DOUBEK, KATJA.MareMagnum
9.904 Ergebnisse
2003Softcover, originele geillustreerde ( Peter Koch) uitgeversomslag in kleur, 15,5x23,5cm, 312pp. Beroemde samenzweringen, complotten en aanslagen. Van Alexander I tot Helmut Zilk. Vertaald door Henk Verschuur.
1993Geillustreerde kartonomslag in kleur, 210 x 295mm., 224pp., z/w illustratie. Waardevolle politiek-historische en sociaal-culturele bijdrage aan de verspreiding en de archivering van het rijke Vlaamse erfgoed. In goede staat.
1982Mm 155x215 Volume nella sua brossura originale, 182 pagine. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1960Best.-Nr. 199601960. Highsmith Patricia. The Talented Mr. Ripley brought to the screen for the first time in René Clément's Plein Soleil Purple Noon 1960 with Alain Delon as Tom Ripley Maurice Ronet as Philippe Greenleaf and Marie Laforêt as Marge. Adapted from Highsmith's 1955 novel the film follows Ripley from New York to Italy where an assignment to persuade the wealthy Greenleaf to return home develops into impersonation and murder. Delon's performance became one of the defining early roles of his career while the film preserved the novel's preoccupation with envy imitation desire and unstable personal identity. Critics have repeatedly addressed the queer implications of Ripley's fixation on Greenleaf; Roger Ebert described a "buried level of homoerotic attraction" while later criticism has noted that Clément reduced some of the novel's more explicit homosexual implications while retaining ambiguity in Ripley's attachment to Philippe. Archive of eight pieces comprising four original black-and-white silver gelatin publicity photographs and four Japanese chirashi or theatrical advertising flyers associated with Plein Soleil and its Japanese exhibition. Measurements range from 5 x 7 inches to 8 x 10 inches. Three photographs carry the film title and actors' names in the lower white margins; another has a German-language article concerning the film printed on the verso. The photographs show Delon in his first major screen role as Ripley and belong to the promotional circulation surrounding a French-Italian production whose English-language title became Purple Noon. The accompanying Japanese flyers extend that history of circulation beyond the film's European production and English-language reception documenting its marketing to Japanese theater audiences. Clément's adaptation altered Highsmith's novel substantially including its ending and the handling of Ripley's sexuality. Highsmith's novel contains stronger homosexual suggestion while the film redirects some of Ripley's attention toward Marge without eliminating the charged relationship between Tom and Philippe; this difference has made Plein Soleil part of critical discussions of queer subtext censorship and adaptation in postwar cinema. Highsmith had already published The Price of Salt in 1952 later retitled Carol making sexuality and same-sex desire central to her broader literary history even though Ripley himself resists fixed categorization. All eight pieces are in very good condition. The combination of original publicity photographs and Japanese theatrical ephemera records both the first cinematic construction of Highsmith's Ripley and the international promotion of a film whose treatment of male desire has remained central to its critical reception. unknown
1960Best.-Nr. 199601960. Highsmith Patricia. The Talented Mr. Ripley brought to the screen for the first time in René Clément's Plein Soleil Purple Noon 1960 with Alain Delon as Tom Ripley Maurice Ronet as Philippe Greenleaf and Marie Laforêt as Marge. Adapted from Highsmith's 1955 novel the film follows Ripley from New York to Italy where an assignment to persuade the wealthy Greenleaf to return home develops into impersonation and murder. Delon's performance became one of the defining early roles of his career while the film preserved the novel's preoccupation with envy imitation desire and unstable personal identity. Critics have repeatedly addressed the queer implications of Ripley's fixation on Greenleaf; Roger Ebert described a "buried level of homoerotic attraction" while later criticism has noted that Clément reduced some of the novel's more explicit homosexual implications while retaining ambiguity in Ripley's attachment to Philippe. Archive of eight pieces comprising four original black-and-white silver gelatin publicity photographs and four Japanese chirashi or theatrical advertising flyers associated with Plein Soleil and its Japanese exhibition. Measurements range from 5 x 7 inches to 8 x 10 inches. Three photographs carry the film title and actors' names in the lower white margins; another has a German-language article concerning the film printed on the verso. The photographs show Delon in his first major screen role as Ripley and belong to the promotional circulation surrounding a French-Italian production whose English-language title became Purple Noon. The accompanying Japanese flyers extend that history of circulation beyond the film's European production and English-language reception documenting its marketing to Japanese theater audiences. Clément's adaptation altered Highsmith's novel substantially including its ending and the handling of Ripley's sexuality. Highsmith's novel contains stronger homosexual suggestion while the film redirects some of Ripley's attention toward Marge without eliminating the charged relationship between Tom and Philippe; this difference has made Plein Soleil part of critical discussions of queer subtext censorship and adaptation in postwar cinema. Highsmith had already published The Price of Salt in 1952 later retitled Carol making sexuality and same-sex desire central to her broader literary history even though Ripley himself resists fixed categorization. All eight pieces are in very good condition. The combination of original publicity photographs and Japanese theatrical ephemera records both the first cinematic construction of Highsmith's Ripley and the international promotion of a film whose treatment of male desire has remained central to its critical reception. unknown books
