Bertazzoli Raffaella e altri (a cura di)MareMagnum
7 970 résultats
2011illustrazioni
2006Remo Bodei Piramidi di tempo. Storie e teorie del déjà vu. , Il Mulino 2006, piatti e dorso lievemente segnati.tagli con piccole gore. nelle prime pagine e nell'ultima ci sono scritte e sottolineature a matita, complessivamente in buono stato. Buono (Good) . 152 8815110070
2001Manuale pratico di Java. , Hops Tecniche Nuove 2001-12-01, Buono (Good) . Copertina flessibile 942 8883780396
2003Vetti Tagliati, Luca UML. , Tecniche Nuove 2003-06-20, L'esterno ha varie piccole imperfezioni, l'interno è in buono stato. Buono (Good) . Copertina flessibile 931 8883780698
1981usato ma in buono stato. ib7
1980Richard J.Bernstein La ristrutturazione della teoria sociale e politica. , Armando editore 1980, Libro di testo usato in buone condizioni. Pagine ingiallite lievemente, Tagli regolari con gore. Copertina flessibile cartonata sporca lievemente. Usato (Used) . 350
1997Very minor lifting of corners of wraps. ; Toronto Old English Studies; 0.69 x 9.78 x 6.78 Inches; 230 pages; The date of Beowulf, debated for almost a century, is a small question with large consequences. Does the poem provide us with an accurate if idealized view of early Germanic culture? Or is it rather a creature of nostalgia and imagination, born of the desire of a later age to create for itself a glorious past? If we cannot decide when, between the 5th and 11th centuries, the poem was composed, we cannot distinguish what elements in Beowulf belong properly to the history of material culture, to the history of myth and legend, to political history, or to the development of the English literary imagination. This book represents both individual and concerted attempts to deal with this important question, and presents one of the most important inconclusions in the study of Old English. The contributors raise so many doubts, turn up so much new and disturbing information, dismantle so many long-accepted scholarly constructs that Beowulf studies will never be the same: henceforth every discussion of the poem and its period will begin with reference to this volume.
1990Very minor shelfwear. ; 0.75 x 8.75 x 5.75 Inches; 288 pages; In this unusual synthesis of political and socio- economic history, Philip Manville demonstrates that citizenship for the Athenians was not merely a legal construct but rather a complex concept that was both an institution and a mode of social behavior. He further shows that it was not static, as most scholarship has assumed, but rather has slowly evolved over time. The work is also an explanation of the origins and development of the polis.
1972Minor rubbing and shelfwear to wraps. DJ has edgewear with light chipping and a couple of small tears. ; Traces the development of Greek and Latin oratory and rhetorical theory from 300 BC to AD 300. During that period, he shows, the art of persuasion the Romans inherited from the greeks gradually became an art more concerned with the secondary characteristics of rhetoric: style and artistic effort. ; 0.76 x 9.2 x 6.1 Inches; 658 pages
1983Light pencilling to a couple of pages. Scholar's name to ffep (Robert Brown). Very light shelfwear to book. DJ has a couple of small tears; with faint browning and 1 small stain to spine. ; 1.18 x 8.5 x 5.75 Inches; 360 pages; Extensive English introduction, commentary and Latin Text.
1967Scholar's name to half-title (Robert Brown). Wraps slightly tanned. Light crease to lower corner of rear wrap. ; Provides criticism, sound scholarship, and systematic explication of the characters, action, events, and artistic devices of the Odyssey. ; A Spectrum Book; 0.29 x 9.03 x 6.01 Inches; 120 pages
1980Light wear to a couple of corners. Minor shelfwear. ; Canadian University Paperbooks; 0.38 x 7.84 x 5.06 Inches; 198 pages; Provides a throrough analysis of the literary and non-literary aspects of Aeschylus' Prometheus Bound essential for an understanding of the play.
1993Very minor shelfwear to book. Small chips to top of spine. DJ has creasing and 1 tear (repaired with clear tape) along upper edge. ; 2 x 10 x 8 Inches; 340 pages; Roman epic lays firm claim to being Western civilization's prime literary form. Roman Epic draws together 14 critically and methodologically distinct essays, focusing on particular epicists, their reaction to, influence on, and rewriting of each other. The book examines the formation and transformation of Roman epic from its beginnings in the third century B. C. Saturnian poets Livius and Naevius to the Renaissance Latin epic of Petrarch and Vida. What results is the revelation of Roman epic not only as Rome's highest poetic genre but as a self-consciously intertextual, primarily political form. The Roman epicist's creative exploitation of his predecessors is not restricted to stylistic similarities and generic codes, but often encompasses more important levels of social, moral and political meaning. In the Roman tradition, the epic form shows an impetus to reform the celebratory values implicit in the form itself, admitting a plurality of interactive, often critical narrative voices. This book reveals how the epic developed and critically considers the generic and literary tradition to which the texts belong. It demonstrates epic's critical significance for the foundational culture of the Western world.
1972Minor rubbing and shelfwear to wraps. Faint soiling to textblock. DJ has edgewear with chipping and tears in places. Some loss to top of spine (crudely repaired with clear tape). ; Traces the development of Greek and Latin oratory and rhetorical theory from 300 BC to AD 300. During that period, he shows, the art of persuasion the Romans inherited from the greeks gradually became an art more concerned with the secondary characteristics of rhetoric: style and artistic effort. ; 0.76 x 9.2 x 6.1 Inches; 658 pages
1980Minor shelfwear; Canadian University Paperbooks; 0.38 x 7.84 x 5.06 Inches; 198 pages; Provides a throrough analysis of the literary and non-literary aspects of Aeschylus' Prometheus Bound essential for an understanding of the play.
1988Very minor shelfwear to DJ at heel of spine else Fine. DJ has minor discoloration to spine and front panel. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
1958Light soiling to front board. Light rubbing to base of spine. Clean text. ; 12mo 7" - 7½" tall; 194 pages; Extensive English introduction, commentary and Latin Text.
1980Light wear to a couple of corners else fine. ; Canadian University Paperbooks; 0.38 x 7.84 x 5.06 Inches; 198 pages; Provides a throrough analysis of the literary and non-literary aspects of Aeschylus' Prometheus Bound essential for an understanding of the play.
1988Scholar's name to ffep (R. E. Fantham) in pencil with light pencil markings on a couple of pages. Very light shelfwear to book else fine. DJ spine is sunned with tears to top of DJ spine and a few small chips. ; Special Edition for Sandpiper books -- reprint of 1988 edition. In this study of the Hellenistic poets of the third century B. C. Hutchinson provides a much-needed picture of the poetry of the period while demonstrating its quality and vitality. The work of the Hellenistic poets in the third century BC has not only an important place in Greek literature, but also a particular significance for Latin poetry. Hutchinson explores the works of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a generalconception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on the city of Rome. Despite much technical work on the texts and language of these authors - Theocritus, Callimachus, Apollonius Rhodius, and others - previous literary criticism on most of the major figures is limited in quantity and scope. He explores the work of the individual writers in turn, while developing a general conception of the poetry as a whole, centred around the poets' handling of tone, level, and form. The book concludes with a fresh approach to the influence of Hellenistic poets in Rome. All quotations in Greek or Latin have been translated by the author. ; Oxford University Press Academic Monograph Reprints; 392 pages
