388 pp., couverture titrée en rouge et en noir et illustrée d'une vignette en noir. (couverture un peu roussie et salie, plis au dos, quelques piqûres sur la gouttière et dans les marges, deux feuillets brunis). Édition originale illustrée de 36 gravures sur bois et fac-similé de dessins originaux conservés aux archives de l'opéra.
1900Best.-Nr. SCA-67Paris, Edition Ludovic Baschet, (Circa 1900). 2 ouvrages en un volume in-4 à l’italienne, relié demi-chagrin rouge, dos à nerfs ornés, couvertures conservées.
Best.-Nr. 13388P., Mame, 1984, in 8° broché, 198pp.
Best.-Nr. R240113638TALLANDIER. NON DATE. In-4. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 304 pages - 1 gravure noir et blanc hors texte - tampons en page de titre et sur la première page de partition - fiche d'abonnement collée en 1er contreplat - quelques pages désolidarisées. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1954Best.-Nr. 9243Couverture souple. Numéro complet.
1950Best.-Nr. 18074Couverture souple. Numéro complet.
1950Best.-Nr. 42070Couverture souple. Numéro complet.
1990Best.-Nr. fy214Grassin Théâtre présent Broché 1990 In-8, (18x14 cm), broché, 127 pages, La Bohème d'après l'opéra de Puccini, La Veuve Joyeuse d'après l'opérette de Franz Lehar, 1 des 300 exemplaires du tirage, numéroté 145, envoi de l'auteur ; plats jaunis, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1696Best.-Nr. M95499Paris, Christophe Ballard 1696 304,[xii] pp., frontispice manque (mais l'ouvrage même et le texte sont bien complet), 2e édition revue et augmentée (la première date de 1695), 16cm., reliure plein-cuir d'époque (dos à 5 nerfs avec titre et décorations dorées, coins usés, qqs. petits manques de cuir), texte frais et en bon état, rare, [Recueil de parodies musicales e.a. sur des oeuvres de J.B. Lully, Charpentier, Desmarets, etc. // contient de nombreuses partitions de musique - avec les textes de chansons], M95499
Best.-Nr. R240114062R. DEISS. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 158 pages de phrases musicales - absence de dos - tampon sur le 1er plat. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1880In-16°, pp. 51, brossura editoriale rosa. Ottimo stato. Prima edizione del libretto. Italiano
Best.-Nr. 72198Peking China: Peking Opera 200. Presumed first edition/first printing. Hardcover. Fair. Lavishly illustrated including illustrating on otherwise clear plastic. Text in Chinese and English. Cover has slight wear and soiling. Some pages are disbound but present and suitable for framing. Appears complete. Peking opera or Beijing opera is a form of Chinese opera which combines music vocal performance mime dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing dynasty court and has come to be regarded as one of the cultural treasures of China. The art form is also preserved in Taiwan Republic of China where it is known as Guójù literally: "National theatre". Peking opera features four main types of performers. With their elaborate and colorful costumes performers are the only focal points on Peking opera's characteristically sparse stage. They use the skills of speech song dance and combat in movements that are symbolic and suggestive rather than realistic. Above all else the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. . Melodies include arias fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1400 works which are based on Chinese history folklore and increasingly contemporary life. Types of facial makeup are a special method of makeup in Chinese traditional operas. Since every historical character or characters of a certain type are provided with a particular facial type similar to music scores for singing and playing music such a method of makeup is named "Types of facial makeup". Among all Chinese traditional operas types of facial makeup in Peking Opera have developed into the most systematic and mature one. Historical characters in Chinese traditional Peking Opera are provided with different types of facial makeup. They can reflect the identity status personality and appearance of the characters and therefore can intensify the artistic appeal on stage. As an impressionistic and exaggerated art types of facial makeup in Peking Opera is featured by painting brows eyelids and jowls in various patterns such as bat swallow wing and butterfly wing. Also it is characterized by portraying facial expressions with exaggerated nasal fossas and lipped fossas. The age can be reflected by the height and shape of "Crow's-feet" temperament by the opening and closing of "Chordal furrow" and personality by different patterns of "Glabella furrow". Additionally in the types of facial makeup in Peking Opera there exist some invariable images including white-faced Tsao Tsao and black-faced Bao Zheng. The white-faced image symbolizes wickedness and viciousness while black-faced image stands for equity and selflessness. Due to unchangeable rules in types of facial makeup personalities of a character with certain facial makeup can be seen from the facial colors and figures. As one of the onstage art techniques various types of facial makeup in Peking Opera enable the audience to know a character's personality easily and accordingly get more involved in the appreciation of the performance. Thus types of facial makeup enjoy the fame of "Interior Pictures" which is an extremely crack skill of art exclusively existing in Chinese operas. Patterns of theatrical masks have served as a symbol of China. Nowadays on the market there appear many exquisite and aesthetic commodities and stamps printed with such patterns which are of high appreciating and collecting values. Peking Opera hardcover
Nel primo atto la scena ? in Auteuil presso Parigi, nel secon e terzo atto all'Havre 1 18x12,5 cm. in brossura, pagg. 51, in italiano, buone condizioni.
