ROBERTO VALENTINOMareMagnum
11.626 risultati
2002LEGENDS JAZZ EDITORI RIUNITI 2002 FONDO DI MAGAZZINO: PERFETTO E INTONSO. Il testo presenta una monografia del jazzista John Coltrane fornendo notizie sulla sua vita, le sue opere discografiche e la sua eredità artistica.
1957ERI EDIZIONI RADIO ITALIANA 1957 222 PAGINE. SEGNI DEL TEMPO, STRAPPI ALLA SOVRACCOPERTA, INTERNI IN BUONE SE NON OTTIME CONDIZIONI, CONSIDERATI GLI OLTRE 50 ANNI DEL VOLUME.
1969RIZZOLI 1969 510 PP. FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME INTONSO, MAI SFOGLIATO.
1970cm. 22,5 x 32, 36 pp. Accademia dei Concordi. Rovigo - Pubblicazioni del Centro di Studi Musicali 162 gr. 36 p.
1975cm. 21,5 x 31, 28 pp. Accademia dei Concordi. Rovigo - Pubblicazioni del Centro di Studi Musicali 140 gr. 28 p.
1999Araba Fenice, ottobre 1999.Testi di Benjamin Franklin, Thomas Jefferson, Washington Irving, Ralph Waaldo Emerson, Henry David Thoreau, Henry Wadsworth Longfellow, Francis Parkman, Nathaniel Hawthorne, Emily Dickinson, Walt Whitman, Mark Twain, Henry Adams, William James, Simon Bolivar, Sun Yat-sen, Natsume Soseki, Rabindranath Tagore. Rilegato con sovraccoperta. Prima edizione. Piccole fioriture al taglio superiore. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
1970Venezia, El Sol Edizioni, dicembre 1970. Introduzione di Silvio G. Cusin. 2 incisioni di Grazia Lazzari. Copertina di Andrea Pagnacco. Brossura con alette. Prima edizione. Ordinarie tracce d'uso. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in good conditions, no inscriptions or markings inside. Worldwide delivery.
2000Collana: La Scala, agosto 2000. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
1765In-8°; pp. 40, al frontespizio monogramma della asocietà di gesù inciso su legno, nel testo testatine e finalini xilografici; studio applicato alla ricerca del diametro del sole e dei pianeti, venere e marte contiene alla fine delle tavole di calcoli. Sommervogel I, 601, n.11. cart. muto. scienza science astronomia astronomy ottica optics società gesù pianeti micrometro strumenti tecnologia Micrometers Instruments Planets Observations Sun Diameters
2016rif. 840842016. Soleil Sylvain Editor. Watkin Thomas Glyn Editor. Law and Justice in the Integration of Two Lands: France and Brittany England and Wales: A Colloquium Held in Cardiff and Rennes in April 2005. Bangor U.K.: The Welsh Legal History Society 2016. xiii 234 pp. Blue cloth with gilt stamped spine and front cover. Near fine. Signed letter by Thomas Glyn Watkin laid in. Internally clean. $50. Contents: The Crown of England and the Medieval Government of Wales J. Beverly Smith; En Route to Ireland: Henry II and the Laws of Wales Thomas Glyn Watkin; Early Modern Precedents for Autonomous Welsh Government Peter R. Roberts; La Controverse sur L'Existence d'un e'tat Breton Independant a L'Avenement de la Duchesse Anne Thierry Hamon; Le Parlement de Bretagne aux XVIe-XVIIIe Sie`cles: Gardien des Liberte's Bretonnes ou Institution Francaise D'Incorporation Marie-Yvonne Cre'pin; Le Bretagne Nationalise'e: Droit et Ideologie dans le Debat Parlementaire des 8-11 Janvier 1790 Sylvain Soleil; L'hermine et la Pourpre: La Cour Souveraine de Rennes et la Cour de Cassation au XIXe`me Sie`cle Claire Bougle'; Did an Independent Breton State Exist Before the Marriage of Anne of Brittany Thierry Hamon English Version by Olivier Taviot; The Parlement of Brittany from the XVIth to the XVIIIth Centuries: A Guardian of Breton Liberties or a French Incorporative Institution Marie-Yvonne Cre'pin English Version by Olivier Taviot; The Ermine and the Purple: The Court of Rennes and the Court of Cassation in the XIXth Century Claire Bougle' English Version by Olivier Taviot; Custom and Criminal Case Law in the XVIth-XVIIIth Centuries; A Breton Legal Idiosyncracy or the Establishment of French Law Muriel Rolland; Le Mode`le Gallois et la Pratique Galloise de la De'volution David Lambert and Marie Navarro; Address by the President at the Conclusion of the Cardiff Session The Right Hon. Sir John Thomas PC. unknown books
1988rif. 168378Minneapolis: Minnesota Center for Book Arts 1988. First Edition. Softcover. First Edition. Catalog for an exhibition which ran from February 27 through May 22 1988 at the Minnesota Center for Book Arts. About Fine in saddle-stapled wrappers. Minnesota Center for Book Arts unknown books
