Boyer-Rebiab :Livre Rare Book
87 résultats
1909réf. 3800Paris, Leymarie et Bibliothèque des Arts Modernes (La Chapelle Montligeon, Orne, Imp. de Montligeon), sans date (1909) ; in-12 carré, pleine toile rouge de l'éditeur ; 332 pp. (y compris postface et errata), 4 planches hors-texte représentant 18 figures.
réf. SONG1605252026Used: Good unknown
réf. DADAX0367350823New unknown
réf. SONG1111127042Used: Good unknown
1955réf. 30888Peyronnet, 1955, gr. in-12, 202 pp, 31 planches de photos in fine, broché, bon état
réf. 111895sd Sans mention d'éditeur, d'impression ni de relieur - Sans date (vers 1830) - Petit In-12, reliure pleine peau, pièce de titre et filets dorés au dos - Sans pagination - 30 planches dépliantes et 8 partitions de musiques dépliantes
1971réf. LFA-126738566N° 2 - 1971 : 196 pages, format 160 x 240 mm, illustrée, brochée, bon état
1963réf. LFA-126738847Revue de 36 pages, format 135 x 210 mm, brochée, bon état
réf. 138850N.p.: N.p. 1975. Original poster for a performance by COUM Transmissions held on February 18 1975 at the Stedelijk Academy in Ghent Belgium. The third in a series of five performances in the "Omissions" series the previous two taking place that same month in Belgium and the final two in May and June in Germany. Scarce with OCLC locating just a single copy. The brainchild of Genesis P-Orridge COUM Transmissions was an influential and controversial performance art group. Using similar techniques as and occasionally working with experimental artists William Burroughs Brion Gysin and the FLUXUS collective the group created confrontational exhibitions and happenings frequently utilizing explicit nudity bodily fluids and other taboo material. The "Omissions" performances were very much in line with this aesthetic with tour organizer Jean Paul van Bendegem describing them as "an exploration in the unusual of existing art-disciplines and a research in between these disciplines." 13.25 x 23 inches. Occasional light foxing else Fine. Ford Simon. "Wreckers of Civilisation" US.4-5.7 12.7-12.8. N.p. unknown books
réf. 138850N.p.: N.p. 1975. Original poster for a performance by COUM Transmissions held on February 18 1975 at the Stedelijk Academy in Ghent Belgium. The third in a series of five performances in the "Omissions" series the previous two taking place that same month in Belgium and the final two in May and June in Germany. Scarce with OCLC locating just a single copy. The brainchild of Genesis P-Orridge COUM Transmissions was an influential and controversial performance art group. Using similar techniques as and occasionally working with experimental artists William Burroughs Brion Gysin and the FLUXUS collective the group created confrontational exhibitions and happenings frequently utilizing explicit nudity bodily fluids and other taboo material. The "Omissions" performances were very much in line with this aesthetic with tour organizer Jean Paul van Bendegem describing them as "an exploration in the unusual of existing art-disciplines and a research in between these disciplines." 13.25 x 23 inches. Occasional light foxing else Fine. Ford Simon. "Wreckers of Civilisation" US.4-5.7 12.7-12.8. N.p. unknown
réf. 68-3497Paris France: 18e Regiment d'Instruction des Transmissions 1967. Printed Menu. 16 x 10.5 cm. Folded Watermarked Deckled Wove. Very Good. Color illustration on cover menu printed inside. Text En Francais. [Paris, France]: 18e Regiment d'Instruction des Transmissions, 1967. unknown
réf. C11P., Imprimerie Nationale, Mai 1945. In-12, 300pp., nombr. croquis, br.