190720 cm, br. edit. decorata, p. 37. Nomi degli interpreti scritti a penna a fianco delle parti.
190720 cm, br. editoriale, p. 37, timbro privato al frontespizio, un volto disegnato a matita blu all'ultima c.b, nomi degli interpreti manoscritti
Colautti A.(versi), Mancinelli L.(musica), PAOLO E FRANCESCA DRAMA LIRICO IN UN ATTO Versi di Arturo Colautti Musica di LUIGI MANCINELLI Sonzogno Ed., Milano 1908, cm 20,5 x 13,5, pp.37, brossura ed., Condizioni di conservazione. Libretto in buono stato con tracce d'uso e del tempo, interni un pochino ingialliti OPEB.2967 BLU
Paolo Conte - Razmataz - Commedia musicale - 1^ ed. 1989 Pag. 191 con numerose illustrazioni. Copertina rigida - Testo in italiano. Condizioni molto buone.
1937Best.-Nr. 039047Hollywood: A. R. Hromatka 1937. First Edition Thus . No Binding. Very Good. Panoramic Photograph Of The Entire Audience At The Concert In The Hollywood Bowl. 44" X 10" 8" At Side Now Clipped Away. Photographer's Logo At Lower Right. "Otto Klemperer Will Direct Symphony Before Audience Of 20000 In Hollywood Bowl. More Than 20000 Persons Will Be Guests At The General Motors Symphony Concert In The Hollywood Bowl This Afternoon When Dr. Otto Klemperer Will Direct The Los Angeles Philharmonic Orchestra In A "Good Neighbor" Program Honoring The Pacific Coast. The Broadcast Will Be Heard Over Kfi And Other Nbc Stations At 4 O'clock. Soloists Will Be Lucrezia Bori Soprano Now Known As "The Savior Of The Metropolitan" And Joseph Bentonelli American-Born Tenor At The Metropolitan. Bori And Bentonelli Will Sing A Concert Presentation Of Puccini's Opera "La Boheme" Including Solos And The Celebrated Duet "0 Soave Fanciulla." It Was In "Marion" That Bentonelli Made His Debut A Couple Of Years Ago Singing With Miss Bori. A. R. Hromatka unknown
2006Very Good English Paperback. Pbo. Roy. 8vo. 280 p. In Turkish, English and German articles. Contents: 20 yildir. Müzigi okuyabilirsiniz., Isik Tabar Gençer, Ferruh Gençer. Osmanli musikisinin popüler kültür çevresinden çikisi., Bülent Aksoy. Eski bir konserin animsattiklari., Irkin Aktüze. YÖK'ün hazirladigi ve uyguladigi egitim fakülteleri ögretmen yetistirme programlari içinde yer alan "Müzik Ögretmenligi lisans programi"ndaki ders tanimlarinda kullanilan güzes Türkçemiz!, Göktan Ay. Ahmet Adnan Saygun., Yilmaz Aydin. The rise and development of an Ottoman musical tradition in the sixteenth and seventeenth centuries., Cem Behar. Marsias'a agit., Kriton Dinçmen. Halk müzigi kimindir? Halk ezgilerinde eser sahibi ve te'lif haklari sorunu., Melih Duygulu. Franz Liszt (1811 - 1886)., Ertugrul Oguz Firat. Müzik dinleyicisini müzik kitabi okuru yaptilar., Dogan Hizlan. Artik sarkilar söylenmiyor kösk bahçelerinde., Evin Ilyasoglu. Probleme und aufgaben bei der erfirschung Türkischer musik., Ralf Martin Jager. Çagdas müzikte mekânsal çalismalar., Aykut Köksal. Intihaya dogru., Ilhan Mimaroglu. Son söz: 'Alimlayici bir zihin'., Mehmet Nemutlu. Benzerlikler ve farkliliklar: Bütünlesik bir 'Geleneksel Anadolu müzigi' yaklasimina dogru., Okan Murat Öztürk. The semantics of 'old' and 'new' in Turkish musical thought., Eugenia Popescu-Judetz. Süleyman Sevket Tanli ve folklor., Mustafa Sahin. Operanin dogusu ve ilk opera., Sabri Satir. Yenikapi'dan eski sesler., R. Hakan Talu. Müzik yayimciliginda 20 yil., Yalçin Tura. Türk müziginde garsona seslenis: Sâkinâmeler., Recep Uslu. Dokuz sesli diziler., M. Ayhan Zeren.
Best.-Nr. 44386Paris Chez les Marchands de Nouveautés 1785 in 8 (18,5x12) 1 fascicule broché, couverture muette de papier marbré ancien, 40 pages. Etienne Morel de Chédeville, 1751-1814. Rare. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1990In 16 (18x10,5) Brossura, pp.116, ottimo
Best.-Nr. 28815o.J. Italien. Sängerin. 1828-32 Mitglied der italienischen Oper in Dresden, dann in Mailand, Madrid, Valencia, Neapel, 1841/42 in Barcelona. 1836 Gemahlin des Fagottisten Angelo Savinelli. 1802 Monte Carotto bei Ancona - 1842 Barcelona. Fast Halbfigur. Lithographie von Cäcilie Brandt 1832. ca. 165 x 150 mm.
