LEWITT, SolABAA
11.511 resultados
1989ref. 172065Paris: Yvon Lambert 1989. First edition. Oblong softcover. Includes with the covers 12 black and white illustrations. A close to near fine copy in wrappers that are very lightly soiled. Internally a clean copy. Uncommon. Yvon Lambert unknown books
1994ref. 172077Fort Worth TX: Modern Art Museum of Fort Worth 1994. First edition. Softcover. Foreword by Marla Price. Preface acknowledgments and notes by Michael Auping. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers. Modern Art Museum of Fort Worth unknown books
1980ref. 172066Tokyo Japan: Galerie Watari 1980. First edition. Small oblong softcover. 16 pages Published for an exhibition that opened March 1 1980 at Galerie Watarie. Includes 15 black and white drawings. A near fine copy in stapled wrappers with some very faint foxing and slight creasing to the bottom left corner. Galerie Watari unknown books
1972ref. 148872Taiwan: Hua Hsia Film 1972. Vintage double-sided flyer for Hong Kong release of the 1972 Taiwanese film here under the title "Deadly Fists." With an English language synopsis on one side. A young woman is sent by her father to discover the secret of a martial artist's fighting style but falls in love with him instead. Meanwhile another woman seeks the same man to enact revenge for killing her father. 10.75 x 7.75 inches. About Fine. Hua Hsia Film unknown books
1999ref. 167516Chicago IL: Museum of Contemporary Art 1999. First edition. Softcover. Exhibition catalog for the show that ran March 27 through August 1 1999. Includes 64 color illustrations. A clean very near fine copy in French style wrappers. Museum of Contemporary Art unknown books
2005ref. 163627New York: Madison Square Park Conservancy 2005. First edition. Softcover. Exhibition catalog for a show that ran June 1 2005 through January 31 2006. Essay by Martin Friedman. Includes several color illustrations. A near fine copy in stapled wrappers and with a small library stamp to one page. Uncommon with only 10 copies listed in OCLC. Madison Square Park Conservancy unknown books
1953ref. 145084Los Angeles: Esskay Pictures Corporation 1953. Vintage photograph of actors Denise Darcel and Patric Knowles producer Sam Katzman and production manager Bert Leonard on the set of the 1953 film. Mimeo snipe and an rubber studio stamp on the verso. Set in 1765 in India. Calcutta's King Amir Khasid Gregory Gaye is ousted from his position by Prince Jehan George Keymas. Amir's forces led by Suzanne Roget also known as "The Flame" Denise Darcel continue the fight. Suzanne Roget is secretly engaged to a British captain though they must stay apart until the political conflict is resolved and Amir returns to the throne. Set in India shot on location in Simi Valley CA. 10 x 8 inches. Near Fine. Esskay Pictures Corporation unknown books
1992ref. 9025853Paris: Les Nouvelles Editions Séguier 1992. 1st Edition. Hardcover. fine. In publisher's original white printed paper binding. Pages in accordion fold and pasted to one cover. Accopanied by publisher's original matching black slipcase. One of 1000 numbered copies. Les Nouvelles Editions Séguier hardcover books
1966ref. 135640Paris: C.A.P.A.C. 1966. Vintage black-and-white reference photograph from the Spanish release of the 1966 film. With a few contemporary annotations in manuscript ink on the verso. Pictured are Etaix and actress Sabine Sun the former courting the latter. 8 x 10 inches. About Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1962ref. 135647Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. Criterion Collection 655. C.A.P.A.C. / Cocinor unknown books
1962ref. 135645Paris: C.A.P.A.C. 1962. Vintage borderless black-and-white reference photograph from the French release of the 1962 film. With stamp on the verso noting reference number 582. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1965ref. 135644Paris: C.A.P.A.C. 1965. Vintage borderless black-and-white reference photograph from the French release of the 1965 film. With stamp on the verso referencing both the film and the director. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1966ref. 135639Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown books
1999ref. 132126Purchase NY: Neuberger Museum of Art Purchase College State University of New York 1999. First edition. Exhibition brochure for a show that ran June 13 through September 12 1999. Single sheet folded once to create 4 pages. Text by Judy Collischan. Includes one color and one black and white illustration along with an artist chronology. A fine copy. Scarce with no copies listed in OCLC. Neuberger Museum of Art, Purchase College, State University of New York unknown books
1990ref. 119756Bordeaux France: Le Musee 1990. First edition. Hardcover. Text in French. Includes a look at works by Christian Boltanski Daniel Buren Gilbert & George Jannis Kounellis Sol Lewitt Richard Long and Mario Merz. Includes numerous color and black and white illustrations. A fine copy in a close to near fine dust jacket that has some very minor wear. Le Musee unknown books
1981ref. 127199New York: Soho News 1981. Original poster for a performance by Steve Reich and Musicians Philip Glass Sun Ra John Ashbery Paul Jacobs and others on May 27 1981. An important moment for modern classical music. This concert coincided with the unveiling of a new music programming policy at New York's WNYC at that time the "broadest commitment to modern music made to date by any classical music station in the country." The performance brought together Reich and Glass but also avant-garde jazz composer Sun Ra poet Ashbery choreographer Lar Lubovitch and percussionist/sound designer David Van Tieghem. 11 x 17 inches. Near Fine with some age-toning and minor wear at the edges. Soho News unknown books
