20.191 risultati
1994In-8 (Cm 24,5 x 17), pp. 425 , brossura editoriale illustrata. Collana I Libretti di Rossini 1 della Fondazione Rossini di Pesaro. A cura di Paolo Fabbri. Minimi segni d'uso alla brossura.OTTIMO
2000rif. RO80167426THEATRE DU CAPITOL MAIRIE DE TOULOUSE. 2000. In-8. Broché. Parfait état, Couv. fraîche, Dos impeccable, Intérieur frais. 96 pages augmentées de nombreuses photos en couleur et en noir et blanc dans le texte. Couverture contre-pliée.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1895rif. RO40251087Fratelli Bocca, Torino. 1895. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. Plaquette tirée à part de 10 page. Etiquette de code sur la couverture. Quelques tampons de bibliothèque.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1895rif. RO40251088Imprimerie et Librairie Centrales des Chemins de Fer, Imprimerie Chaix. 1895. In-8. Broché. Bon état, 2ème plat abîmé, Dos satisfaisant, Intérieur acceptable. Plaquette tirée à part de 14 page. Etiquette de code sur la couverture. Quelques tampons de bibliothèque.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
rif. R240072732INCONNU. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 65 pages - illustration en monochrome sur le 1er plat - quelques phrases musicales.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
rif. 27023o.J. Sängerin. Geb. Gioia. 1822 Gemahlin des Antonio Tamburini. Mitglied des K.K. Hoftheaters. 1801- 1866. Halbfigur. Lithographie von Kriehuber 1828. ca. 185 x 170 mm.
1971rif. AG-10059Beijing: Published by Foreign Language Press 1971 FIRST EDITION. The July 1970 Script Revised by "The Taking Tiger Mountain by Strategy" Group of Peking Opera Troupe of Shanghai. Large 8vo. XXX 113 6 pp. colophon with 3 pages Quotations from Chairman Mao. Printed pictorial wrappers minor tear to the foot edge of the front cover minor curled at the head edge of the front cover else very good condition. 北京:外文出版社出版,1971年第一版,由ä¸å›½äº¬å‰§å›¢æ ¹æ®1970年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•。å°çš®é¡¶éƒ¨ç¨æœ‰ç£¨æŸï¼Œå…¶ä»–部分å“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬ç»„å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ Foreign Language Press paperback books
1971rif. AG-10054Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore January 1971 FIRST EDITION. The July 1970 Script Revised and Performed Collectively by Shanghai Peking Opera Troupe. 8vo vi 397 pp. colophon consists of scripts stage photos selected theme score stage action instruction and the stage design started with quotations from Chairman Mao on the second and third page printed color stage photos and instructions inside printed pictorial wrappers slightly curled at the head and foot of the wrappers else very good condition. 北京:人民出版社出版,1971年第一版,由上海京剧团《智å–å¨è™Žå±±ã€‹å‰§ç»„é›†ä½“æ”¹ç¼–åŠæ¼”出。本书包括了剧本ã€ä¸»æ—‹å¾‹ã€å‰§ç…§ã€åŠ¨ä½œæŒ‡å¯¼ã€èˆžå°ç¾Žæœ¯ç‰å†…容。包括éžå¸¸å¤šçš„照片。书皮上下ç¨å¾®å·èµ·ï¼Œæ— ç ´æŸï¼Œå“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æ˜¯æ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆä¹‹ä¸€ã€Šæ™ºå–å¨è™Žå±±ã€‹ï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ People’s Publishing House paperback books
1971rif. AG10051Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore August 1971 FIRST EDITION. The July 1970 Script Revised and Performed Collectively by Shanghai Peking Opera Troupe. 8vo. xii 425 3 pp. Colophon. Quotations from Chinaman Mao on the second and third page. Printed red tilted wrappers minor crease to the cover minor tear to the foot of the binding else fine condition. 《智å–å¨è™Žå±±ã€‹æ€»è°± 北京: 人民出版社出版,å‰2页带有毛主席语录,1971年8月出版,由上海京剧团《智å–å¨è™Žå±±ã€‹å‰§ç»„改å˜é›†ä½“演出,1970年演出本。第一版第一å°ã€‚å°çš®ç¨å¾®æœ‰åˆ’痕,其他完好。 In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æ˜¯æ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆä¹‹ä¸€ã€Šæ™ºå–å¨è™Žå±±ã€‹ï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人共看8个剧的笑è¯ã€‚ People’s Publishing House paperback books
