SUN, XIAOHONGBiblio.com
2026ref. Adhya-9781032320274T&F/CRC PRESS 2026. HB. New. T&F/CRC PRESS hardcover
2009ref. DADAX0387898476Springer 2009-08-06. 2009. hardcover. New. 8.40x1.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2022ref. Star-97818392627842022. Hardcover. New. hardcover
2022ref. Star-97818392627842022. Hardcover. New. hardcover
ref. DADAX3642547362Springer 2014-05-02. 2014. hardcover. New. 6.14x1.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1970ref. 1054051970 New York, Multiples, 1970, 128x301mm, une feuille de bristol imprimée de 10 images photographiques, glissée dans une enveloppe imprimée.Contribution de l'artiste à la boîte "Artists and Photographs".Etat neuf.Maffei-de Donno's "Sol LeWitt: Artist's Books" p.88-89.(105405)
2005ref. Adhya-9780393048766W. W. NORTON 2005. HB. New. W. W. NORTON hardcover
2005ref. Adhya-9780393048766W. W. NORTON 2005. HB. New. W. W. NORTON hardcover
2018ref. x-366254573XSpringer 2018. Hardcover. New. 1475 pages. 9.25x6.50x3.50 inches. Springer hardcover
2022ref. x-9811669627Springer 2022. Hardcover. New. 1235 pages. 9.25x6.10x3.07 inches. Springer hardcover
1971ref. 2091202133208205Geibun Printing Museum 1971. Soft Cover. Fine. Number of books: 2 books in total Geibun Printing Museum paperback
1985ref. 2091502135418156Seishin bunka-sha 1985. Soft Cover. Fine. Number of books: 1 Seishin bunka-sha paperback
1887ref. PHO-1969Rio de Janeiro, Lombaerts & Cie, 1887, grand in-4° (32x23cm), pleine percale époque, titre au dos, petits frottements aux mors, quelques rousseurs. Texte en portugais avec sa traduction française en regard, complet de ses illustrations sous serpentes.
1885ref. PHO-1499Paris, Gauthier-Villars, 1885, 2 volumes grands in-4, couverture éditeur, Introduction et Zoologie 576pp., Botanique 23pp., Géologie 180pp., Planches 32pp.-2ff. et son Atlas de 2ff. et 68 planches en lithographie, d'études géologiques et zoologiques (55 planches de zoologie sur fond crème et 13 planches de géologie dont 10 d'observations microscopiques de roches, en couleurs), dos cassé à l’atlas.
1973ref. 015809Paris Georges Fall - Bibli Opus 1973 In-8 en hauteur Broché, couverture à rabats
2000ref. 181778Central Plains Media Group. Henan Art Publishing H 2000-01-01. hardcover. Used - Good. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Hardcover. Pages Number: 4268 Language: Chinese. Publisher: Central Plains Media Group. Henan Art Publishing House; 1 May 1. 2008. Qin Empire 2nd Edition Set All 11 including first: black fissile volume . Part I: Black fission the volume. Part II: Country life aspect volume. Part II: Country life aspect second volume. Part III: armored cavalry volume . Part III: armored cavalry the volume . Part IV: Yangmou Spring volume . Part IV: Yangmou spring second volume . fifth : . Satisfaction guaranteedor money back. Central Plains Media Group. Henan Art Publishing H hardcover
ref. SONG0486799190Dover Publications 2016-02-17. Clr Csm. paperback. Used: Good. 8.25x0.50x11.25. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
1973ref. 73120Tokyo: International Cultural Foundation 1973. Hardcover. Fine/Near Fine. First edition. Fine in a near fine dustwrapper with rubbing to the edges and extremities. This copy belonged to sociologist and anthropologist Dr. Ashley Montagu and includes laid in materials pertaining to the controversial association of the International Conferences on the Unity of the Sciences with Sun Myung Moon's Unification Church. The items present include a typed letter Signed by Dr. Montagu stating that he refused to lend Moon any legitimacy by attending the conferences and noting that he had advised the organizer Nobel laureate Prof. Eugene Wigner of the same a typed letter Signed by Nobel laureate Robert S. Mulliken and by several others -- including Amitar Etzioni who later withdrew from the conference -- advising invitees to the Fourth International Conference that there was no religious agenda in question and a typed letter Signed by Moon himself written on the letterhead of the International Cultural Foundation presenting this copy of the 1973 proceedings. Also present are Vol. XXI No. 45 of the Princeton Spectrum newspaper featuring Allen Tate Wood's article "The Dark Side of Sun Myung Moon" a New York Times clipping in which Prof. Kai Nielsen offers reasons why scholars should shun conferences sponsored by Moon and a magazine article listing some of the scientists who chose to attend the fourth annual conference as well as some of those who stayed away. International Cultural Foundation hardcover
1973ref. 73120Tokyo: International Cultural Foundation 1973. Hardcover. Fine/Near Fine. First edition. Fine in a near fine dustwrapper with rubbing to the edges and extremities. This copy belonged to sociologist and anthropologist Dr. Ashley Montagu and includes laid in materials pertaining to the controversial association of the International Conferences on the Unity of the Sciences with Sun Myung Moon's Unification Church. The items present include a typed letter Signed by Dr. Montagu stating that he refused to lend Moon any legitimacy by attending the conferences and noting that he had advised the organizer Nobel laureate Prof. Eugene Wigner of the same a typed letter Signed by Nobel laureate Robert S. Mulliken and by several others -- including Amitar Etzioni who later withdrew from the conference -- advising invitees to the Fourth International Conference that there was no religious agenda in question and a typed letter Signed by Moon himself written on the letterhead of the International Cultural Foundation presenting this copy of the 1973 proceedings. Also present are Vol. XXI No. 45 of the Princeton Spectrum newspaper featuring Allen Tate Wood's article "The Dark Side of Sun Myung Moon" a New York Times clipping in which Prof. Kai Nielsen offers reasons why scholars should shun conferences sponsored by Moon and a magazine article listing some of the scientists who chose to attend the fourth annual conference as well as some of those who stayed away. International Cultural Foundation hardcover books