2010rif. 169521Boston: Pucker Gallery 2010. First Edition. Softcover. Exhibition catalog. First Edition. Photo-illustrated in color throughout. A few tiny scratchees to the front panel else As New. Pucker Gallery unknown books
1993rif. 153437Andover MA: Addison Gallery 1993. First Edition. Softcover. First Edition. Published in conjunction with an exhibition of Sol LeWitt's work which ran from April 16 to June 13 1993. About Fine in wrappers. Addison Gallery unknown books
1990rif. 153787London: Nicola Jacobs Gallery 1990. First Edition. First Edition. Published in conjunction with an exhibition at Nicola Jacobs Gallery between June 27 and September 1 1990. Near Fine in card wrappers. Light toning and edgewear to wrappers with a small bump to lower right corner. Nicola Jacobs Gallery unknown books
1981rif. 127199New York: Soho News 1981. Original poster for a performance by Steve Reich and Musicians Philip Glass Sun Ra John Ashbery Paul Jacobs and others on May 27 1981. An important moment for modern classical music. This concert coincided with the unveiling of a new music programming policy at New York's WNYC at that time the "broadest commitment to modern music made to date by any classical music station in the country." The performance brought together Reich and Glass but also avant-garde jazz composer Sun Ra poet Ashbery choreographer Lar Lubovitch and percussionist/sound designer David Van Tieghem. 11 x 17 inches. Near Fine with some age-toning and minor wear at the edges. Soho News unknown books
1981rif. 16646New York: Arbor House 1981. First Edition. Hardcover. Very Good/Very Good. Very Good in a Very Good dust jacket unclipped $14.95 bumped at the edges a crease at the front flap. Quarter red cloth with black paper on the boards. Square and firmly bound some soiling at the edges clean internally. From the author of The Warriors a Cold War-era novel "set against the nuclear naval and diplomatic backdrop of the Cuban missle crisis. Arbor House hardcover books
1933rif. 43257New York: The Macaulay Company 1933. Second printing. Very good in a good jacket. Sensational novel of two OB-GYN doctors and their patients. Despite the book's "completely frank medical vocabulary" and use of a "simple and easily understandable glossary" a contemporary review in the Journal of the American Medical Association summed up the work thus: "The book is neither fish nor fowl neither fiction nor science neither essay nor poetry. It is just an attempt to capitalize the public's morbid interest in obstetrics gynecology and abortions." Hardcover. 8vo. Dark brown cloth with maroon titles and illustration stamped to front board and spine. In original pictorial dust jacket. A very good copy in a good DJ. 1.25" tall chip to jacket front panel. Some creasing and chipping to top and bottom of jacket especially at spine; price clipped. Boards a bit rubbed with a thin layer of soil. Front hinge repaired. Clean throughout. 307pp. The Macaulay Company unknown books
1980rif. 43784Southfield MI: Poetry Resource Center of Michigan 1980. Very good plus. Compilation of Michigan small presses and periodicals including "all presses currently known to" the editors. Collated under the sponsorship of the Poetry Resource Center of Michigan at the Fourth Annual Michigan Poetry Festival in Lansing. 11'' x 8.5''. Side-stapled stiff paper wrappers. Staples beginning to rust. Very mild edgewear and toning. 42 pages. Poetry Resource Center of Michigan unknown books
1959rif. 88976Guatemala: Ministerio de Educacion / Tipografia Nacional / Editorial Jose de Pineda Ibarra 1959-1983. First Edition. 36 softcovers including the First and Second Editions of no. 2. Octavos 19cm; pictorial paper wrappers; French flaps; black-and-white photographic halftones and illustrations including fold-out map and charts throughout. Full pagination available upon request. Text in Spanish. From the library of contributor noted poet translator and anthropologist Edward Michael Mendelson pseud. Nathaniel Tarn with his pictorial bookplate and ownership stamp to half-title page of several issues and his occasional pencilled notes. All issues tanned with modest shelf-wear and -soil and rubbing to edges; overall Very Good. Issues on Guatemala social history with contributions by Charles Wisdom Jorge Luis Arriola and Ernesto Chinchilla Arguilar. 88976. Ministerio de Educacion / Tipografia Nacional / Editorial Jose de Pineda Ibarra unknown books