1974Best.-Nr. 188251974. Bay Area Reporter: Gay Pride Week 1974 a special issue of San Francisco's gay newspaper published during the expansion of the city's gay liberation movement and the growing public celebration of Gay Pride. Founded in 1971 by Bob Ross and Paul Bentley the Bay Area Reporter circulated news entertainment coverage political commentary and social announcements among the Bay Area's gay population. This June 1974 issue combines Pride Week coverage with articles on drag entertainment contemporary cinema local events and personal advertisements. Its masthead announces "Readership 50000 Nationwide" and carries the publication's slogan "The Cataylst for all Factions of the Gay Community" expressing its ambition to reach readers across the diverse social and political circles of the gay liberation movement. Bay Area Reporter: Gay Pride Week. Vol. 4 No. 12. San Francisco June 12 1974. 30 pages. Measures 11 x 8 inches. Published as a special Gay Pride Week issue the newspaper includes an article on the drag scene in Las Vegas a review of Alejandro Jodorowsky's film The Holy Mountain and numerous reports and announcements concerning events and entertainment in the San Francisco area. The back pages contain classified advertisements through which readers sought social encounters romantic relationships and personal connections. Many employ playful or suggestive language documenting the humor sexual openness and social conventions of gay personal advertising during the 1970s. The issue also includes a reproduction of a photograph from a Gay Pride parade at Stanford University recording the spread of public gay liberation activities beyond San Francisco's principal gay neighborhoods. The Bay Area Reporter emerged as San Francisco's gay population became increasingly organized through neighborhood businesses political groups social clubs and public demonstrations following the 1969 Stonewall uprising. Initially distributed through gay bars the newspaper provided a means of circulating information that received little attention in the mainstream press. By 1974 San Francisco's Pride celebrations had developed into increasingly public demonstrations of gay political organizing and social life. This issue records that development alongside the everyday activities of the city's gay population from entertainment and nightlife to personal relationships arranged through classified advertisements. Its combination of Pride coverage cultural criticism and social notices documents the breadth of San Francisco's gay press during the early 1970s. In very good condition. unknown
1974Best.-Nr. 188251974. Bay Area Reporter: Gay Pride Week 1974 a special issue of San Francisco's gay newspaper published during the expansion of the city's gay liberation movement and the growing public celebration of Gay Pride. Founded in 1971 by Bob Ross and Paul Bentley the Bay Area Reporter circulated news entertainment coverage political commentary and social announcements among the Bay Area's gay population. This June 1974 issue combines Pride Week coverage with articles on drag entertainment contemporary cinema local events and personal advertisements. Its masthead announces "Readership 50000 Nationwide" and carries the publication's slogan "The Cataylst for all Factions of the Gay Community" expressing its ambition to reach readers across the diverse social and political circles of the gay liberation movement. Bay Area Reporter: Gay Pride Week. Vol. 4 No. 12. San Francisco June 12 1974. 30 pages. Measures 11 x 8 inches. Published as a special Gay Pride Week issue the newspaper includes an article on the drag scene in Las Vegas a review of Alejandro Jodorowsky's film The Holy Mountain and numerous reports and announcements concerning events and entertainment in the San Francisco area. The back pages contain classified advertisements through which readers sought social encounters romantic relationships and personal connections. Many employ playful or suggestive language documenting the humor sexual openness and social conventions of gay personal advertising during the 1970s. The issue also includes a reproduction of a photograph from a Gay Pride parade at Stanford University recording the spread of public gay liberation activities beyond San Francisco's principal gay neighborhoods. The Bay Area Reporter emerged as San Francisco's gay population became increasingly organized through neighborhood businesses political groups social clubs and public demonstrations following the 1969 Stonewall uprising. Initially distributed through gay bars the newspaper provided a means of circulating information that received little attention in the mainstream press. By 1974 San Francisco's Pride celebrations had developed into increasingly public demonstrations of gay political organizing and social life. This issue records that development alongside the everyday activities of the city's gay population from entertainment and nightlife to personal relationships arranged through classified advertisements. Its combination of Pride coverage cultural criticism and social notices documents the breadth of San Francisco's gay press during the early 1970s. In very good condition. unknown books
Best.-Nr. 4027, Bruxelles, Universite, 1981., Broche, couverture d' editeur, 16x24cm, 522pp.
