Shepherd, Geoffrey (Ed. )MareMagnum
7 970 résultats
2000Ancrene Wisse (also Ancrene Riwle) or Guide for Anchoresses is a monastic rule (or manual) for anchorite nuns, written in the early 13th century; Exeter Mediaeval Texts & Studies; 192 pages
1988Dustjacket has minor shelfwear and rubbing. Light sunning to Dustjacket's spine. ; A revised and elaborated version of Harrison's dissertation, it deals with medieval Italian lyric poetry, with special emphasis on Dante's early work La Vita Nuova. ; 224 pages
1994Dustjacket has light rubbing. ; Eros in Mourning begins with a reading of the Iliad that shows how Homer, not yet influenced by the ideology of transcendence, analyzes the structure of unassuageable mourning in a way that is as up-to-date as the latest poststructuralism. Then, in readings of Dante, Hamlet, La Princess de Clèves, Heart of Darkness, and Lacan, Staten depicts the "thanato-erotic" hysteria that is set off by the specter of the dead and decomposing body that is also the body of sexual love and which, in the "transcendentalizing" tradition, is more female than male. Yet, St. John, certain troubadours, and Milton offer glimpses of a more affirmative relation to "eros in mourning. " ; 9.5 x 1 x 6.5 Inches; 248 pages
1986Sunning to dustjacket's spine. ; Horace's first three books of Odes, published together in 23 BC, are a masterpiece of Augustan literature and the culmination of classical lyric. Matthew Santirocco provides the first new critical approach to them in English in more than two decades. ; 0.98 x 9.28 x 6.3 Inches; 261 pages
1994Light soiling to textblock. Light crease to corner. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.35 x 9.04 x 6.04 Inches; 414 pages
1997Very light shelfwear ; Building upon the groundbreaking work of Milman Parry and Albert Lord, "Out of Line" presents a new theory of Homeric composition, focusing upon patterns that extend beyond the boundary of the line and the clause. Matthew Clark takes enjambment as a starting point, analyzing the techniques used by the poet to complete a line that begins with a runover. Clark proceeds to propose two levels of analysis, a "deep-structure" level, which describes the associations of words and ideas before they take metrical form, and a "surface-structure" level, which describes the words as they are employed on any particular occasion. "Out of Line" combines formulaic and metrical analysis, expanding the study of Homeric meter both in practice, by taking into account larger compositional structures such as entire scenes, and in theory, by using the results to test models of formulaic composition. This book is important for students and scholars of Homer, epic, and oral literature. ; 0.83 x 9.29 x 6.19 Inches; 264 pages
1989Bottom corner of pages are creased else NF. ; Provides criticism, sound scholarship, and systematic explication of the characters, action, events, and artistic devices of the Odyssey. ; 0.29 x 9.03 x 6.01 Inches; 120 pages
1990Light bump to bottom of spine. ; This superb and fascinating book insists upon trying to place the poetry of Sappho, Alcaeus, Pindar, Archilochus, and others within its social and ritual contexts: oral performance, patron/poet relationship, and religious or communal function. Considering the evidence, such efforts must at times rely upon inspiration, but the close textual readings of individual poems, judicious use of anthropological method, and inclusion of many of the recently discovered fragments creates a vivid picture. ; 0.97 x 8.94 x 6.08 Inches; 408 pages
1996Reveals how certain strategic metaphors embedded in the early Western literary canon have promoted--and continue to promote--systems of inequality and social control. Collins examines texts ranging from the Homeric epics and the Platonic dialogues to Virgil's "Aeneid" and the "Book of Revelation". Drawing on the linguistic and documentary evidence of usages in early societies, chiefly Greek and Hebrew, Collins has produced a penetrating examination of social and personal structures in those worlds. ; 9.5 x 0.75 x 6.5 Inches; 196 pages
1999Dustjacket has minor shelfwear and rubbing. ; 0.98 x 9.37 x 6.31 Inches; 208 pages; Bruce Louden's bold re-reading of the Odyssey -- the first attempt in years to map in detail the poem's overall structure -- offers new insights into the artistry of Odysseus' mythic voyage and enriches our understanding of Homer's masterful craftsmanship. Louden's groundbreaking work uncovers an extended narrative pattern, repeated in full three times, which reveals the poem's underlying skeletal structure. This organizational analysis helps to explain the existence of several characters or episodes sometimes dismissed as extraneous, as late additions, or even as corruptions to Homer's original intent. In addition, Louden's discovery strengthens the suggestion that the Odyssey was the product of oral tradition. By repeating this sequence of successive motifs, a single, improvising bard could explore a variety of complex ideas within a poem as long as the Odyssey. Though centrally concerned with the form of Homer's rich and complex plot, Louden's study is not exclusively, or even primarily, formalistic. His investigation involves the study of characters' names, challenges faced by Odysseus, the structure of the poem, and roles assigned to the poem's female characters. Louden's comprehensive achievement gives the reader a fresh perspective on the role of divine hostility and the artistry of an epic survivor on his timeless journey home.