1832rif. 50106Philadelphia: Carey & Lea 1832. First printing. Near fine. First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney from whose book CECILIA Austen may have borrowed the very phrase "pride and prejudice". Austen admitted in a letter that she thought her book's heroine Elizabeth Bennett "as delightful a creature as ever appeared in print" 29 January 1813 - and generations of readers have agreed with her. First published in 1813 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 750 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of Vol. I. 199 1; 209 1 pages. Vol. I with early pencil inscription of the Portsmouth Athenaeum to fly leaf; early newspaper clipping on "Jane Austen's Genius" archivally tipped onto rear fly leaf. Some browning light staining to text block a few early marginal pencil notes. Bright. Carey & Lea unknown books
1833rif. 53550Philadelphia: Carey & Lea 1833. Very good plus. First US edition of Austen's first novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 199 1; 189 1 pages. Light pencil notation to fly leaf of Vol. I. Some offsetting marks to endpapers from earlier binding archival paper repair to fly leaf; light browning to leaves some staining. Solid. Carey & Lea unknown books
1833rif. 53548Philadelphia: Carey & Lea 1833. Near fine. First US edition of the most bookish of Austen's novels - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Often misread as critical of the gothic novels that were popular at the period of its first composition NORTHANGER ABBEY is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form - written uncharacteristically in first person directly from the narrator. First published in late 1817 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author as her books were all published anonymously in her lifetime. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 195 1; 196 pages. Light pencil notation to title of Vol. 2. Some offsetting marks to endpapers from earlier binding; light browning to leaves a few small stains. Bright. Carey & Lea unknown books
1832rif. 53547Philadelphia: Carey & Lea 1832. Near fine. First US edition of Austen's third published novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play LOVERS' VOWS. Among Austen's works MANSFIELD PARK especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of volume I. 4 200; 204 pages. Vol. II with pencil inscription of the Portsmouth Athenaeum to fly leaf. Some browning a few spots of staining to text block some early pencil notes. Tight. Carey & Lea unknown books
1966rif. 82726Pennington NJ: Educational Consultants Collaborative 1966. First Edition. Slim octavo 21.5cm; original photo-illustrated card wrappers stapled; iv262pp. Gentle sunning and light wear along the spine-fold; contents fresh; Near Fine. An essay and a report discussing the legal and moral responsibility schools face in "preparing individuals for full citizenship" zeroing in on the increasing rise in unskilled and uneducated students from the slums and backwoods and discussing "how a painting studio workshop as a formal part of the school curriculum can help resolve conflict and consolidate cultures" from the introductory matter. Front cover reproduces a photograph by Sol Libsohn 1914-2001 a documentary photographer and co-founder of the New York Workers Film and Photo League. Uncommon in commerce with OCLC showing just 4 holdings Columbia UC Davis Rutgers RISD. 82726. Educational Consultants Collaborative unknown books
1993rif. 52969Andover Massachusetts: Addison Gallery of American Art 1993. First printing. Near fine. First edition of this catalogue for a retrospective on Lewitt's evolving Addison Gallery "studio-exhibition" featuring 44 mesmerizing wall drawings. 9'' x 11''. Original color photographic wrappers. Illustrated throughout in black and white and color. 88 pages. Wrappers with touches of edgewear. Interior clean. Vibrant. Addison Gallery of American Art unknown books
