9 726 résultats
réf. CNAP067San Francisco: The Arion Press 2003. Limited Edition. Hardcover. New. LeWitt Sol. Square 10 7/8" by 10" 128 unnumbered pages. The type is 24-point Deepdene handset with smaller sizes in Monotype composition by Mackenzie & Harris for subsidiary matter. The drawings were scanned to make negatives for photopolymer plates. The paper is Pescia a mould-made sheet from the Magnani mill in Italy. The binding done in-house is hand-sewn in full gray cloth printed by letterpress with a design that is an enlarged reference to elements in the artist's drawings and titled on the front back and spine. The volume is enclosed in a darker gray cloth slipcase that features the same front and spine titling as on the book. The volume is signed by both the poet and the artist. This was the first of two volumes of Heaney's poetry published by Arion Press the second being "Stone From Delphi" 2012. Seamus Heaney 1939-2013 was lecturing at the University of California Berkeley in 1999. Through Helen Vendler we invited him to come to San Francisco to visit Arion Press and have lunch with us on South Park. On February 9 he arrived bearing a present a copy of the manuscript of a translation he had just made of a Pushkin poem about the legendary poet Arion who in Ovid's "Metamorphoses" is saved from the sea by a dolphin. We printed the poem as a keepsake for Arion subscribers in 2002. Hoyem proposed to Heaney that Arion Press publish a deluxe limited edition of his forthcoming translation of "Beowulf" with facing Old English. His publishers Faber & Faber and Farrar Straus & Giroux had intended to use only the translation. Heaney took the idea back to his publishers and they agreed to add the Old English text which obviated the rationale for the limited edition. Vendler prevailed upon Heaney to allow us to instead produce a limited edition of his most important series of poems "Squarings". Hoyem approached Sol LeWitt 1928-2007 to do four prints for the four sections of twelve poems each. Instead the artist offered to do forty-eight drawings one for each of the poems as squares with underlying patterns and overlying scribbles. Please note that this copy is marked as "Display I" but is still in as-new condition. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
réf. B70940-3London/New York Lisson Gallery; Studio International/ Paul David Press 1971. Title-page & 34 plates. Sm. sq. 4to. Wraps. [London/New York (Lisson Gallery; Studio International/ Paul David Press), 1971]. paperback books
réf. B197288-1New York Rizzoli International Publications/ Multiples Inc. 1980. 4pp. 30 color plates with 120 images. Sm. sq. 4to. Wraps. New York (Rizzoli International Publications/ Multiples, Inc.), 1980. paperback books
réf. B198294-1Washington Max Protech Gallery 1977. 24pp. Prof. illus. Text reproduced from the artists manuscript. Sq. 12mo. Self-wraps. Reprint of the 1974 edition. Washington (Max Protech Gallery), 1977. paperback books
1969réf. 33956New York: Vito Hannibal Acconci 1969. Very Good. New York: Vito Hannibal Acconci 1969. First Edition. Small quarto; staple bound wrappers; 96pp. printed mimeograph; black and white illustrations throughout. Front wrap wrinkled with a few scrapes; binding sound; pages unmarked; Very Good. Late issue of this experimental mimeographed magazine exploring the role and use of language and performance art. Includes "Moon in Three Sentences" by Bernadette Mayer "Sentences on Conceptual Art" by Sol LeWitt and "Firecrackers" by Rosemary Mayer an attempt to document firecrackers going off in Little Italy on July 4th 1968. . Vito Hannibal Acconci unknown books
1968réf. 30960New York: William Morrow & Company 1968. Very Good/Very Good. New York: William Morrow & Company 1968. First Edition. Octavo. 670 pp. Printed dust jacket with $8.95 price present. Black and yellow boards stamped in orange. Dust jacket rubbed with chips along edges and spine; dampstaining to base of spine; patchy spotting to verso. Boards edgeworn with shallow loss to top of spine; spotting to cloth sizing along edges and joints. Binding sound. Dampstaining to edge of text block along bottom front corner text unaffected; overall a Very Good copy. Includes essays fiction and poetry from authors such as Sonia Sanchez Stokely Carmichael and Sun Ra among others. William Morrow & Company unknown books
1983réf. 575564Boston: Little Brown and Company 1983. Hardcover. Fine/Near Fine. First edition. Small quarto. 240pp. Illustrated from color photographs. A bit of bumping along the bottom board edges else fine in a near fine dust jacket with light uneven sunning. Little, Brown and Company hardcover books
