4.059 Ergebnisse
1979Best.-Nr. Q-0809274264NTC/Contemporary Publishing 1979-06-01. Hardcover. New. In shrink wrap. Looks like an interesting title! NTC/Contemporary Publishing hardcover
1995Best.-Nr. Q-0099529912Ballantine Books 1995-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Ballantine Books paperback
Best.-Nr. 9781493947041LIKE NEW. NEVER USED. ISBN MAY DIFFERS. NO ONLINE ACCESS AVAILABLE WITH THIS BOOK Springer paperback
1997Best.-Nr. 1000072155Wiley-Blackwell. Very Good. 1997. Fifth Edition. Hardcover. 0865425728 . No marks light wear . Wiley-Blackwell hardcover
Best.-Nr. Print28BB656Reprinted from Transactions Kansas Academy of Science. Pamphlet. Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Staple binding clean pages Reprinted from Transactions Kansas Academy of Science Reprinted from Transactions Kansas Academy of Science unknown
Best.-Nr. biblio490New book Pearson
2017Best.-Nr. 183612New Brunswick: Transaction Publishers 2017. Hardcover. VG very crisp and clean appears unread. Color illustrated boards with white and yellow lettering; xiv 262 pp; illustrated in bw and color. Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people tosee the art. Cognitive processes have a major role in how people interpret artworks because attention memory and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement--balance symmetry color line and shape--from an empirical point of view as opposed to more philosophical and speculative approaches. Then they explore the perceptual process paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology neuroscience and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock readers are introduced to a research-oriented understanding of how art has been perceived interpreted and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history psychology and neuroscience.--Publisher's description. Contents: Linking psychology to art and beauty -- Bridges connecting art to science to art -- Aesthetics : pleasure in art -- Emotions and aestheitics -- Survey of perception psychology relevant to art -- Perceiving art is accomplished in steps customized for efficient perception -- Reflecting on light mirrors and meaning -- Color through the ages and the eyes -- Human enhancements to vision and art -- Illusion motion perception and depth -- Seeing scenes and identifying things in art -- Cognitive processes in art -- Interpreting visual art : systematic but individualized -- Faces : revealing the person -- Creativity imagination perception and art -- Do artists have special insights Transaction Publishers hardcover
2017Best.-Nr. 183612New Brunswick: Transaction Publishers 2017. Hardcover. VG very crisp and clean appears unread. Color illustrated boards with white and yellow lettering; xiv 262 pp; illustrated in bw and color. Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people tosee the art. Cognitive processes have a major role in how people interpret artworks because attention memory and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement--balance symmetry color line and shape--from an empirical point of view as opposed to more philosophical and speculative approaches. Then they explore the perceptual process paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology neuroscience and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock readers are introduced to a research-oriented understanding of how art has been perceived interpreted and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history psychology and neuroscience.--Publisher's description. Contents: Linking psychology to art and beauty -- Bridges connecting art to science to art -- Aesthetics : pleasure in art -- Emotions and aestheitics -- Survey of perception psychology relevant to art -- Perceiving art is accomplished in steps customized for efficient perception -- Reflecting on light mirrors and meaning -- Color through the ages and the eyes -- Human enhancements to vision and art -- Illusion motion perception and depth -- Seeing scenes and identifying things in art -- Cognitive processes in art -- Interpreting visual art : systematic but individualized -- Faces : revealing the person -- Creativity imagination perception and art -- Do artists have special insights Transaction Publishers hardcover books
Best.-Nr. 22719Gresham Publishing Co. London 1908. First edition. Numerous illustrations and 11 splendid composite sectional models with moveable parts. Two volumes folio 13 1/2 x 10 inches pages 201 & 203 original decorative green cloth in a design by Talwin Morris. Endpapers discoloured else good. Weight 4.738 kg thus extra overseas postage will be requested. Gresham Publishing Co. London, 1908. hardcover
1881Best.-Nr. 975T20London: David Bogue 1881. Cloth. Good. 7.5" by 5.5". Not Stated. A very scarce copy of this Very scarce work. The original publisher's compliments ink stamp to the front free endpaper. With a frontispiece. A charming volume exploring Kensington written originally as random jottings following rambles around the local area. With chapters on Kensington Palace the house and square church and churchyard Campden House Holly Lodge and more. Written by Robert Weir Brown an English journalist. With the publisher's catalogue to the rear. In the original full cloth binding. Externally smart with light rubbing and bumping to the extremities. The odd small mark to the boards with a small split to the spine. Hinges just starting but firm. Internally firmly bound. Pages are very bright with the odd small spot. Good David Bogue hardcover
1891Best.-Nr. 39280London Longmans Green 1891. Large 8vo. xv453pp. Illustrated. LIMITED LARGE PAPER EDITION of 250 numbered copies. A volume in the Badminton Library of Sports and Pastimes. unknown
1903Best.-Nr. 3974075Hutchinson 1903. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2750grams ISBN: Hutchinson hardcover
Best.-Nr. 5796950Hutchinson & Co. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library. c. 1902 Please note the Image in this listing is a stock photo and may not match the covers of the actual item3300grams ISBN: Hutchinson & Co hardcover
1967Best.-Nr. ZB345856London 1967. approx. 35 pp. extracted from larger bound volume good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. London unknown
Best.-Nr. DADAX0882145096UNKNO 0000-00-00. Second Edition Revised and Expanded. paperback. New. 6.00x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. UNKNO paperback
2012Best.-Nr. DADAX0091943779Weir Alison/ Williams Kate/ Gristwood Sarah/ Borman Tracy 2012-03-07. First Edition. hardcover. New. 7.50x0.70x9.50. Buy with confidence. Excellent Customer Service & Return policy. Weir, Alison/ Williams, Kate/ Gristwood, Sarah/ Borman, Tracy hardcover
2003Best.-Nr. Q-0972619607Grimgribber Books 2003. Hardcover. New. In shrink wrap. Looks like an interesting title! Grimgribber Books hardcover
Best.-Nr. 637432580Taylor & Francis Group . Papeback. New. pp. 230 1st Edition Taylor & Francis Group unknown
2001Best.-Nr. Q-1585441147Texas A&M University Press 2001-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Texas A&M University Press hardcover
1991Best.-Nr. Q-0918373468Moon Publications Inc 1991-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Moon Publications, Inc paperback
2017Best.-Nr. 1-0134439414Pearson College Div 2017. Paperback. New. 14 edition. 864 pages. 10.80x8.40x1.10 inches. Pearson College Div paperback
1979Best.-Nr. Q-0897248589Alfred Music 1979-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
Best.-Nr. BIB-38383240Publisher: Arab Scientific Publishers Inc. Utg. 2016 455 p. This book is brand new. Original title: The Martian Language: Arabiska We have this book in our store house - please allow for a couple of extra days for delivery. unknown
2003Best.-Nr. Q-0723432112Mosby Ltd 2003-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Mosby Ltd paperback
2006Best.-Nr. x-0415392578Routledge 2006. Paperback. New. 1st edition. 241 pages. 9.00x6.25x0.75 inches. Routledge paperback