Snow, SarahBiblio.com
6 192 résultats
2015réf. x-1138126756Routledge 2015. Hardcover. New. reprint edition. 135 pages. 8.75x5.75x0.75 inches. Routledge hardcover
1932réf. 015189The Crime Club Inc. / Doubleday Doran and Company Inc. 1932. 1st Edition . Hardcover. Very Good/Good. First US edition. Stated first edition. Octavo. 307 pp. Very good in a good or better jacket. Black cloth with yellow titling and pictorial decoration to boards. Publisher's yellow topstain to block. Minor pushing-in to head and foot. Signed by previous owner at FFEP gutter of rear pastedown and the bottom of page 307. Text is bright and clean throughout. Binding is tight and square. Vibrant yellow and black unclipped jacket bearing the original price of $2.00. Jacket has missing chips to the front upper corners with a small portion of the letter "D" missing from the title chips with loss of paper to the head and foot and chipping to edges. Jacket is now protected in an archival grade Brodart wrap. A tight copy in a scarce dust jacket of C.P. Snow's first novel. Securely shipped in a well packed box. The Crime Club Inc. / Doubleday, Doran and Company Inc. hardcover
réf. ANAIS-0966312848Thoth Pr. paperback. Good. 6x0.8x9.1. Buy with confidence. Excellent Customer Service & Return policy. Thoth Pr paperback
1848réf. 216961848. Notiz. Geb. Nat. Heilk. 3 105106. fortgeführt von M.J.Schleiden & R. Froriep. - Weimar Landes-Industrie-Comptoir Februar 1848 4° Sp.257-287 feine Broschur. Erstdruck! Meines Wissen die erste deutsche Mitteilung über John "Snow's chloroform inhaler". unknown
2024réf. SKU0565510Carolina Academic Press 2024-02-01. hardcover. Good. 0x0x0. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Carolina Academic Press hardcover
2024réf. SKU0613017Carolina Academic Press 2024-02-01. hardcover. New. 0x0x0. New Textbook Ships with Tracking Carolina Academic Press hardcover
1716réf. 52London: J. Nutt 1716. First edition. Leather Bound. Very Good . 9 1/4 x 14 1/2 inches. Folio. xii 535 numbered pages 2 leaf index. Title page soiled but otherwise pages clean with all edges uncut and nice wide margins. Scattered light foxing. Library stamp of the London College of Arms the official repository of coats of arms and pedigrees of English Welsh Northern Irish and Commonwealth families and official copies of the records of Ulster King of Arms. Bound in later black half leather with black cloth boards which are rubbed and lightly worn mostly at the extremities. ESTCT111946. One of the earliest and most detailed and careful investigations into apostolic succession preferments and prebends in the English Church. J. Nutt unknown
réf. DADAX0030075769Holt Rinehart and Winston 0000-00-00. 1st ed. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Holt, Rinehart and Winston hardcover
1882réf. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1882réf. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books
2009réf. 5650Peres Projects 2009. First Edition First Printing. Paperback. Fine. Berlin/Los Angeles Peres Projects 2009. Stiff black wrappers with letterpress in white on front cover and spine softcover 288 pages with numerous colour illustrations in various sizes throughout. Cited in Martin Parr Gerry Badger The Photobook vol 3 page 100. BOOK CONDITION: Fine tight clean copy still in the publisher's original shrinkwrap. Peres Projects paperback
1975réf. 191822Halifax Nova Scotia Canada: Nova Scotia College of Art and Design 1975. First edition. Softcover. Artist book illustrated throughout with full bleed black and white photographs. A very good plus copy in photo-illustrated wrappers with some minor wear some creasing to the spine and with the uncommon translucent title sheet. A nice of this terrific book. Parr & Badger v 2 156. Nova Scotia College of Art and Design unknown
1975réf. 191822Halifax Nova Scotia Canada: Nova Scotia College of Art and Design 1975. First edition. Softcover. Artist book illustrated throughout with full bleed black and white photographs. A very good plus copy in photo-illustrated wrappers with some minor wear some creasing to the spine and with the uncommon translucent title sheet. A nice of this terrific book. Parr & Badger v 2 156. Nova Scotia College of Art and Design unknown books
1852réf. 252951Liverpool: F. D. Richards 1852. hardcover. very good-. Upon the Official Course of His Excellency Gov. Brigham Young. With Plea of George A. Smith Esq. and Charge of the Hon. Judge Snow upon the Trial of Howard Egan before the United States District Court on Indictment for the Murder of James Monroe. Verdict. With A Bill to Establish a Territorial Government for Utah. The Names of the Territorial Officers Etc. Etc. 24pp. 8vo modern 3/4 morocco lightly dampstained throughout on right margins spine ends lightly rubbed. Liverpool: F. D. Richards 1852. One volume with the text of these two legal cases and the bill to establish the government of the Utah Territory. F. D. Richards unknown
1852réf. 252951Liverpool: F. D. Richards 1852. hardcover. very good-. Upon the Official Course of His Excellency Gov. Brigham Young. With Plea of George A. Smith Esq. and Charge of the Hon. Judge Snow upon the Trial of Howard Egan before the United States District Court on Indictment for the Murder of James Monroe. Verdict. With A Bill to Establish a Territorial Government for Utah. The Names of the Territorial Officers Etc. Etc. 24pp. 8vo modern 3/4 morocco lightly dampstained throughout on right margins spine ends lightly rubbed. Liverpool: F. D. Richards 1852. One volume with the text of these two legal cases and the bill to establish the government of the Utah Territory. F. D. Richards unknown books