1960réf. 245225Taibei: Yi wen yinshu guan 1960. Unpaginated bound with thread in traditional manner large format 10.25x14.25 inches binding thread broken at one point. Facsimile of calligraphy. Yi wen yinshu guan unknown books
1967réf. 592551Rutland Vermont: Charles E. Tuttle Company 1967. Hardcover. Fine/Near Fine. First American edition. Illustrations by Ho Thanh Duc. Small quarto. Fine in a price-clipped near fine dust jacket with a few bumps along the edges. Charles E. Tuttle Company hardcover books
1981réf. 554364New York: Arbor House 1981. Hardcover. Fine/Near Fine. First edition. Fine in a near fine dust jacket with light toning and edgewear. Arbor House hardcover books
1984réf. 105431984. Color photographic illus. on recto details to verso. Photographic postcard. Eindhoven: Van Abbemuseum 1984. Postcard published by the Van Abbemuseum for LeWitt’s simultaneous solo exhibition at Amsterdam’s Stedelijk Museum. The recto photograph depicts the artist’s Structure 13-7 1981. Fine. unknown books
réf. 9193Printed on one side. Card. Torino: Galleria Sperone 1970. Invitation card for LeWitt’s solo debut with Gian Enzo Sperone in Torino. In excellent condition. â§ A. Minola ed. Gian Enzo Sperone: Torino-Roma-New York 35 anni di mostre tra Europa e America 2000 Vol. I pp. 168-69 installation photographs & Vol. II p. 492. unknown books
réf. 9194Printed on one side. Oblong card. Paris: Galerie Yvon Lambert 1974. Invitation card for LeWitt’s 1974 show with Yvon Lambert. In fine condition. â§ S. Richard Unconcealed: The International Network of Conceptual Artists 1967-77 Dealers Exhibitions and Public Collections 2010 p. 371 recorded as “Incomplete Open Cubes” and taking place in March. unknown books
réf. 9288Printed on both sides. Card. Eindhoven: Stedelijk Van Abbemuseum 1984. Invitation card to LeWitt’s 1984 solo exhibition at Eindhoven’s Van Abbemuseum. Fine. unknown books
réf. 9332Printed on one side. Card. N.p.: Max Protetch 1974. Invitation card for LeWitt’s first solo show with Protetch. Earlier that year the artist was included in the gallery’s group exhibition “Political Art” with Andre Buren Morris and Rockburne. The artist’s book/exhibition catalogue The Location of Eight Points was made for the present show the first catalogue published by the gallery. In fine condition. â§ Max Protetch Gallery: 1969-2009 Radius Books: 2023 p. 54. unknown books
réf. 9333Printed on one side. Card. Torino: Gian Enzo Sperone 1974. Invitation card for LeWitt’s second solo exhibition with Sperone. An artist’s book/exhibition catalogue La posizione di tre figure geometriche Tre disegni su parete… was published for the occasion. In fine condition. â§ A. Minola ed. Gian Enzo Sperone: Torino-Roma-New York 35 anni di mostre tra Europa e America 2000 Vol. II p. 492. unknown books
réf. 9334Printed on one side. Oblong card. Amsterdam: Stedelijk Museum 1974. Invitation card for LeWitt’s first solo show at the Stedelijk Museum Amsterdam. In fine condition. unknown books
réf. 8395Large folding poster offset-printed in four colors on thick paper. Rome: Ugo Ferranti 1980. A beautiful and large poster made on the occasion of LeWitt’s show with Ugo Ferranti in Rome. The artist later published an artist’s book with Ferranti entitled Venti forme derivate da un cubo 1982. In excellent condition. unknown books
réf. 10141Black & white illus. on recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1969. A special copy mailed to Dutch collector Herman van Eelen of the postcard invitation for LeWitt’s second exhibition with Fischer. Their first collaboration had taken place 6 January-3 February 1968 – the gallerist’s fourth exhibition and the artist’s debut show in Europe. LeWitt’s preliminary sketch for one of the two wall drawings shown at the present exhibition A square divided horizontally and vertically into four equal parts each with a different direction of lines 1969 is reproduced on the recto. A mailed example in fine condition. Addressed to van Eelen’s Amsterdam address. â§ D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 19 pictured. unknown books
réf. 9602Black & white illus. on recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1969. Postcard invitation to LeWitt’s second presentation with Fischer. Their first collaboration had taken place 6 January-3 February 1968 – the gallerist’s fourth exhibition and the artist’s debut show in Europe. LeWitt’s preliminary sketch for one of the two wall drawings shown A square divided horizontally and vertically into four equal parts each with a different direction of lines 1969 is reproduced on the recto. “Konrad Fischer most likely saw Sol LeWitt’s work for the first time in 1967 in the exhibition Serielle Formationen in Frankfurt in which he also participated as a painter…It was Carl Andre who helped to convince LeWitt to do an exhibition with Konrad Fischer…It was LeWitt’s first solo show in Europe…Fischer held LeWitt in high regard and he dedicated altogether twelve solo shows to him.”–Cloud & Crystal: The Dorothee and Konrad Fischer Collection 2016 exhib. booklet p. 44. Near fine; discoloration to the verso. â§ D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 19 pictured. unknown books