1971rif. AG10051Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore August 1971 FIRST EDITION. The July 1970 Script Revised and Performed Collectively by Shanghai Peking Opera Troupe. 8vo. xii 425 3 pp. Colophon. Quotations from Chinaman Mao on the second and third page. Printed red tilted wrappers minor crease to the cover minor tear to the foot of the binding else fine condition. 《智å–å¨è™Žå±±ã€‹æ€»è°± 北京: 人民出版社出版,å‰2页带有毛主席语录,1971年8月出版,由上海京剧团《智å–å¨è™Žå±±ã€‹å‰§ç»„改å˜é›†ä½“演出,1970年演出本。第一版第一å°ã€‚å°çš®ç¨å¾®æœ‰åˆ’痕,其他完好。 In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æ˜¯æ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆä¹‹ä¸€ã€Šæ™ºå–å¨è™Žå±±ã€‹ï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人共看8个剧的笑è¯ã€‚ People’s Publishing House paperback
1971rif. AG-10054Beijing: Published by People's Publishing House printed by Beijing Xinhua Printing Factory distributed by Xinhua Bookstore January 1971 FIRST EDITION. The July 1970 Script Revised and Performed Collectively by Shanghai Peking Opera Troupe. 8vo vi 397 pp. colophon consists of scripts stage photos selected theme score stage action instruction and the stage design started with quotations from Chairman Mao on the second and third page printed color stage photos and instructions inside printed pictorial wrappers slightly curled at the head and foot of the wrappers else very good condition. 北京:人民出版社出版,1971年第一版,由上海京剧团《智å–å¨è™Žå±±ã€‹å‰§ç»„é›†ä½“æ”¹ç¼–åŠæ¼”出。本书包括了剧本ã€ä¸»æ—‹å¾‹ã€å‰§ç…§ã€åŠ¨ä½œæŒ‡å¯¼ã€èˆžå°ç¾Žæœ¯ç‰å†…容。包括éžå¸¸å¤šçš„照片。书皮上下ç¨å¾®å·èµ·ï¼Œæ— ç ´æŸï¼Œå“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬å‰§æ˜¯æ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆä¹‹ä¸€ã€Šæ™ºå–å¨è™Žå±±ã€‹ï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ People’s Publishing House paperback
1971rif. AG-10059Beijing: Published by Foreign Language Press 1971 FIRST EDITION. The July 1970 Script Revised by "The Taking Tiger Mountain by Strategy" Group of Peking Opera Troupe of Shanghai. Large 8vo. XXX 113 6 pp. colophon with 3 pages Quotations from Chairman Mao. Printed pictorial wrappers minor tear to the foot edge of the front cover minor curled at the head edge of the front cover else very good condition. 北京:外文出版社出版,1971年第一版,由ä¸å›½äº¬å‰§å›¢æ ¹æ®1970年剧本è”åˆæ”¹ç¼–。å‰é¡µå¸¦æœ‰æ¯›ä¸»å¸è¯å½•。å°çš®é¡¶éƒ¨ç¨æœ‰ç£¨æŸï¼Œå…¶ä»–部分å“相éžå¸¸å¥½ã€‚ In China revolutionary operas or model operas Chinese: yangban xi æ ·æ¿æˆ were a series of shows planned and engineered during the Cultural Revolution 1966–1976 by Jiang Qing the wife of Chairman Mao Zedong.1 They were considered revolutionary and modern in terms of thematic and musical features when compared with traditional Chinese operas. Many of them were adapted to film. Originally eight revolutionary operas Chinese: Ba Ge Yangban Xi å…«ä¸ªæ ·æ¿æˆ were produced eighteen by the end of the period. Instead of the "emperors kings generals chancellors maidens and beauties" of the traditional Peking opera which was banned as "feudalistic and bourgeois" they told stories from China's recent revolutionary struggles against foreign and class enemies. They glorified the People's Liberation Army and the bravery of the common people and showed Mao Zedong and his thought as playing the central role in the victory of socialism in China. Although they originated as operas they soon appeared on LPs in comic books lianhuanhua on posters postcards and stamps; on plates teapots wash basins cigarette packages vases and calendars. They were performed or played from loudspeakers in schools factories and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years leading to the joke "Eight hundred million people watched eight shows." æœ¬ç»„å‰§æœ¬å±žäºŽæ–‡é©æ—¶æœŸçš„å…«å¤§æ ·æ¿æˆï¼Œç”±æ¯›ä¸»å¸å¤«äººæ±Ÿé’è´Ÿè´£åˆ¶ä½œå’Œæ¼”å‡ºã€‚å¾ˆå¤šè¢«æ‹æˆäº†ç”µå½±ã€‚ æœ€åˆæœ‰å…«ä¸ªæ ·æ¿æˆï¼ŒåŽæ¥åœ¨æ–‡é©æ—¶æœŸçš„åŽæœŸå‘展到了18个。