1994Dustjacket has light rubbing. Light shelfwear. ; Eros in Mourning begins with a reading of the Iliad that shows how Homer, not yet influenced by the ideology of transcendence, analyzes the structure of unassuageable mourning in a way that is as up-to-date as the latest poststructuralism. Then, in readings of Dante, Hamlet, La Princess de Clèves, Heart of Darkness, and Lacan, Staten depicts the "thanato-erotic" hysteria that is set off by the specter of the dead and decomposing body that is also the body of sexual love and which, in the "transcendentalizing" tradition, is more female than male. Yet, St. John, certain troubadours, and Milton offer glimpses of a more affirmative relation to "eros in mourning. " ; 9.5 x 1 x 6.5 Inches; 248 pages
1987Dustjacket has minor shelfwear and rubbing. One crease to back panel of DJ. Light soiling. ; Describes the forms of patronage from Homer's time to the Hellenistic period, focusing on Homeric bards, the lyric poets, Pindar, Theocritus, and the Alexandrian poets and scholars. Gold then discusses patronage in Rome from the dramatists in the third century B. C. To the later republican poets such as Catullus, Lucretius, and the elegists. ; 267 pages
1995One tear to middle of DJ at edge (1 cm). ; 1.11 x 9.29 x 6.3 Inches; 262 pages
1992Top corners very light rounded. ; 0.88 x 9.31 x 6.27 Inches; 268 pages; This wide-ranging book locates the origin of political science in the everyday world of ancient Greek life, thought, and culture. Arlene Saxonhouse contends that the Greeks, confronted by the puzzling diversity of the physical world, sought a force that would unify, constrain, and explain it. This drive toward unity did more than value the mind over the senses: it led the Greeks to play down the very real complexities--particularly regarding women, the family, and sexuality--in both their political and personal lives. Saxonhouse opens up fresh understandings of such issues as the Greeks' fear of the feminine and their attempts to ignore the demands that gender, reproduction, and the family inevitably make on the individual.
1980Minor shelfwear. ; Signed by Conacher: "For Robert, with kindest regards, Desmond" ; Canadian University Paperbooks; 0.38 x 7.84 x 5.06 Inches; 198 pages; Provides a throrough analysis of the literary and non-literary aspects of Aeschylus' Prometheus Bound essential for an understanding of the play. ; Signed by Author
2006One small bump along top edge of board else Fine. ; 9 x 0.75 x 6.25 Inches; 227 pages; This book features the efforts of a group of academics from diverse disciplines that have been working together to highlight the presence of the parrot in selected texts across the centuries. Their common purpose is to demonstrate that fictional parrots invariably function as more than decoration, comedy or badges denoting the eccentricity of their human owners. These versatile and talented birds function as markers for subtle literary techniques. Using the parrot as an interpretative tool the focus is on a range of narrative strategies and metaphorical meanings employed by the authors in question and argue that these are embodied in the attributes of the speaking bird who figures significantly in each work. Contents: 1. Two Poetic and Parodic Parrots in Latin Literature by Paula James 2. ‘A Byrde of Paradyse’: - Skelton’s Speke Parot and the Parrots of its Context by Susan Purdie 3. The Nunnery Parrot: Gresset’s Ver-Vert and his English translators by John Gilmore 4. The View from the Perch: Flaubert’s Loulou by Julia Courtney 5. Parrot as Paradigm: Stevenson and others by Julia Courtney 6. Parrots in Children’s Fiction by Hilary Clare 7. Coco: A Parrot of Few Words in Wide Sargasso Sea by Paula James 8. The Scientific Background to Parrots in Literature by Caroline Pond
1976Ex-library copy with usual stamps, call numbers and pocket. ; Reprint of the 2nd edition; Anglistica & Americana; 1735. Blackwell, a Scottish classical scholar, first published this work anonymously. The work was intended to explain the causes of the superiority of Homer to all the poets who preceded or followed him. It shows considerable research, and contains many curious and interesting details, but its want of method made Bentley say that, when he had gone through half of it, he had forgotten the beginning, and, when he had finished the reading of it, he had forgotten the whole.
1994Hermeneutics, Studies in the History of Religions; 0.75 x 9 x 6 Inches; 207 pages; Analyses the two classic narratives and how they mystify the social, cultural and existential dangers of failed persuastion...
1988Ex-library copy with usual stamps, call numbers and pocket. Dustjacket is protected in mylar. ; This superb and fascinating book insists upon trying to place the poetry of Sappho, Alcaeus, Pindar, Archilochus, and others within its social and ritual contexts: oral performance, patron/poet relationship, and religious or communal function. Considering the evidence, such efforts must at times rely upon inspiration, but the close textual readings of individual poems, judicious use of anthropological method, and inclusion of many of the recently discovered fragments creates a vivid picture. ; 0.97 x 8.94 x 6.08 Inches; 408 pages
1989Ex-library copy with usual stamps, call numbers and pocket. ; 0.8 x 8.7 x 5.8 Inches; 172 pages; In this new reading of the Aeneid, Wiltshire provides a historical perspective for the current debate over the public/private dilemma. Wiltshire traces the split between public and private back to the origins of bureaucracy in the Roman Empire...
1884Ex-library copy with usual stamps, call numbers and pocket. Former owner's name on ffep. Fraying to spine ends. Edgewear to extremities. ; Looks at the theology that may be present in the writings of Homer, Aeschylus and Sophocles. ; 365 pages; 1870. Natural theology may be contemplated from two different points of view, and so may be seen in two different aspects. We may look at in from the stand point of our own observation and reason in the light of Christianity; or we may consider it as it has been developed in the literature and history of heathen nations, and as it appeared in the eyes of those who were destitute of the Christian revelation. This volume is intended as a humble contribution to natural theology in both these forms.
1992Paperback has been rebound in hardcover preserving original wraps. Ex-library copy with usual stamps, call numbers and pocket. ; Clarendon Paperbacks; 0.61 x 8.46 x 5.5 Inches; 264 pages; The Aeneid can strike one as a relatively conventional epic, an objective heroic tale of Rome's beginnings. Vergil designed it so that it might read in this way. This is one, epic `voice' that he wished us to hear. But there are `further voices', and these may be disturbing, even shocking, as they add to, comment upon, question and occasionally subvert the implications of the epic voice. This is a detailed examination of Vergil's method of intruding such further voices.
2005Digital Reprint of 1992 Edition. ; Cambridge Studies in Medieval Literature; 0.75 x 9 x 6 Inches; 268 pages; This wide-ranging study examines the role of the dream in medieval culture with reference to philosophical, legal and theological writings as well as literary and autobiographical works. Stephen Kruger studies the development of theories of dreaming, from the Neoplatonic and patristic writers to late medieval re-interpretations, and shows how these theories relate to autobiographical accounts and to more popular treatments of dreaming. He considers previously neglected material including one important dream vision by Nicole Oresme, and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
1991Ex-library copy with usual stamps, call numbers and pocket. Softcover book has been rebound as hardcover. ; 0.5 x 9.25 x 6.25 Inches; 246 pages; This collection is a companion volume to that edited by Malcolm Andrew on "The Canterbury Tales", and the selection of articles and extracts is governed by the same criteria. This collection is designed as a provision for students of medieval literature. There has been no new collection in paperback of important and representative criticism of "Troilus" and the minor poems since the early 1960s. This collection shows how Chaucer criticism has developed in this century, especially over the last 25 years, and demonstrates the range of methodologies used.
1993Ex-library copy with usual stamps, call numbers and pocket. ; 0.55 x 8.5 x 5.59 Inches; 126 pages; This book examines "Troilus and Criseyde" and "The Knight's Tale" as poems which work the same plot to contrasting tragic and joyous endings but for the same purpose, of exploring the folly of electing the temporal world over the eternal. It demonstrates that the tragedy of "Troilus and Criseyde" is a consequence of the folly of relying on Fortune and temporal bliss and works through the pattern of a similar dependence in "The Knight's Tale." It then develops the portrayal of the protagonists of the poems as Fortune's Fools through a scrutiny of courtship as game of play, of "caritas" and "cupiditas" contrasted with the implications of pity, mercy, grace, and love as used in temporal contexts in the poem but defined theologically elsewhere in Chaucer, and of the limitations of knighthood and chivalry as defined by the world of the poems.