réf. 9723One floorplan & six black & white illus. 16 pp. 8vo printed wrappers staple-bound. Houston: Cusack Gallery 1973. Scarce Sol LeWitt artist’s book/exhibition catalogue published for his 1973 solo exhibition at Barbara Cusack’s gallery. LeWitt’s handwritten instructions for the “Wall Drawings” are reproduced in facsimile facing sketches that he made. There is also a diagram of the gallery showing the placement of the drawings. In near fine condition; minor sunning. â§ Sol LeWitt: Libros El concepto como arte 2016 18 pictured p. 81. Maffei & De Donno eds. Sol LeWitt: Artist’s Books 2009 p. 45. unknown books
réf. 8510Black & white illus. 1 large illustrated sheet & 1 folded illustrated sheet forming 3 pp. loose as issued in printed glossy wrappers. Hamburg: Hossmann; Brussels: Yves Gevaert 1974. Uncommon artist’s book by Sol LeWitt 1928-2007 published in conjunction with his show at the Palais des beaux-arts in Brussels May-June 1974. With captions detailing LeWitt’s artworks in parallel English French and Dutch. In excellent condition. â§ G. Maffei & E. de Donno Sol LeWitt: Artist’s Books 2009 p. 55. Sol LeWitt: Libros El concepto como arte 2014 26 pictured pp. 96-99. unknown books
réf. 8251Details and illus. on recto verso blank. Pictorial card. New York: John Weber Gallery 1980. Invitation distributed by John Weber Gallery for an exhibition of Sol LeWitt photographs. These photographs were eventually used in LeWitt’s 1982 artist’s book under the same title published by Texas Gallery. Fine. â§ Not in P. Credi ed. An Invitation to Sol LeWitt 2016. unknown books
réf. 8261Color illustrations throughout on covers & inside of covers. 10 leaves. Tall 8vo semi-stiff pictorial covers stitched. Paris: Musée d'art moderne de la ville de Paris 1987. A rather scarce and nicely illustrated exhibition catalogue/artist’s book stemming from LeWitt's 1987 exhibition in Paris. Two publications were realized in conjunction with the occasion the other entitled Four Colors and All Their Combinations consists of 20 leaves and has the exhibition’s dates as 20 February-19 April. It focuses on single colors and their transformations when mixed while the present book reproduces Wall Drawings of geometrical shapes. As indicated by the text on the lower cover these drawings were executed by David Higginbotham Anthony Sansotta Marien Schouten Jo Watanabe Jean-Jacques Bauweraerts Bertrand du Chambon Christophe Cuzin Pierre Filippi Claude Picard and Bruno Rousselot. In fine condition. â§ Not in Maffei & de Donno Sol LeWitt: Artist’s Books 2009. Sol LeWitt: Libros El concepto como arte 2014 67 pictured pp. 152-53. unknown books
réf. 827712 black & white illus. 24 pp. Very tall 8vo 169 x 356 mm. orig. printed wrappers some sunning staple-bound. Zurich: Bruno Bischofberger 1969. LeWitt’s second “autonomous” artist’s book – i.e. not connected to an exhibition or part of another publication. This is one of 1000 copies printed all of which were numbered ours is no. 924 there were also 500 copies signed by LeWitt. 49 three-part variations… was published by the Zurich gallerist Bruno Bischofberger with whom LeWitt had his first solo presentation in February-March 1968. Bischofberger along with Konrad Fischer and Heiner Friedrich was one of the earliest European gallerists to engage and collaborate with LeWitt and other Conceptual artists. “Following Serial Project #1 ‘The Xerox Book’ and Set II A I-24 Sol LeWitt’s fourth book is 49 Three-Part Variations… which was published in 1969 and is large and oblong in shape its proportions being two squares wide by one square high. This doubling of the square format is approximately repeated with other books such as Schematic Drawings for Muybridge II 1964 of 1970 Open Geometric Structures… of 1979 and All Four Part Combinations of Six Geometric Figures of 1980. In each case the horizontal format is dictated by the content. 49 Three-Part Variations… is the second of LeWitt’s autonomous artist's books and again is not an exhibition catalogue but more a catalogue of forms.”–Clive Phillpot “Sol LeWitt’s Books: Complete & Incomplete” in Booktrek: Selected Essays on Artists’ Books 1972-2010 2013 p. 261. A near fine copy; some discoloration from sunning to the upper wrapper and a few inoffensive marks to the spine internally pristine. â§ Maffei & de Donno Sol LeWitt: Artists’ Books 2009 p. 31. Sol LeWitt: Libros El concepto como arte 2014 4 pictured p. 57. unknown books