11 113 résultats
1923réf. 27021Paris Fayard 1923 In-12 exemplaire bien relié, couvertures conservées, 414 pp
1923réf. 36951923 cartonné éditeur in-octavo, dos marron décoré et plats décorés, illustrations : gravures hors-texte dont 1 frontispice-portrait de Louis XIV, 288 pages, 1923 Tours Maison Alfred Mame et Fils,
1916réf. 37391916 (Prix Goncourt 1916)., Curandera, 1986, in 8, broché, 215 pages, absolument neuf
1924In-8°, (4), 362pp, buono stato di conservazione, legatura in piena pelle alle armi in oro sui due piatti, angoli bordati di motivi in oro e bordatura in oro su entrambi i piatti, dorso con nervature con tasselli decorati e titolo in oro, completo di custodia, numerose illustrazioni, frontespizio in bianco e nero. In-8 °, (4), 362pp, in good condition, full calf binding with Louis XIV’s coat of arms in gold on the two plates, corners edged with gold motifs and gold edging on both plates, ribbed back with decorated ornaments and title in gold, complete with case, numerous illustrations, black and white ftitle page.
réf. 2030Paris, Gaston Boutitie, 1920.**. Relie de l' epoque, plein veau fauve , dos a nerfs (5) dore, plats de papier marbre, 22,5x28,5cm, (2) couverture originale,185pp (4), couverture originale, (2), illustre.. Edition definitive. Illustree de 89 dessins d' apres nature dont dix en couleur, de RENEFER grave sur bois par Eug. Dete. N° 218 / 300 exemplaires numerotes.
2005réf. 2082502113900065Heibonsha 2005. Soft Cover. Fine. Number of books: 1 Heibonsha paperback
1997réf. 2090202120805212Heibonsha 1997. Soft Cover. Fine. Volume: 1 Heibonsha paperback
réf. 110082Soleil editions, DL Avril 2012, première édition. Un album cartonné d'environ 32 x 23 cm, 48 pages, très bon état. Jolie dédicace de Frichet en page de garde.
réf. 110002Soleil editions, DL Janvier 2013, première édition. Un album cartonné d'environ 32 x 23 cm, 48 pages, très bon état. Très belle dédicace de Frichet en page de garde.
réf. 54371Belgrade: Galerija SKC 1971. Quarto 30.5 × 21 cm. Original blind-stamped folder with transparent title page; 32 plates on glossy card stock. Folder with slight signs of wear; preface with a few highlighter marks; else very good. First and only edition of the extremely rare catalog of the first two important international exhibitions of conceptual art in Yugoslavia which saw participation by renowned artists such as Robert Barry Joseph Beuys Daniel Buren Sol LeWitt and Lawrence Weiner. In April 1971 the exhibition "At the Moment" was shown in Zagreb and then continued in Belgrade under the title "In Another Moment". In Zagreb the exhibition of works by 16 international artists and 3 artist groups did not take place in a prestigious museum or gallery space not even in a white cube but in the gateway of an ordinary apartment building on a busy street in the old town. Three photographic images in the catalog document this simple inconspicuous gateway on the "Day before exhibition" "Day of the exhibition" and "Day after exhibition". The catalog makes it impressively clear that the choice of location was itself conceptual in its randomness and simplicity by placing the photographs prominently at the beginning. Apart from this seemingly random driveway the pictures show nothing more than passers-by and on the day of the exhibition a somewhat larger group of visitors and a VW Beetle driving past. The foreword by Nena Dimitrrijević also begins with the sentence "An international exhibition organized in a hall-gate of an ordinary apartment house ." Last but not least the aim was to desacralize art. The works were to be literally removed from their pedestals and taken out of the temple of art and onto the street. The "conception were the negation of the gallery as a constant and 'consacrated' exhibition space" according to the introduction. The duration of the exhibition was also unusual. The works were only shown for three hours. Although the Belgrade continuation took place in a gallery a disruption of conventions was also built into this location. The exhibition was interrupted twice to create new constellations. The crucial point however was that it was not the curators or artists who were responsible for the rearrangement but one member of the technical team in each case. In this way the two exhibition organizers Nena and Braco Dimitrijević continued the working principle of conceptual art of delegating as many steps as possible in order to interrupt the fetishization of art and the continuity of the work with