3002 resultados
2006ref. Q-0131992473Prentice Hall 2006-05-05. Paperback. New. In shrink wrap. Looks like an interesting title! Prentice Hall paperback
ref. 0927L514054exhibition. Good. 1972 Brigham Young University / Smithsonian Press Softcover. 96 pages with 86 black and white illustrations. Good overall condition with odd-shaped toning to a few pages and cover. No underlining etc. NOT EX-LIBRARY!!! CR paperback
ref. 57968229-6Cambridge University Press. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Cambridge University Press unknown
1999ref. x-0582298369Longman Pub Group 1999. Paperback. New. 256 pages. 8.25x5.25x0.75 inches. Longman Pub Group paperback
2011ref. Q-1426207131National Geographic 2011-01-18. Paperback. New. In shrink wrap. Looks like an interesting title! National Geographic paperback
ref. 1292253118New. Never used book
ref. 31823676-nnew. unknown
2011ref. Q-0321694627Pearson 2011-06-05. Paperback. New. In shrink wrap. Looks like an interesting title! Pearson paperback
ref. LDM0015876We ship worldwide. 100% guarentee. BRAND NEW unknown
2006ref. x-1844721310Cavendish Pub Ltd 2006. Paperback. New. 1st edition. 122 pages. 8.25x5.50x0.50 inches. Cavendish Pub Ltd paperback
ref. ria9788743813477_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book explores electric grid reliability from a non-technical multidisciplinary perspective focusing on societies facing economic political or environmental instability. It also shows how infrastructure performance depends not o paperback
ref. 18768653-nnew. unknown
ref. 637432580Taylor & Francis Group . Papeback. New. pp. 230 1st Edition Taylor & Francis Group unknown
2015ref. G8580414482I4N00Arqueiro 2015. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Arqueiro paperback
ref. 31823676like new. unknown
1965ref. 726740PN. New. 1965. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1961ref. 714674PN. New. 1961. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1965ref. 726739PN. New. 1965. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
ref. 9781493947041LIKE NEW. NEVER USED. ISBN MAY DIFFERS. NO ONLINE ACCESS AVAILABLE WITH THIS BOOK Springer paperback
1997ref. 1000072155Wiley-Blackwell. Very Good. 1997. Fifth Edition. Hardcover. 0865425728 . No marks light wear . Wiley-Blackwell hardcover
ref. Print28BB656Reprinted from Transactions Kansas Academy of Science. Pamphlet. Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Staple binding clean pages Reprinted from Transactions Kansas Academy of Science Reprinted from Transactions Kansas Academy of Science unknown
ref. biblio490New book Pearson
2017ref. 183612New Brunswick: Transaction Publishers 2017. Hardcover. VG very crisp and clean appears unread. Color illustrated boards with white and yellow lettering; xiv 262 pp; illustrated in bw and color. Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people tosee the art. Cognitive processes have a major role in how people interpret artworks because attention memory and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement--balance symmetry color line and shape--from an empirical point of view as opposed to more philosophical and speculative approaches. Then they explore the perceptual process paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology neuroscience and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock readers are introduced to a research-oriented understanding of how art has been perceived interpreted and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history psychology and neuroscience.--Publisher's description. Contents: Linking psychology to art and beauty -- Bridges connecting art to science to art -- Aesthetics : pleasure in art -- Emotions and aestheitics -- Survey of perception psychology relevant to art -- Perceiving art is accomplished in steps customized for efficient perception -- Reflecting on light mirrors and meaning -- Color through the ages and the eyes -- Human enhancements to vision and art -- Illusion motion perception and depth -- Seeing scenes and identifying things in art -- Cognitive processes in art -- Interpreting visual art : systematic but individualized -- Faces : revealing the person -- Creativity imagination perception and art -- Do artists have special insights Transaction Publishers hardcover
2017ref. 183612New Brunswick: Transaction Publishers 2017. Hardcover. VG very crisp and clean appears unread. Color illustrated boards with white and yellow lettering; xiv 262 pp; illustrated in bw and color. Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people tosee the art. Cognitive processes have a major role in how people interpret artworks because attention memory and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement--balance symmetry color line and shape--from an empirical point of view as opposed to more philosophical and speculative approaches. Then they explore the perceptual process paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology neuroscience and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock readers are introduced to a research-oriented understanding of how art has been perceived interpreted and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history psychology and neuroscience.--Publisher's description. Contents: Linking psychology to art and beauty -- Bridges connecting art to science to art -- Aesthetics : pleasure in art -- Emotions and aestheitics -- Survey of perception psychology relevant to art -- Perceiving art is accomplished in steps customized for efficient perception -- Reflecting on light mirrors and meaning -- Color through the ages and the eyes -- Human enhancements to vision and art -- Illusion motion perception and depth -- Seeing scenes and identifying things in art -- Cognitive processes in art -- Interpreting visual art : systematic but individualized -- Faces : revealing the person -- Creativity imagination perception and art -- Do artists have special insights Transaction Publishers hardcover books
1993ref. x-0691024928Princeton Univ Pr 1993. Paperback. New. reprint edition. 262 pages. 9.50x6.50x0.75 inches. Princeton Univ Pr paperback