1991ref. 32376Milano 1991. Centerfold with minor wear at edges; near fine. Scarce with single OCLC record located Northwestern. First Edition. Folio 16.5 inches. An elegant catalogue documenting the two collections issued by Meta Memphis 1989 1991; an ambitious post-Memphis project from executive Ernesto Gismondi who commissioned an international range of contemporary artists to collaborate on furniture design. Artists like: Alighiero Boetti Pier Paolo Calzolari Sandro Chia Sol LeWitt Joseph Kosuth Mimmo Paladino Michelangelo Pistoletto Lawrence Weiner and Franz West. Contents: 8 pages folded; illustrated after 36 black-and-white product photos. [Milano] unknown
ref. 811016 black & white plates. 32 pp. Square 4to 200 x 200 mm. orig. illustrated semi-stiff wrappers spine sunned & a trifle stained staple-bound. London: Studio International 1969. One of LeWitt’s earliest artist’s books remarkably well-preserved. This is the artist’s fifth book but the third standalone publication not originating from an exhibition or periodical. It is now scarce on the market. “The front cover of Four Basic Kinds of Straight Lines is an exemplary statement of the compositional elements: vertical lines horizontal lines and the two sets of diagonal lines. The proportions are immaculate. The back cover in turn states the narrative: one square with lines in one direction a second with two kinds of lines overlaid a third with three kinds and the fourth with all kinds superimposed; it too is superbly clear and perfectly designed… “The first page of the book after the cover reveals a grid of 16 squares and functions rather like a contents page. Fifteen of the squares declare the elements of the work: the four basic kinds of lines the six combinations of two kinds of line the four combinations of three lines and the single square with all four lines. The 16th square contains the title of the work. This is comparable to a magician showing their audience that they have nothing up their sleeve before they begin their act. In LeWitt’s case he proceeds from this introductory page to show us exactly what was prefigured on the contents page except that each of the 15 components is now blown up and bled off one to a page. But while there is therefore no surprise there is magic. This magic lies in the completeness of the scenario its simplicity and clarity its capacity for re-enactment the beauty of its design and execution and the perfect physical qualities of the book…This book like much of LeWitt’s art has a stability also a rightness. Nothing can be or needs to be taken away; it is a clear and beautiful expression of his idea.”–Clive Phillpot “Sol LeWitt’s Books: Complete & Incomplete” in Booktrek: Selected Essays on Artists’ Books 1972-2010 2013 pp. 261-62. A near fine copy; faint wear to the extremities and some discoloration to the spine. ⧠G. Maffei & E. de Donno Sol LeWitt: Artist’s Books 2009 pp. 32-33. Sol LeWitt: Libros El Concepto Como Arte 2014 Libros de Artista no. 5 pictured p. 58. unknown
ref. 811016 black & white plates. 32 pp. Square 4to 200 x 200 mm. orig. illustrated semi-stiff wrappers spine sunned & a trifle stained staple-bound. London: Studio International 1969. One of LeWitt’s earliest artist’s books remarkably well-preserved. This is the artist’s fifth book but the third standalone publication not originating from an exhibition or periodical. It is now scarce on the market. “The front cover of Four Basic Kinds of Straight Lines is an exemplary statement of the compositional elements: vertical lines horizontal lines and the two sets of diagonal lines. The proportions are immaculate. The back cover in turn states the narrative: one square with lines in one direction a second with two kinds of lines overlaid a third with three kinds and the fourth with all kinds superimposed; it too is superbly clear and perfectly designed… “The first page of the book after the cover reveals a grid of 16 squares and functions rather like a contents page. Fifteen of the squares declare the elements of the work: the four basic kinds of lines the six combinations of two kinds of line the four combinations of three lines and the single square with all four lines. The 16th square contains the title of the work. This is comparable to a magician showing their audience that they have nothing up their sleeve before they begin their act. In LeWitt’s case he proceeds from this introductory page to show us exactly what was prefigured on the contents page except that each of the 15 components is now blown up and bled off one to a page. But while there is therefore no surprise there is magic. This magic lies in the completeness of the scenario its simplicity and clarity its capacity for re-enactment the beauty of its design and execution and the perfect physical qualities of the book…This book like much of LeWitt’s art has a stability also a rightness. Nothing can be or needs to be taken away; it is a clear and beautiful expression of his idea.”–Clive Phillpot “Sol LeWitt’s Books: Complete & Incomplete” in Booktrek: Selected Essays on Artists’ Books 1972-2010 2013 pp. 261-62. A near fine copy; faint wear to the extremities and some discoloration to the spine. ⧠G. Maffei & E. de Donno Sol LeWitt: Artist’s Books 2009 pp. 32-33. Sol LeWitt: Libros El Concepto Como Arte 2014 Libros de Artista no. 5 pictured p. 58. unknown books
ref. 9781626186149NOVA SCIENCE PUBLISHERS INC
ref. 9781626185869NOVA SCIENCE PUBLISHERS INC
ref. 9781626181168NOVA SCIENCE PUBLISHERS INC