ä¸åƒå› å°å»ºå’Œèµ„产阶级的被ç¦äº†çš„ä¼ ç»Ÿäº¬å‰§ï¼Œé‡Œé¢å‡ºçŽ°çš„ä¸çš„国王大臣少女和美人,é©å‘½çŽ°ä»£äº¬å‰§ä¸»è¦è®²è¿°ä¸å›½è¿‘å¹´æ¥çš„æŠ—战故事,宣扬人民解放军的光辉è£è€€å’Œæ¯›ä¸»å¸çš„è‹±å‹‡ã€‚è™½ç„¶æ˜¯äº¬å‰§ï¼Œå¾ˆå¿«å°±å˜æˆäº†å„ç§å½¢å¼å‡ºçŽ°åœ¨è¿žçŽ¯ç”»ã€æµ·æŠ¥ã€æ˜Žä¿¡ç‰‡ã€é‚®ç¥¨ã€é¦™çƒŸã€èŠ±ç“¶ã€æ—¥åކç‰å„ç§åœ°æ–¹ï¼Œç”¨æ‰©éŸ³å–‡ååœ¨å¦æ ¡ã€å·¥åŽ‚ç‰åœ°æ–¹ï¼Œç”±æ¼”出团进行表演。8ä¸ªæ ·æ¿æˆä¸»å¯¼äº†å…¨å›½æ‰€æœ‰çš„舞å°ï¼Œå› æ¤æœ‰äº†8亿人看8个剧的笑è¯ã€‚ Foreign Language Press paperback
1781rif. 26217Halle, Johann Jacob Gebauer, 1781. 8vo. XVI, X, 934 S.; 1 Bl., IV S., S. (717)-1666. Hldr. d. Zt. m. 2 RSchildern u. Rückengoldprägung.
1997In-4 (cm. 34.90), tela editoriale, sovracoperta editoriale illustrata, pp. 543, (5), con 449 illustrazioni a colori e bianco e nero nel testo che - per la prima volta - riproducono opere tratte dai suoi 75 album (1872-1927) ritrovati nello studio di Bordighera; 70 illustrazioni in bianco e nero di oggetti e documenti personali; 42 illustrazioni relative al materiale bibliografico dell'Archivio Enrico, e infine il catalogo completo dei taccuini di viaggio e dell'opera grafica, con 2997 piccole riproduzioni in bianco e nero. Inedita raccolta di opere del grande pittore monzese (1857-1927). Volume in buono stato, sovracoperta con tracce d’uso e di nastro adesivo.
rif. 1528595033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
T. Ferrari e G. Bramati - Come ascoltare e Capire la Musica Classica - ed. 1988 Testo in lingua italiana. Pagine - 222 con illustrazioni. Copertina morbida. Condizioni molto buone.
1996rif. MHAESEN1Paris Editions Premières Loges 1996 In-8 broché (25x17 cm), couverture illustrée pelliculée, nombreuses illustrations, livret bilingue commenté, discographie, bibliographie, 119 pp.
1998rif. MROSSEM1Paris Editions Premières Loges 1998 In-8 broché (25x17 cm), couverture illustrée pelliculée, nombreuses illustrations, livret bilingue commenté, discographie comparée, vidéographie comparée, bibliographie, 118 pp.
rif. 38689In-8, broché, couverture papier d'attente gris, (2), 17 p. [Paris], Imprimerie Nationale, [1790].
1883Opera completa in 4 Voll. In-16°, leg. edit. in tutta tela con decori impressi in nero ai piatti, e tit. in oro ai dorsi, pp. XVIII-726, XXII-788, XVI-754 e XII-788. Antiporta del primo vol. incisa col ritratto di Schiller. Marginali tracce del tempo, ma buono stato d conservazione.
Musica Cornelia Szabó,-Knotik Amadeus - Milos Formans Film als musikhistorisches Phä,nomen - 1^ ed. 1999 Pag. 230 con alcune illustrazioni. Copertina morbida - Testo in tedesco. Condizioni molto buone.
Musica - Organi Orgues en Lorraine-Mosellane Symposium - Les grandes dynasties de facteurs d'orgues Lorrains - ed. 1988 Pag. 96 con alcune illustrazioni. Copertina morbida - Testo in francese. Condizioni generali molto buone.
rif. 487770P., A. Durand & fils éditeurs, 1908. In-folio, en ff., 21 pp.
1876rif. nh702Au ménestrel, Heugel & Fils Relié 1876 In-4 (20,3 x 28 cm), reliure demi-peau, dos lisse orné de filets et du titre dorés, 147 pages, partition piano de Sylvia ou la Nymphe de Diane, ballet en 3 actes et 5 tableaux, par Jules Barbier et Mérante, mis en musique par Léo Delibes ; coin supérieur du quatrième plat usé, coiffes et bords des plats frottés, quelques traces et marques d'usage sur les plats, quelques rousseurs à l'intérieur, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 0366711393.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback