LEWITT, SolABAA
11.746 risultati
2010rif. 206458Chicago IL: Rhona Hoffman Gallery 2010. First edition. Softcover. 4 pages. Exhibition brochure for a show that ran April 9 thorugh May 15 2010. Includes three illustrations two of which are in color. A near fine copy in stapled wrappers with some minor wear. Scarce with only 1 copy listed in OCLC. Rhona Hoffman Gallery unknown books
1832rif. 50106Philadelphia: Carey & Lea 1832. First printing. Near fine. First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney from whose book CECILIA Austen may have borrowed the very phrase "pride and prejudice". Austen admitted in a letter that she thought her book's heroine Elizabeth Bennett "as delightful a creature as ever appeared in print" 29 January 1813 - and generations of readers have agreed with her. First published in 1813 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 750 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of Vol. I. 199 1; 209 1 pages. Vol. I with early pencil inscription of the Portsmouth Athenaeum to fly leaf; early newspaper clipping on "Jane Austen's Genius" archivally tipped onto rear fly leaf. Some browning light staining to text block a few early marginal pencil notes. Bright. Carey & Lea unknown books
1833rif. 53550Philadelphia: Carey & Lea 1833. Very good plus. First US edition of Austen's first novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 199 1; 189 1 pages. Light pencil notation to fly leaf of Vol. I. Some offsetting marks to endpapers from earlier binding archival paper repair to fly leaf; light browning to leaves some staining. Solid. Carey & Lea unknown books
1833rif. 53548Philadelphia: Carey & Lea 1833. Near fine. First US edition of the most bookish of Austen's novels - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Often misread as critical of the gothic novels that were popular at the period of its first composition NORTHANGER ABBEY is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form - written uncharacteristically in first person directly from the narrator. First published in late 1817 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author as her books were all published anonymously in her lifetime. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 195 1; 196 pages. Light pencil notation to title of Vol. 2. Some offsetting marks to endpapers from earlier binding; light browning to leaves a few small stains. Bright. Carey & Lea unknown books
1832rif. 53547Philadelphia: Carey & Lea 1832. Near fine. First US edition of Austen's third published novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play LOVERS' VOWS. Among Austen's works MANSFIELD PARK especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards lettered in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of volume I. 4 200; 204 pages. Vol. II with pencil inscription of the Portsmouth Athenaeum to fly leaf. Some browning a few spots of staining to text block some early pencil notes. Tight. Carey & Lea unknown books
1993rif. 52969Andover Massachusetts: Addison Gallery of American Art 1993. First printing. Near fine. First edition of this catalogue for a retrospective on Lewitt's evolving Addison Gallery "studio-exhibition" featuring 44 mesmerizing wall drawings. 9'' x 11''. Original color photographic wrappers. Illustrated throughout in black and white and color. 88 pages. Wrappers with touches of edgewear. Interior clean. Vibrant. Addison Gallery of American Art unknown books
1913rif. 67292Nantong: Nantong Hanmolin Bookstore 1913. Stab-stiched book 7.75 x 5.25 in. four volumes later bound into one; portrait plate of Sun; tan paper wrappers; title label of first volume perished and replaced with manuscript label last 4 leaves of vol. four chipped at corner text unaffected very good. OCLC cites a preceding edition in 1912. Nantong Hanmolin Bookstore unknown books
1994rif. 200441Andover MA & Seattle WA: Addison Gallery of American Art / University of Washington Press 1994. First edition. Oblong softcover. 88 pages. Exhibition catalog for a show that ran January 15 through April 15 1993 for the drawings in progress and then April 16 through June 13 1993 for the completed works. Features text by Jock Reynolds. Includes numerous color and black and white illustrations and checklist. A clean very near fine copy in wrappers. Addison Gallery of American Art / University of Washington Press unknown books
rif. 200760San Francisco CA: The Arion Press 2003. First edition and first printing. Hardcover. The sixty-seventh publication of the Arion Press. From an edition of 400 copies that were designed by Andrew Hoyem with the assistance of several others and printed on mould-made paper done in a Magnani mill in Italy. Features an introduction by Helen Vendler. A collection of 48 poems by Seamus Heaney accompanied by 48 drawings by Sol Lewitt. A fine copy in cloth boards and in a fine cloth covered slipcase. No dust jacket as issued. Signed by both Heaney and Lewitt on the colophon page. One of the more attractive books in Heaney's extensive body of work. Brandes & Durkan A51c. This is a heavy and oversized book and will require extra shipping. The Arion Press unknown books
1996rif. 202365San Antonio TX: Artpace 1996. First edition. Exhibition brochure. Single sheet folded three times to create 8 pages. Features an essay by Hills Snyder Includes color illustrations list of previous exhibitions and a selected bibliography. A very near fine copy. Uncommon with only 3 copies listed in OCLC. Artpace unknown books
2000rif. 202464San Antonio TX: Artpace 2000. First edition. Exhibition brochure for a show that ran September 7 through October 15 2000. Features an essay by Sun Jung Kim. Includes color illustrations list of previous exhibitions and a selected bibliography. A very near fine copy. Uncommon with only 3 copies listed in OCLC. Artpace unknown books
2000rif. 202465San Antonio TX: Artpace 2000. First edition. Exhibition brochure for a show that ran September 7 through October 15 2000. Features an essay by Sun Jung Kim. Includes color illustrations list of previous exhibitions and a selected bibliography. A very near fine copy. Uncommon with only 4 copies listed in OCLC. Artpace unknown books
2004rif. 202821Prato: Gliori 2004. First edition and first printing. Oblong hardcover. Features brief poems by Bruno Cora in Italian A collection of 24 color plates. A fine copy in screw bound boards. No dust jacket as issued. A very nicely printed book. Gliori unknown books
1989rif. 196920Bern: Kunsthalle Bern 1989. Second revised edition. Oblong softcover. 160 pages. Exhibition catalog for a show that ran January 27 through March 12 1989 Text by Ulrich Loocke in English and German. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers. Kunsthalle Bern unknown books
1985rif. 191573Chicago IL: Sol Lewitt Wall Project 1985. First edition. Softcover. 8 pages. Text by Judith Russi Kirshner. Includes with the covers 8 black and white illustrations. A very near fine copy in stapled wrappers and laid in a loose invitation sheet. Sol Lewitt Wall Project unknown books
1975rif. 192558New York: Harper & Row Publishers 1975. First edition and first printing. Hardcover. 183 pages. A novel from the author of "Warriors." A very good copy in paper covered boards with a cloth spine with some of the usual sunning to the edges of the boards and in a very good plus dust jacket with a few tiny tears and minor wear. Harper & Row Publishers unknown books
2019rif. 196225Arles: Actes Sud 2019. First edition. Softcover. 61 pages. Text in English and French with a foreword by Alain Lombard an essay by Stephane Ibars and a conversation between Ibrs and Yvon Lambert. Includes numerous color and black and white illustrations a checklist and other biographical information. A clean near fine copy in wrappers with some very minor wear. Actes Sud unknown books
1978rif. 185437Madison WI: The Amperzand Press 1978. First edition. Softcover. 50 pages. Number 246 of 500 copies of this collection of poems. A near fine copy in stapled wrappers that are lightly soiled and with some very minor wear. Signed and inscribed by Del Sol on the page facing the copyright page. Uncommon with only 2 copies listed in OCLC. The Amperzand Press unknown books
1978rif. 179176New York: The Museum of Modern Art 1978. First edition. Exhibition brochure for a show that ran February 3 through April 4 1978. Single large sheet folded three times. Includes introduction biography several black and white illustrations a descriptive checklist and a floorplan. A clean very near fine copy. Uncommon ephemera. The Museum of Modern Art unknown books
2005rif. 181344Zurich: Stiftung fur Konstruktive und Konkrete Kunst 2005. First ediiton. Oblong hardcover. 84 pages. Published in conjunction with an exhibition. Text in English and German by Georg Imdahl and Elisabeth Grossmann. Includes 82 illustrations of which 28 are in color. A fine copy. No dust jacket as issued. An as new copy still in the publisher's shrinkwrap. Stiftung fur Konstruktive und Konkrete Kunst unknown books
1984rif. 177005Summit NJ: Summit Art Center 1984. First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran November 4 through December 30 1984. Includes color and black and white images by Chuck Close Robert Cumming David Hockney Nancy Holt Sol Lewitt Lucio Pozzi Robert Rauschenberg Lucas Samaras Naomi Savage George Segal and Kenneth Snelson. A near fine copy in stapled wrappers. Summit Art Center unknown books
1989rif. 172065Paris: Yvon Lambert 1989. First edition. Oblong softcover. Includes with the covers 12 black and white illustrations. A close to near fine copy in wrappers that are very lightly soiled. Internally a clean copy. Uncommon. Yvon Lambert unknown books
1994rif. 172077Fort Worth TX: Modern Art Museum of Fort Worth 1994. First edition. Softcover. Foreword by Marla Price. Preface acknowledgments and notes by Michael Auping. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers. Modern Art Museum of Fort Worth unknown books
1980rif. 172066Tokyo Japan: Galerie Watari 1980. First edition. Small oblong softcover. 16 pages Published for an exhibition that opened March 1 1980 at Galerie Watarie. Includes 15 black and white drawings. A near fine copy in stapled wrappers with some very faint foxing and slight creasing to the bottom left corner. Galerie Watari unknown books
1868rif. 57679New York: Harper & Brothers publishers Franklin Square 1868. 8vo pp. viii 1 10- 275 1 4 ads; 15 illustrations and a portrait of the author; original pictorial wrappers; spine slightly chipped else near fine. Howes S-672; Hamilton 1625: "This appears to be a reissue of The Theatrical Apprenticeship 1846 with many changes and much new material. It contains the same 8 illustrations by Darley together with 7 additional illustrations." DAB reports this work to be a combination of his two autobiographical works published in 1846 and 1854 respectively. Harper & Brothers, publishers, Franklin Square unknown books
