2979 risultati
rif. VLE-664P., Firmin-Didot, 1838, in-8, VIII+370pp. Provenance : Bibliothèque d'Adrien Carré, Médecin Général de la Marine (ex-libris) relié demi-basane verte, dos à quatre nerfs sautés, orné de filets, de fleurons et de larges roulettes
rif. VLE-701P., Imp. Nat, 1879, in-4, XVI+568pp. relié plein cartonnage éditeur, bord de reliure en partie cassé
rif. DADAX0415943221New unknown
rif. DADAX0367357666New unknown
rif. DADAX0765615185New unknown
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rif. SONG184946703XUsed: Good unknown
rif. DADAX1484256107New unknown
rif. DADAX0415938376New unknown
rif. SONG0521855918Used: Good unknown
rif. SONG0761838422Used: Good unknown
rif. DADAX9059051165New unknown
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rif. DADAX0313320098New unknown
rif. SONG0672322145Used: Good unknown
rif. DADAX1118400070New unknown
rif. DADAX0765616319New unknown
1995rif. 022632Queens NY: Queens Museum of Art Publisher 1995. Unbound. Near Fine. Single sheet folded into 4 pages. Thick card stock. 9 by 6 inches. An invitation to an important exhibition of an installation by Margot Lovejoy spanning from August to September of 1995. Parthenia was an art installation and early website created by Margot Lovejoy that served as a virtual monument to victims of domestic abuse. The project began in 1994 with Lovejoy working in conjunction with Indian diaspora groups such as the Sakhi. It featured Indian dancers. The website was preserved by the Walker Art Center due to its significance in content and as web based art. Margot Lovejoy was an artist primarily working in digital media as well as an art historian focusing on the intersection of technology and art and its culmination in digital forms. Public Linen was a more traditional almost analog work documenting the art in the everyday. NEAR FINE condition. Perhaps a hint of edgewear. Queens Museum of Art, Publisher unknown