Sol T (Solomon Tshekisho) PlaatjeBiblio.com
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1916ref. 18Sol T. Plaatje – Mhudi Lovedale Press Native Life in South Africa 1916 – Early Editions – Ex-Library A rare and prestigious matching set of the two most significant works by Sol T. Plaatje the first Secretary General of the ANC. This unique set features the original internal sheets of the 1930 Lovedale first edition of Mhudi and the 1916 P.S. King second edition of Native Life in South Africa. Both volumes were professionally rebound in dark navy leather with gilt titles for the Barloworld Centenary 1902-2002. Adding incredible historical depth the Mhudi volume contains original Pretoria Boekklub Pretoria Book Club lending stamps dating back to January 1931 placing this specific copy in the hands of readers just months after its histo Condition :Ex-library rebound heavy foxing Lovedale Press (Mhudi) / P. S. King & Son, Ltd. (Native Life) hardcover
ref. 620822084X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0841503141New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
ref. 0850308518New. paperback. New. Satisfaction Guaranteed or your money back. paperback
ref. 0841503109New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
ref. 0841503168New. paperback. New. Satisfaction Guaranteed or your money back. paperback
ref. 0850361990New. paperback. New. Satisfaction Guaranteed or your money back. paperback
ref. 0845347705New. paperback. New. Satisfaction Guaranteed or your money back. paperback
ref. 0841503125New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
ref. 381926129X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1023179466.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 11297Printed on one side. Oblong card. Rome: Ugo Ferranti 1987. Invitation to LeWitt’s 1987 show with Ugo Ferranti. Fine. unknown
ref. 11296Printed on one side. Oblong card. Rome: Ugo Ferranti 1982. Announcement card for LeWitt’s 1982 exhibition in Rome. Fine. unknown
ref. 11298Printed on one side. Card. New York: John Weber Gallery 1988. Invitation for the first of two LeWitt exhibitions at John Weber’s gallery in 1988. Fine. unknown
ref. 11299Printed on one side. Card. New York: John Weber Gallery 1988. Invitation for the second of two LeWitt shows at John Weber’s gallery in 1988. Fine. unknown
ref. 6209261035.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 6209261205.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1834123194.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012ref. C2-Y11Crisp clean interior pages with full color photos free of any markings. Light shelf wear to edges of covers. 120 pages; 10.5" x 9.5'' - Sol LeWitt: The Well-Tempered Grid is the first exhibition to focus on the centrality of the grid in LeWitt's art. The exhibition focuses on LeWitt's use of the grid as a generative matrix for his artistic production over the span of nearly five decades from 1960 until his death in 2007. Inspired by his first encounter with the work of photographer Eadweard Muybridge in the late 1950s LeWitt began experimenting with a loosely structured grid in several large oil paintings of 1960 based on the Muybridge motif of a running man. By 1962 he had simplified his use of this format to exclude figurative elements and by 1964 he was making his first wall-mounted grid structures. When LeWitt made his first wall drawings in 1968 he used the grid as the underlying structural principle. Thereafter grids became a pervasive matrix in all of the media in which LeWitt worked--three-dimensional "structures" drawings and gouaches on paper photographic cycles artist's books furniture and wall drawings. Fully illustrated with 95 color images and a plate section the book includes three essays including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book Autobiography a publication consisting solely of 1101 photographs of LeWitt's New York studio organized over 128 pages in nine-part grids. Williams College Museum of Art paperback
ref. 6208223474.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 6209258476.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 11257Printed on one side. Card. New York: John Weber Gallery 1971. Announcement card for LeWitt’s first solo show at John Weber’s gallery. In fine condition. Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
ref. 11258Printed on one side. Card mailed. Brussels: galerie MTL 1972. Announcement card for LeWitt’s first solo exhibition in Belgium and with Fernand Spillemaeckers’s galerie MTL. The works to be shown are listed on the front of the card. In excellent condition. This copy mailed to artist Jacques Charlier b. 1939. Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
ref. 11259Printed on one side. Card mailed. London: Lisson Gallery 1973. Invitation card for LeWitt’s 1973 exhibition with Lisson Gallery. In fine condition. Mailed to Evert van Straaten b. 1948 future director of the Kröller-Müller Museum in Otterlo. Not in Sol LeWitt: Libros El concepto como arte 2014. Installation photos for the exhibition can be viewed on Lisson’s website. unknown
ref. 11262Printed on both sides. Square card mailed. London: Lisson Gallery 1979. Invitation to LeWitt’s 1979 Lisson exhibition. In fine condition. Mailed to collector Udo Brandhorst b. 1939 founder of the Museum Brandhorst. Not in Sol LeWitt: Libros El concepto como arte 2014. unknown