1980Best.-Nr. B29096Leuven, K.U.Leuven (Centrum voor Communicatiewetenschappen) 1980 365pp., mooie staat
1997Clean, bright and tight. 1 stamp on the half title page. Ex - Library
1997Clean, bright and tight. 1 stamp on the half title page. Ex - Library
1980365pp., mooie staat
1994Best.-Nr. 2083002116205135Data House Itagaki Hidenori Media Office 1994. Soft Cover. Fine. The book is in fine condition. Data House Itagaki Hidenori Media Office paperback
1994Best.-Nr. 2080202104503661data house 1994. Soft Cover. Fine. Number of pages: 239p Size: 20cm Number of books: 1 data house paperback
2003Best.-Nr. 90345(Frankfurt a.M.), Fischer Taschenbuch Verlag, (2003). 301 S. Mit 47 s/w Abb. auf Tafeln. (= Fischer TB 15942). 20 cm. OBrosch.
1981Broche, couverture d' editeur, 16x24cm, 522pp. Etudes rassemblees et publiees par G.Cambier.With portrait. Faculte de philosophie et lettres 78. Faculte des sciences sociales, politiques et economiques.
2018br. La verità è un concetto labile e sfuggente che coesiste con un essere umano emotivo e imperfetto, limitato nelle sue capacità conoscitive. L'avvento di internet, e soprattutto dei social network, ha facilitato l'accesso a una grande massa di informazioni senza mediazioni, e ha generato la pretesa che questa porta d'ingresso conducesse alla conoscenza, fino ad allora prerogativa delle élite. La rete però pare stia tradendo le aspettative di molti, producendo, più che un'intelligenza, una disinformazione pericolosa (e spesso strumentalizzata) e una grave radicalizzazione nell'opinione pubblica. E così, a colpi di paradossi e cortocircuiti, il World Economic Forum nel 2013 ha inserito la disinformazione come minaccia globale, e oggi molte di quelle minacce sembrano aver preso forma; e secondo l'autorevole Oxford Dictionary, «post-truth» è diventata la parola del 2016.
1977(Codice GS/0072) In 16° 150 pp. La vertenza tra giornalisti e Corriere della Sera, Brossura editoriale, ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1974(Codice CW/7135) In 8º (21 cm) 261 pp. Prima edizione. Lievemente usato, un po' ingiallito. Brossura editoriale, buono stato ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
2002Like new copy in excellent condition in every respect. 6th ed.
2000Very good, clean, bright and tight condition throughout. Only very minor signs of shelfwear. Used
1998cm. 17 x 24, 2 tomi di xii-902 pp. con 14 figg. n.t. e 13 tavv. f.t. di cui 2 a colori. Storia della tipografia e del commercio librario Trentatr? saggi, frutto della ricerca di studiosi del settore, affrontano aspetti concernenti la storia della tipografia, dell?editoria, della lettura e delle biblioteche in Romagna, per un arco di tempo di quasi cinque secoli, a partire dalla fine dell?epoca malatestiana fino alla prima met? del Novecento. Ogni scritto, arricchito da corredo iconografico, fornisce una bibliografia aggiornata sui temi affrontati e, in alcuni casi, ? integrato da documenti d?archivio. Thirty-three essays, the outcome of scholarly research, confront the aspects concerning the history of typography, publishing, literature and libraries in Romagna during a period of almost 5 centuries starting from the epoch of Malatesta up to the first half of the 20th century. Each written work, enriched with iconographs, provides an up to date bibliography of the topics dealt with and in some cases is completed with archival documents. 1692 gr. xii-902 p.
1992cm. 15 x 22,5, xiv-226 pp. con 20 tavv. f.t. Fondazione Giorgio Cini - Civilt? veneziana - Studi Sommario: La censura veneziana e i libri di Dalmazia; I libri serbi e croati e l'attivit? tipografica a Venezia; Arte e grafica napoletana e autori dalmati; Il libro per musica nel litorale istriano tra Cinquecento e Seicento; La stampa popolare in schiavonesco; Il libro dalmata a Venezia nel Seicento. 533 gr. xiv-226 p.
2021"La media education si configura come una vera e propria politica pubblica per dar forma ai cittadini di domani, operando a un duplice livello: da un lato quello delle competenze, che superi la semplicistica visione dell’accesso ai media come dimensione sufficiente per un utilizzo consapevole, dall’altro in termini di acquisizione di sapere critico, soprattutto da parte dei più giovani." (Mario Morcellini) Curatori: Marianna Sala.
Luigi Sabatini, Commento al Codice Penale S. d. (anni '30 del Novecento circa), cm 30x23, pp. 250 tutte interamente dattiloscritte, frontespizio realizzato a mano (vedi foto), legatura coeva in mezza tela (angoli e dorso), piatti in carta marmorizzata. Condizioni di conservazione Esemplare in buone condizioni con tracce d'uso, coperta con alcune minime abrasioni ai margini e agli angoli dei piatti e pochi minimi aloni. Interni buoni con alcune piccole lievi bruniture, margini lievemente rifilati, qualche pagina con brevi sottolineature e/o qualche segnetto a matita rossa. Esemplare interamente dattiloscritto, frontespizio realizzato a mano (vedi foto). SETT90.L8267 N