1965réf. 166115London: Gibraltar Productions 1965. Revised Draft script for the 1966 British horror film copy belonging to Art Director George Provis with his name written in ink on the top of the front wrapper with manuscript pencil annotations and paste-ups of clippings of goldenrod revision pages throughout here under the working title "The Obi." Laid in is a rough pencil sketch of settings and a set. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the BBC-TV play "The Obi" by Jon Manchip White. At an interracial college in a small British town small glass bottles filled with graveyard dirt and feathers obis sent as Obeah voodoo curses to students and faculty precede a series of voodoo killings on campus. Re-released in 1973 as the television movie "Exorcism at Midnight" following the success of "The Exorcist" with new color sequences with an American cast which re-framed the original black and white film as a flashback. Tall tan untitled wrappers. Title page present dated 28.5.1965 noted as Revised Screenplay with credits for screenwriter Stanley Goulder and playwright Jon Manchip White. 104 leaves with last page of text numbered 101. Mimeograph duplication rectos only with undated goldenrod revision clippings and pages pasted in throughout. Pages Near Fine wrapper Near Fine bound with a black plastic comb-binding. Gibraltar Productions unknown
1965réf. 166115London: Gibraltar Productions 1965. Revised Draft script for the 1966 British horror film copy belonging to Art Director George Provis with his name written in ink on the top of the front wrapper with manuscript pencil annotations and paste-ups of clippings of goldenrod revision pages throughout here under the working title "The Obi." Laid in is a rough pencil sketch of settings and a set. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the BBC-TV play "The Obi" by Jon Manchip White. At an interracial college in a small British town small glass bottles filled with graveyard dirt and feathers obis sent as Obeah voodoo curses to students and faculty precede a series of voodoo killings on campus. Re-released in 1973 as the television movie "Exorcism at Midnight" following the success of "The Exorcist" with new color sequences with an American cast which re-framed the original black and white film as a flashback. Tall tan untitled wrappers. Title page present dated 28.5.1965 noted as Revised Screenplay with credits for screenwriter Stanley Goulder and playwright Jon Manchip White. 104 leaves with last page of text numbered 101. Mimeograph duplication rectos only with undated goldenrod revision clippings and pages pasted in throughout. Pages Near Fine wrapper Near Fine bound with a black plastic comb-binding. Gibraltar Productions unknown books
réf. Peter HøegNot in perfect condition. unknown
2017réf. __1138787884Routledge 2017. Hardcover. New. 391 pages. 9.75x7.00x1.00 inches. Routledge hardcover
2012réf. x-1617796565Humana Press 2012. Paperback. New. 2nd edition. 660 pages. 9.21x6.14x1.33 inches. Humana Press paperback
2009réf. x-1603273328Humana Pr Inc 2009. Hardcover. New. 2nd edition. 648 pages. 9.20x6.30x1.70 inches. Humana Pr Inc hardcover
1949réf. 902T43London: Faber and Faber 1949. First edition. Cloth. Very Good/Good Only. 7.5" by 5". None. A smart first edition of the first chronological novel in the Strangers and Brothers series from C. P. Snow signed by the author. First edition. Signed by the author to the front endpaper. The first chronological novel in the Strangers and Brothers series. A novel depicting the beginning of Lewis Eliot's life with a childhood in poverty in a small English town at the beginning of the twentieth century. Written by Charles Percy Snow an English novelist and physical chemist who served in several important positions in the British Civil Service and the UK government. In the original orange cloth binding. Externally smart with light wear and fading to the extremities. Original unclipped dust wrapper is worn with loss to the front panel and spine. Repairs made with paper pasted to the internal side. Closed tears to the extremities. Sunning to the spine and the odd mark to the panels. Internally firmly bound. Pages are very bright and clean with minor age toning. Contemporary ink inscription to the front pastedown with author's signature to the front endpaper. Very Good Faber and Faber hardcover
réf. 68357Fine illustrated and antiquarian Ornithology . 1st. Ed. Pub. Tryon Gallery. 1978. pp.142 with 24 full-page colour illus. and 31 b/w. illus. Folio. Hardback. AEG. Contents exceptional and in fine condition. From the limited edition of just 360 copies this being No. 337 and signed by Raymond Ching. Each copy in this limited edition contains a special frontispiece entitled Kingfisher and also a signed print of a Fledgling Owl from Chings collection also copy No. 337. Bound in full brown morocco by Zaehnsdorf of London in fine condition with just a hint of sunning to spine. Housed in publishers slipcase in nr. fine condition. A very pleasing copy. Fine illustrated and antiquarian Ornithology hardcover
1950réf. 179956New York: Harper & Brothers 1950. First edition inscribed by the author opposite the title page "To Mildred Martin lover of humanity and steadfast friend of mills. Jade Snow Wong" and signed by the illustrator below. Jade Snow Wong 1922-2006 was raised in San Francisco's Chinatown in an immigrant family originally from Guangdong China as one of nine children. This work is her autobiographical account of her upbringing and is "a portrait of the Chinese American immigrant family experience written with humanity and insight" New York Times. Wong embarked on a four-month speaking tour around Asia and her work was translated into several languages. Mildred Martin was an author who wrote several educational works for children focused on the fictional Miller family. Octavo. With illustrations to text by Kathryn Uhl. Original black cloth spine lettered in white and red red and black illustrated endpapers. With dust jacket. Spine cocked ends bumped wear at foot of front board; jacket not price-clipped spine ends with small chips extremities a little creased rear panel stained: a very good copy in like jacket. "Shining a Light on Forgotten Designers" New York Times Oct. 2021. hardcover
2022réf. CBS-9781666888720Kaufman Press ExclusiveCbs 2022. New. Kaufman Press Exclusive(Cbs) unknown