1933ref. 43257New York: The Macaulay Company 1933. Second printing. Very good in a good jacket. Sensational novel of two OB-GYN doctors and their patients. Despite the book's "completely frank medical vocabulary" and use of a "simple and easily understandable glossary" a contemporary review in the Journal of the American Medical Association summed up the work thus: "The book is neither fish nor fowl neither fiction nor science neither essay nor poetry. It is just an attempt to capitalize the public's morbid interest in obstetrics gynecology and abortions." Hardcover. 8vo. Dark brown cloth with maroon titles and illustration stamped to front board and spine. In original pictorial dust jacket. A very good copy in a good DJ. 1.25" tall chip to jacket front panel. Some creasing and chipping to top and bottom of jacket especially at spine; price clipped. Boards a bit rubbed with a thin layer of soil. Front hinge repaired. Clean throughout. 307pp. The Macaulay Company unknown books
1980ref. 43784Southfield MI: Poetry Resource Center of Michigan 1980. Very good plus. Compilation of Michigan small presses and periodicals including "all presses currently known to" the editors. Collated under the sponsorship of the Poetry Resource Center of Michigan at the Fourth Annual Michigan Poetry Festival in Lansing. 11'' x 8.5''. Side-stapled stiff paper wrappers. Staples beginning to rust. Very mild edgewear and toning. 42 pages. Poetry Resource Center of Michigan unknown books
1832ref. 50106Philadelphia: Carey & Lea 1832. First printing. Near fine. First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney from whose book CECILIA Austen may have borrowed the very phrase "pride and prejudice". Austen admitted in a letter that she thought her book's heroine Elizabeth Bennett "as delightful a creature as ever appeared in print" 29 January 1813 - and generations of readers have agreed with her. First published in 1813 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 750 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of Vol. I. 199 1; 209 1 pages. Vol. I with early pencil inscription of the Portsmouth Athenaeum to fly leaf; early newspaper clipping on "Jane Austen's Genius" archivally tipped onto rear fly leaf. Some browning light staining to text block a few early marginal pencil notes. Bright. Carey & Lea unknown books
1833ref. 53550Philadelphia: Carey & Lea 1833. Very good plus. First US edition of Austen's first novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 199 1; 189 1 pages. Light pencil notation to fly leaf of Vol. I. Some offsetting marks to endpapers from earlier binding archival paper repair to fly leaf; light browning to leaves some staining. Solid. Carey & Lea unknown books
1833ref. 53548Philadelphia: Carey & Lea 1833. Near fine. First US edition of the most bookish of Austen's novels - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Often misread as critical of the gothic novels that were popular at the period of its first composition NORTHANGER ABBEY is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form - written uncharacteristically in first person directly from the narrator. First published in late 1817 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author as her books were all published anonymously in her lifetime. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 195 1; 196 pages. Light pencil notation to title of Vol. 2. Some offsetting marks to endpapers from earlier binding; light browning to leaves a few small stains. Bright. Carey & Lea unknown books
1832ref. 53547Philadelphia: Carey & Lea 1832. Near fine. First US edition of Austen's third published novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play LOVERS' VOWS. Among Austen's works MANSFIELD PARK especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of volume I. 4 200; 204 pages. Vol. II with pencil inscription of the Portsmouth Athenaeum to fly leaf. Some browning a few spots of staining to text block some early pencil notes. Tight. Carey & Lea unknown books
1966ref. 82726Pennington NJ: Educational Consultants Collaborative 1966. First Edition. Slim octavo 21.5cm; original photo-illustrated card wrappers stapled; iv262pp. Gentle sunning and light wear along the spine-fold; contents fresh; Near Fine. An essay and a report discussing the legal and moral responsibility schools face in "preparing individuals for full citizenship" zeroing in on the increasing rise in unskilled and uneducated students from the slums and backwoods and discussing "how a painting studio workshop as a formal part of the school curriculum can help resolve conflict and consolidate cultures" from the introductory matter. Front cover reproduces a photograph by Sol Libsohn 1914-2001 a documentary photographer and co-founder of the New York Workers Film and Photo League. Uncommon in commerce with OCLC showing just 4 holdings Columbia UC Davis Rutgers RISD. 82726. Educational Consultants Collaborative unknown books
1993ref. 52969Andover Massachusetts: Addison Gallery of American Art 1993. First printing. Near fine. First edition of this catalogue for a retrospective on Lewitt's evolving Addison Gallery "studio-exhibition" featuring 44 mesmerizing wall drawings. 9'' x 11''. Original color photographic wrappers. Illustrated throughout in black and white and color. 88 pages. Wrappers with touches of edgewear. Interior clean. Vibrant. Addison Gallery of American Art unknown books
1868ref. 55956New York: Harper and Brothers 1868. First Edition. First printing. Octavo 23cm. Original tan paper wrappers; 275 1 4pp; 4 pages of publisher's ads at rear and ads to front cover verso and both sides of the rear cover; in-text wood engravings. A sturdy copy with a few chips to wraps at edges and minor exterior dirt: Very Good. Smith ran theaters with Noah M. Ludlow in New Orleans Mobile and St. Louis the last being the first real theater west of the Mississippi. HOWES S 672. Harper and Brothers unknown books