the artist. The door was literally opened to chance. The present catalog also continues this concept. Instead of the usual bound book pages the catalog consists of loose plates placed in a folder which can be rearranged as desired. Although the plates are numbered on the back they are not arranged according to content but merely alphabetically according to the names of the artists and groups.The cardboard-like plates in the catalog can therefore be placed in relation to each other in a variety of ways. Thanks to the excellent print quality each panel is not merely a reproduction but an individual work in its own right. The folder thus resembles a transportable exhibition that can be rearranged by anyone. The greatest possible flexibility was the declared aim of the two exhibition organizers. Cf. Seraina Renz Kunst als Entscheidung: Performance- und Konzeptkunst der 1970er Jahre am Studentischen Kulturzentrum Belgrad München 2018 pp. 123-132. The catalogue documents works by Giovanni Anselmo Robert Barry Joseph Beuys Stanley Brouwn Daniel Buren Victor Burgin Jan Dibbets Braco Dimtrijević Barry Flanagan Grupa / E KOD Grupa OHO Douglas Huebler Alain Kirili Jannis Kounellis David Lamels John Latham Sol Lewitt Goran Trbuljak Lawrence Weiner Ian Wilson. As of April 2024 OCLC lists only 2 copies in North America MoMA and Clark Art Institute. unknown
réf. DADAX0060156538New unknown
réf. DADAX0195078004New unknown
2018réf. __8119072561MP–NPA New India Publishing Agency – NIPA 2018. Paperback. New. 294 pages. 0.91x9.02x5.98 inches. MP–NPA New India Publishing Agency – NIPA paperback
2018réf. __9387973077MP–NPA New India Publishing Agency – NIPA 2018. Hardcover. New. 294 pages. 6.00x0.94x9.00 inches. MP–NPA New India Publishing Agency – NIPA hardcover
2025réf. x-3032082528Springer-Nature New York Inc 2025. Paperback. New. 500 pages. 9.25x6.10x9.21 inches. Springer-Nature New York Inc paperback
2022réf. C67786Cambridge 2022. First Edition. Hardback. No Dust Jacket As Issued. About fine. 8vo. pp xiv 231. Original publisher's colour illustrated paper covered boards lettered white at spine.ISBN: 9781108841375 hardcover
1971réf. R260270078Plenum press. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 430 + 584 pages.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1973réf. OP-98New York: Plenum Press 1973. Classic text provides a tested method of calculation of perception and reviews the literature through seven decades including detailed topics covering signal-to-noise theory; psychophysical experiments; image quality and observer performance; image reproduction by a line raster process; aliasing problems in two-dimensional sampled imagery; line-scanned imagery; etc. 345 pgs. Illustrated. Minor isolated tiny scuffs to dustjacket; in mylar. Minimal shelfwear. . First Edition. Hard Cover. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Plenum Press Hardcover
1971réf. OP-2New York: Plenum Press 1971. Classic encyclopedic reference work contains detailed topics covering methodology and applications of photoelectronic imaging devices. Vol.1 ISBN 0306370816 details the fundamental principles and theoretical methods of these devices; Vol.2 ISBN 0306370824 describes various devices their characteristics and their operation and detail methods used in laboratory analysis. 1014 pgs. collectively. Illustrated. Dustjacket in mylar. Prior owner's name on front endpaper. Heavy Item. Third Printing. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Plenum Press Hardcover
1971réf. 127418New York New York U.S.A.: Plenum Pub Corp 1971 2 volume hardback books in very good to near fine conditiondust jackets are very goodin clear mylar protective sleevesname blacked out on first blank pageboth volumes. 1st Edition. Hardcover. Very Good/Very Good. New York, New York, U.S.A.: Plenum Pub Corp hardcover
1951réf. 128358Couverture souple. Brochure de 24 pages. 15 x 23 cm.
1961réf. 141616Rio De Janeiro Brazil: The Author 1961. Softcover. Very Good. First edition. Illustrated by Biderman Sol. Very good in wrappers. Some notes in text paper covers are self wraped minor discoloring of covers end and first 3 text pages rough on top edge. The Author unknown books
1961réf. 86069Rio De Janeiro: np 1961. First edition. 39 pp. Top edges roughly opened else near fine in illustrated wrappers. Rio De Janeiro: (np), unknown books
2025réf. x-1032857250Routledge 2025. Hardcover. New. 244 pages. 9.68x6.87x9.61 inches. Routledge hardcover
réf. 49812218like new. unknown
